God-level Golden Hand

Chapter 425 Master of One Skill
And Sun Mengmeng is indeed a smart woman, and she immediately understood the meaning of Xu Jing's jargon.

Of course, Xu Jingxing told this story on this occasion and asked Sun Mengmeng to draw this picture on the chess pot, which has another meaning, but whether Sun Mengmeng can understand it is another matter, anyway, that day The meaning is that it must never be said in public.

I don't know if Sun Mengmeng has noticed that the girl didn't rush to start after thinking about it, but drew a sketch first. The sketch is very simple, but the general layout is very clear. It is not at all necessary to ask Xu Jingxing's opinion for the drawing. Polite modesty.

Xu Jingxing was also not polite, and he didn't hold anything back. He expressed his views completely, and made some comments on the structure of the sketch.

Sun Mengmeng continued to think, then drew a new sketch, and continued to ask for his opinion.

He continued to express his views.

Repeatedly, this simple sketch is considered complete.

Sun Mengmeng stretched out the drawing and looked at it happily for a long time, then said with a smile: "Master Xu, you are the best."

"You are also very good," he also praised sincerely. This Sun Mengmeng is indeed not weak in calligraphy and painting. He may not be particularly outstanding in technique, but his imagination is outstanding, which means he is a bit imaginative, but he can't. It was only expressed accurately and completely on the rice paper. After his guidance, he quickly found some tricks.

Besides, Sun Mengmeng is different from An Xin. This woman is very independent. After listening to his opinion, she doesn't blindly accept it. In order to ensure her personal characteristics, even if it will lose part of the excitement.

This is a man who makes big things.

He sighed in his heart, and then quietly watched Sun Mengmeng paint on the semi-finished purple sand chess jar.

Painting on the surface of purple sand ware is different from painting on rice paper. Painting on rice paper pays more attention to the rendering of ink color. The layers and changes of colors are richer, and the appeal of the picture will be very strong; but on the surface of purple sand ware When painting, there is no smudging of ink, no changes in layers, and only pure lines are left, so the difficulty is naturally greater.

Of course, this way of creation is somewhat different from authentic stone portrait paintings. The lines on stone reliefs are simpler, more original, and less varied.Painting on purple sand ware is done with a brush and gold lacquer. The thickness of the lines, the length, the length, the straightness, and the reality can still be freely controlled. Relatively speaking, there are still some changes, but not as rich as those on rice paper.

But to him, all this is very new, because he has not tried painting on purple clay wares, so he looks very seriously.

Although he didn't get started, he felt that the hand feeling of painting on rice paper should be different, because he found that Sun Mengmeng's brushwork was slightly different from the regular brushwork. If you do this on rice paper, the rice paper would have been discarded long ago.

He thought about it for a long time, and when Sun Mengmeng put away the pen, he couldn't help asking: "You are so heavy with the pen, is it because you are afraid that the gold paint is not full enough?"

Sun Mengmeng nodded, "That's one reason. In addition, the expansion coefficient brought about by high-temperature firing must also be taken into consideration. If the expansion coefficient is relatively large, it may cause the previously drawn picture to be stretched. It’s okay to say that if there is a little bit of swelling on the fox’s face, the good lines will be distorted immediately.”

Hearing Sun Mengmeng's explanation, he suddenly realized.

Just figure out the principle. As for how to adjust and grasp it, just try a few more times. It is difficult to explain this thing clearly in words. You can only slowly explore and summarize it in practice until you fully master it.

Looking at the relatively full neck on the chess jar, the part with the largest arc is indeed a little thinner, so that after being fired in the kiln and expanded, the lines will naturally stretch to the normal thickness.

And in order to adapt to this change, the gold lacquer should be applied relatively thicker, so that the lines of the picture will not become intermittent broken lines in subtle changes.

Wanting to understand the reason, he cupped his hands at Sun Mengmeng and smiled, "Mengmeng girl, thank you."

"You're welcome," Sun Mengmeng covered her mouth and smiled, "Now I believe Master Xiao Xu is a genius. It took me a long time to master these key points, but you will understand after just reading it once. I admire you."

"I just figured it out. You should be clear that 'seeing it' and 'mastering it' are two different things. I 'understood it' as soon as I started, but you can 'master it' freely."

"That's amazing too," Sun Mengmeng said with a smile, "Do I count as your one-word teacher?"

"Forget it, but it is more accurate to say that it is a 'master of one skill', which is more important than a 'master of one word'."

"Then, how do you plan to repay me, a skilled teacher?" Sun Mengmeng pricked her eyes and asked back.

Xu Jingxing was stunned for a moment, and then smiled, "Okay, wait a moment," he said, taking the remaining downhill mud that Sun Mengmeng used, and squeezed a purple sand chess jar, The shape and size are almost exactly the same as Sun Mengmeng's, but the style is slightly different. The chess jar he made looks more upright.

Obviously, the shape and size of the two chess jars are almost the same, but there is also a big difference in the temperament revealed in the bones. This is the reason for the personal style in it, and only those who have reached a certain level of arts and crafts can integrate their own style into it. In your own works, and this style is generally not affected by factors such as material, shape, and size.

For example, the chess pots made by Mengmeng Sun are smart and elegant with a sense of integrity, colorful but not flattering, cute but not vulgar.

And his style, relatively speaking, is more majestic and imposing. When the chess pot is placed in front of you, you can feel the tall and straight temperament. The Buddha chess pot also has bones and spines, and it is quite is pretty straight.

Sun Mengmeng was stunned for a long time, "You, your craft is so good, how long have you been learning it?"

"you guess?"

"Five years?" Sun Mengmeng asked tentatively.

"Hehe, it's not even five days, and it's only three days if you count all the time. If you count the time I have been exposed to and understand this craft, it will be four days in total," he said with a little pride.

"Are you here to beat me specifically?" Sun Mengmeng was a little depressed, "Is it true?"

"This is the second purple clay ware I've made in my life," Xu Jingxing said as he took the lower script writing brush and ball that Sun Mengmeng used before, and said seriously: "Look at it, learn as much as you can, I'll just demonstrate it once. "

(End of this chapter)