Legendary Hollywood Producer

The afternoon is relaxing and quiet. In the coffee shop, Eno Jordan, who will take up the post of executive director of Manhai Entertainment, quietly listens to Roman's plan.

He will go to the company to perform his duties tomorrow, and the management of Manhai Entertainment needs to listen to Roman's detailed explanation.

"Manhai Entertainment has launched several box office masterpieces in succession in the past two years, and has successfully established its own North American distribution channel. Film production has always been our strong point, so we don't need to worry too much about this." Roman, who has been through several movies, has no shortage of vision and experience, plus the memory of watching many movies. At present, making a good movie project is not a big deal for him. It's difficult.

To illustrate this point, Roman went on to introduce the company's internal situation, "However, the company's development is too fast, and the internal personnel situation has become a significant problem. Mr. Ino-Jordon, after you arrive at Manhai Entertainment, you will be the first The focus of this step is to integrate company resources, carry out internal optimization, and improve the company’s personnel transfer."

Ino-Jordon nodded and said: "I will focus on arranging these issues, Mr. Roman, just give me a little time."

When he gets familiar with the internal situation of the company, Eno-Jordon will give priority to it. After all, Manhai Entertainment is a newly established company. The personnel situation will never be as complicated as Colombia. There are hills everywhere. As for the big tail. Eno-Jordon believes that he will be able to fully display his ambitions in this company, not only because of Roman's trust in him, but also because he must be worthy of what he has learned and aspired to.

"You can arrange it yourself, anyway, I'll leave this part of the work to you." This is equivalent to a test paper issued by Roman, and then it depends on the score that Ino-Jordon can get. Whether to leave or stay depends on his methods. No longer entangled in this, Roman asked again: "Do you have any thoughts on the focus of the company's next development?" This is to test Ino-Jordon's vision to see if he is a qualified housekeeper. As for the role, he still has a better ability to act as the helm in the direction of a good company. This is also related to his future upside in the company.

After Eno-Jordon clearly knew that he was going to join Manhai Entertainment, he also thought about this. After hearing the questions Romain asked, he also said directly: "My thoughts are based on the current situation of the company. Next, in addition to the production of film and television projects, we also need to consider the establishment of overseas channels and the development of complete film and television peripheral copyrights." He directly cited the examples of the two companies he worked for.

Giants like Disney are implementing a multi-faceted industry-wide linkage development and creation of IP. In their eyes, a film and television drama or animation should not only focus on box office profits, but should achieve linkages between upstream and downstream. The value of operating these linkages. Take the "Toy Story" series as an example. In addition to bringing Disney more than two billion dollars in revenue at the box office, its release also provides stable channels for home entertainment such as game development, book publishing, DVDs, and dolls. The basic market and other authorized development areas are also doing very well. With the help of the fans foundation laid by the hot selling of movies around the world, a very valuable IP has been created directly, and the profits brought by the peripheral copyright are even more than the movie box office. The market itself is even larger, and its annual peripheral profits are basically maintained at more than one billion US dollars, and this is a long-term holding, which can continuously provide blood transfusions to Disney. What's more, as far as the current situation is concerned, the reason why Disney has today's financial resources and status depends entirely on the hundreds of animation images that have been created before. They have enriched Disney in this series of long industrial chains. The heritage of the dynasty.

In the future, Disney's path of "movie + derivatives + entertainment real estate" continued to be extremely successful, and an IP ecosystem was born in its hands.

Although the Columbia company is not as hungry as the Disney bigwigs go, it is also not allowed to be understated in peripheral development.

According to what Eno-Jordon has learned, their success in "Spider-Man" has allowed Columbia to dig deep into the hidden value dividend under the image of the little spider.

Roman quietly listened to Ino-Jordon's narration, and he knew that these were all right. Like in the future, Disney is already rich enough to acquire 20th Century Fox, which belongs to the same position, and Columbia is also enjoying the various dividends brought by the little spider. Game development, authorized character images, etc. are still very profitable. With just a small spider, the profit gained is enough to move the executives of the Colombian company.

He also understands that the current movies produced by Manhai Entertainment are far from digging into the treasures of the surrounding markets, but Roman also has an idea in his mind that the superhero copyrights under Marvel are his arrangements in advance.

Manhai Entertainment will not be absent from this feast, and the sooner it enters the market, of course the better. Roman thought in his heart that the next key task of the company is to get in touch with the development of this huge peripheral market first. Work, but also for the future offline development of Marvel movies, to figure out the way in advance.

As for the other key point that Ino-Jordon said, the establishment of overseas channels, Roman also has some ideas.

You can first try to integrate the DVD bulk channels, set up a company similar to Blockbuster that rents and sells DVDs and video tapes, and slowly develops global sales channels and simultaneously establishes a sales management store for movie peripheral products. When the time is right, the skin will be opened and become the development of overseas channels. Now, you can still rely on Paramount Pictures and develop yourself. If you do this, you will not be targeted by top giants. In the past life, DreamWorks’ overseas development work has been blocked. It’s hard to say clearly. Without the intervention of the Big Six of Hollywood, after all, if it was Roman, he would not want the inherent cake to be divided by one more person.

Moreover, the future is the era of the Internet, and the new emergence of streaming media is also something that Roman needs to grasp. Platforms like Netflix can generate amazing profits every year. Such achievements cannot be ignored.

The development of peripheral markets, the establishment of overseas channels, and the changes in the Internet era, Roman does not intend to miss these. He wants to create a film and television IP development that is even more dreamy than Disney. Ambition grows with strength.