God-level Golden Hand

Chapter 426

After Xu Jingxing finished speaking, he didn't care about Sun Mengmeng's reaction, dipped in the gold paint, and directly painted it on the semi-finished purple sand chess jar that had just been polished.

Of course, he is not scribbling, but painting.

Of course, his painting skills are not inferior to Sun Mengmeng's. Although he has no experience, he has solid basic skills, and is assisted by Ruyi gloves. , enough to cope with the resistance on the surface of the purple sand ware that is stronger than that of rice paper.

So I didn’t find it too difficult when I got started. I adjusted it immediately when I wrote the pen. I just found the feeling after a little pause. I quickly moved the pen, hooked, lifted, turned, and pulled. With a few strokes, the background was almost outlined. up.

The background is winter mountains and stretches of orange groves, which should be relatively dense and need more pen and ink to describe, but in his pen, there are only a few strokes, which almost only outline a rough outline. In terms of shape, it is almost the same as the background painted by Sun Mengmeng, and the feeling is the same.

Outlined the background, he brushed and drew a few more strokes, using the dry ink as the main part, and within a few strokes, an orange tree appeared on the paper.The shape of this orange tree is almost exactly the same as the one painted by Sun Mengmeng, but the ink is also less, the lines are thicker but more sparse, and the branches and leaves are hidden between the thick lines, and the overlap between the turns It is the branches and leaves.

Then I picked up the tip of the pen and drew two arcs, one left and one right, and a huge orange came out.

He dipped the gold paint again, took a deep breath and swiped a few strokes quickly among the oranges, a lifelike old man appeared on the paper, then another old man, and finally the chessboard.

It has been less than 5 minutes since he picked up the brush, but such a painting has already taken shape. He spent about 2 minutes processing the details in the painting, then looked at it for a moment, put down the brush in satisfaction, and turned his head Looking at Sun Mengmeng, "How much do you remember?"

Sun Mengmeng was already stunned, "You, you are..."

"do not know?"

"Plausible..." Sun Mengmeng nodded hesitantly.

"Then what are you talking about?"

"It's like drawing with a reduced brush, but it's more like drawing with dry wood," Sun Mengmeng is a professional after all, and she was quite sure when she said this.

"Are you sure?" he asked again.

His question made Sun Mengmeng even more hesitant, but she still replied: "It seems that there is still a shadow of Zhe Lu Bian."

"It's very good to be able to recognize three kinds of drawing methods," he obviously praised after hearing the words, and then said: "However, I used a total of subtractive brush strokes, dry wood strokes, folded reed strokes, and pouty head strokes in this painting." There are six kinds of tracing methods: Ding tracing, olive tracing and string tracing, the most used is subtractive stroke tracing and dry wood tracing, and the least used is string tracing, do you know why I have to match them like this?"

"I don't quite understand," Sun Mengmeng replied honestly.

Pointing to the picture on the chess jar, he explained: "I use subtractive strokes and dry wood to draw the background, mainly to draw outlines. These two drawing methods are somewhat similar. The lines are thick and powerful, simple and smooth, very suitable for outlining the background; The branches of the orange tree are also drawn with dry wood, which is characterized by using both dry and wet brushes, which is very expressive. It looks more harmonious when combined with folded reeds to outline the branches and leaves.

As for this big orange, it looks simple, but it is actually very difficult to draw well. After all, this is not a meticulous painting. If you want to draw an orange with simple lines, you need to be more expressive, and there are two oranges inside. For a chess-playing fairy, the simpler the lines, the better, so I use the subtractive strokes and the olive strokes to describe them. The thin and thick lines in the middle of the olive strokes are similar to the unique wrinkles of oranges in winter, right?

Finally, there is the chessboard in the orange and the two gods. The gods are simple, and they can be done by pouting the head, because the turning of the pouting Ding is very suitable for places with small spaces, especially the stroke after the turn. Quite restrained, not afraid to go out of line.

The straight lines on the chessboard are naturally traced with strings. This method of tracing is simple, direct and powerful, and is most suitable for drawing a chessboard. "

After talking so much in one breath, he took a sip of tea before asking, "How do you feel?"

"Shock!" Sun Mengmeng uttered these two words, feeling that she was still full of meaning, and raised a thumbs up, "How did you do it?"

"How did you do it? Are the six methods mixed?" He asked back.

Sun Mengmeng shook her head, "No, it's not uncommon to use mixed drawing methods, what's strange is that you can change various drawing methods at will in such a fast brush stroke process, especially when you painted the orange, I just looked at you as if you were just doing it at random. I passed by, but the result was a mixed drawing of subtractive brush strokes and olive strokes, which almost scared me silly."

"I'll show you one more time, for the last time," he smiled, picked up the brush, and pulled a piece of rice paper, not forgetting to tell his apprentice, "Don't worry, you should also pay attention." After speaking, he moved the brush, Because it is a demonstration, the speed is not fast, but it is not slow, because if it is too slow, the effect cannot be drawn.

But it was enough for Sun Mengmeng and An Xin to understand the trick.

At this time, they discovered that Xu Jingxing seemed to be passing by with a single stroke when he was moving the brush, but in fact his wrist was shaking rapidly. At the same time as his wrist shaking, his fingers were also gently twisting, so as to drive the brush to operate according to the rules. .

In this way, while the brush is being moved quickly, the tip of the nose will have a small jump, as if floating in water, and the overall scheme is drawn as a semicircle, but in fact, the short and curved change of the olive stroke is drawn. , It looks like the natural wrinkles of oranges.

After finishing the painting, she asked Sun Mengmeng with a smile, "Is it simple?"

It seems quite simple, and the principle is not complicated. Even Qian Dong and Chen Huiyun at the side can see it clearly, but there are many prerequisites for this to be done. In addition to solid basic skills in art, practice hard In addition, there must be a dexterous palm and sensitive fingers.

These elements are indispensable, and if any link is slightly worse, such an amazing effect cannot be drawn.

So as soon as he wrote, let alone Sun Mengmeng, an expert, even Chen Huiyun and Qian Dong, who were pure amateurs, were speechless.As for An Xin, I have never seen him show such a brushwork, and he just stared at it with bright eyes.

Sun Mengmeng, who is like a treasure, looked at the rice paper with only one arc drawn for a long time, and then replied: "It's too simple, so simple that I dare not even think about it. Did you create this technique?" ?”

Original?

Could it be that this technique of one stroke and two moves has never appeared before?

Xu Jingxing looked at Sun Mengmeng suspiciously, "What do you think?"

(End of this chapter)