quickly,

Chen Mu and the others went to the next palace, and saw that the gate was all carved out of jade, which was never seen before, and the patterns carved on it were also extremely complicated.
"My good fellow, using jade as the door, this... is really extravagant, inhumane! We have traveled so many tombs, and this is the first time we have seen such a battle! Absolutely!" Ting Chan couldn't help saying at this time .

at this time,

Li Anche also said, "My good fellow, just throwing off a piece casually, it's enough to live the rest of my life comfortably!"

Ye Jin said at this time, "Brother Mu, what are the patterns on this!?"

After the words fell, Chen Mu answered, "It's nothing, just some sacrificial scenes."

Subsequently,

Chen Mu stepped forward. Different from the previous tomb, this tomb has a complex mechanism. If you want to enter the tomb, you must first crack the mechanism.

With a super cheat like Powang Jintong, this mechanism is really nothing, it just takes some time.

And this time,
In the live room,

"Fuck, this door is true... a bit awesome! 』

"I'm highly myopic. The doctor said that I might be going blind. What was that bright light just now? Brother Mu, can you bring me to my house so that I can take a good look at it, maybe I'll recover if I look too much!" 』

"? ? ?Good guy, buddy, the abacus beads are all broken on my face, you know? 』

"..."

"Brothers, a tree spontaneously ignited in our place just now, and there was smoke and fire inside. 』

『My good fellow, if this was in ancient times, there would be monsters again! 』

"Tree: I don't smoke, will you water me?" 』

"Based on my years of experience in raising pigs, this matter should have nothing to do with raising pigs. 』

"Would someone come out and explain, if not, I'm going to spread rumors [see]"

"If you spread rumors, I will spread rumors!" 』

"If you spread rumors, I will believe them! 』

"..."

……

quickly,

in the tomb,
Chen Mu opened the door of the tomb, and as the door of the tomb was opened, the ever-burning lamp was lit. Everyone looked at the scene in front of them, slightly surprised,

There are no coffins in the tomb, but the bronze coffins and a pile of jade articles are placed in an extremely orderly manner.

At this time,

Chen Xiaoxiao said, "Sister-in-law, these jade wares look old, are they from the Zhou Dynasty?"

heard,

Ye Jin shook his head slightly and said, "These jades are all from the Shang Dynasty. On the basis of inheriting the Hongshan Culture and Liangzhu Culture jades, the Shang Dynasty's jades learn from and influence each other with the bronze art. In terms of shape, Shang Dynasty Modern jade wares are often shaped by objects, showing the superb skills of the artists, and realizing the unity of shape and vividness in the lifelike shape.

Its well-proportioned proportions and the unity of shape and color not only reflect the ancestors' understanding of the laws of nature.It also reflects their originality.In terms of ornamentation, the jade wares of the Shang Dynasty are mainly lined, using techniques such as the combination of lines and surfaces, relief carvings, and round carvings.The decoration is flexible and changeable, lifelike, and appears more delicate and refined.Its style has the characteristics of advocating nature and the unity of God and man. "

"From the perspective of jade carving skills, the evisceration process is different from that of a jade cong, which drills the core from both ends. It can only be turned from the top and gradually grind into a deep belly. Therefore, it is necessary to fix the mound according to the law of concentric circles, and rotate the gui Carborundum, which is dipped in water, is used to grind the blank. But it may also be made by using a small tube drill to take cores many times and then grind them.

The ring pinching technique also uses a piece of jade to pinch and grind it into two or more interlocking activities.

The technology of cutting Yangxian or double-hook Yinxian.At this time, the important details on the jade were often engraved with yang lines or double hook yin lines. This was developed from the yang line animal face pattern on the handle-shaped jade wares in the early Shang Dynasty.It is the main method of engraving in the late Shang Dynasty.

Three-dimensional jade carvings, there are a small number of jade animals in Hongshan Culture and Liangzhu Culture jade wares, but their shapes are relatively flat, not round carvings.Among the jade artifacts unearthed from the Yin Ruins, there are a number of three-dimensional jade animals, such as figures, bears, tigers, and dragons.

Beautiful color jade wares, skillfully use different colors of jade materials, design and carve them into certain utensils, which are called ingenious works.The appearance of beautiful jade wares may have been very early, and the successful work should be the jade turtle unearthed in the ruins of the houses of Emperor Yi and Di Xin in Xiaotunbei. The carapace is black, and the head, neck and abdomen are gray-white.The beautiful chiton from the same production was even more successful. "

After a pause, Ye Jin continued, "In the jade wares of the Shang Dynasty, we can see a technique of using partial land reduction to form Yang lines. The inner edge of the single Yinxian line is worn away, so that the shape of the "surface" between the two single Yinxian lines becomes round, like a raised Yangxian, but there are still Yinxian edges or grooves on both sides of the Yangxian.

The local minus ground Yang line is a Yang line formed by grinding down the local plane other than the "surface" between two single Yin lines.

Because the shape of this Yang line appears in the local depression after the planes on both sides are ground down, there are no traces of Yin line edges or line grooves on both sides of the Yang line, and the top surface of the Yang line is on the same plane as the overall ground surface of the utensil, forming a Yang line It has the effect of hiding in the ground surface of utensils, so it is called hidden yang line.As a unique Yang line style, it was used in the prehistoric Shijiahe culture jade decoration, and it was used in the Shang Dynasty jade decoration, presenting a subtle, graceful, concise and lively style. the beauty of form. "

"There are two types of yang lines in the Shang Dynasty: flat and convex yang lines and hidden yang lines. Among them, the method of forming the shape of yang lines or the decoration of yang lines on the utensils as a whole is a kind of inheritance process. Already in use, it has strong expressive force and decorative effect. The yang line cut by the overall ground reduction technique on the Shang Dynasty jade wares is deeper, and the yang line is raised above the ground surface of the utensil as a whole, so it can be called flat convex yang line The lines are thicker, and the shapes are square, round, slope-shaped, or vigorous and powerful, or rough and steep, with a strong three-dimensional sense, and are mostly used for expressing shapes and decorations such as rolling cloud patterns and hook cloud patterns. The double hook in the middle is the Yang line."

"Double-curved yang line refers to grinding away the inner edges of two parallel parallel single yin lines, so that the shape of the "surface" between the two single yin lines becomes round, like a raised yang line, but the height of the surface is still the same as that of the yin line. A technique in which the edge of the mouth is on the same plane. The double hook imitation Yang line is also called the hook withdrawal Yang line. Specifically, small tools such as hooks and nails are used to grind it according to the hook withdrawal method of "double hook shallow rolling". The hook is Hook line, withdrawal is to grind the inner edge of the line along the hook line. Since the surface formed by this technique appears in two Yin lines, it has the effect of Yang line, so it is called double hook imitation Yang line.

Using double hooks to form the pattern decoration not only makes the surface of the yang line vivid and vivid under the foil of the grooves on both sides, but also eliminates the monotony of a single yang line, increases the sense of beautifying the pattern decoration, and has an intriguing visual effect. "

"Double-hook Yinxian refers to a technique of juxtaposing two single-yin lines that are very close to each other in parallel to form a pattern decoration in a double-line form. Since the two Yin lines are ground with hooks and hooks, according to their craft The feature is called double hook Yinxian.

From the perspective of plane geometry, the double-hatched lines are equivalent to parallel double-dash lines, which are fuller, more eye-catching and not monotonous than the single-dash lines. Therefore, the patterns and decorations composed of double-hooked lines have a flowing, gorgeous and elegant charm. .In the Shang Dynasty jade crafts, the double hook Yinxian was mostly used for modeling and ornamentation of ornamental utensils, and round carvings and vessel ornamentation were also used.

There are two main morphological features: one is the thick double-hook Yinxian, which is characterized by wider line mouth, deep line groove, vigorous and rough shape, strong and powerful.One is the thin double hook Yinxian, which is characterized by a very narrow line opening, a shallow line groove, a slender and ethereal shape, elegant and beautiful. "

"Single yin line is a simple and uniform line shape, which is the most basic unit of yin line. It is usually carved with hooks, which can independently form various styles of decorations, and can also form plane patterns and pictures with sketch effects. In jade wares It is the most widely used and most widely used in production. Combined Yinxian is composed of several Yinxians arranged and combined according to certain patterns and rules, or to form abstract geometric patterns, or to form concrete shapes, or to form symbols expressing specific meanings, or to form A purely decorative pattern. It is the most used line pattern in jade making after the single Yin line.

In Shang dynasty jadeware, single-yin lines and combined-yin lines were mostly used for modeling and decoration of ornamental utensils.The edge of the line is relatively neat, and there is no workmanship, but there are burrs of varying degrees, and some line segments have sand and hair paths locally.The knives at the bends of the lines are scattered or broken or turned hard, just like folding iron, so the morphological characteristics of the single Yin line in the Shang Dynasty are vividly called "folding iron lines".In addition to the strong and tough shape, the single Yinxian and combined Yinxian in the Shang Dynasty still have extremely slender, light, shallow and soft shapes.The former seems to be directly depicted on softer materials, while the latter should be related to regional technical differences and a certain stage of technological lag in some areas.This should be taken into consideration. "

……

As the sound falls,

Chen Xiaoxiao's voice continued, "Sister-in-law, what about those bronze wares? Are they all from the Shang Dynasty?"

Ye Jin shook his head slightly, "No, they are all from the Shang and Zhou Dynasties. The bronze wares of the Zhou Dynasty inherited the artistic style of the Shang Dynasty in the early stage, and formed the characteristics of the Zhou Dynasty in the later period. The bronze wares of the Zhou Dynasty have entered an era of quality. , the decoration tends to be simple in size, and the types are relatively reduced, but the number greatly exceeds that of the Shang Dynasty.

Stealing curve pattern is an important decorative proof of Zhou Dynasty. It is an animal pattern deformed to meet the requirements of decorative parts, and it is a simplification and abstraction of animals.The Zhou Dynasty broke away from the decorative features of straight lines since the Shang Dynasty, and also broke the symmetrical format, generally forming an S shape, but not completely breaking away from the straight line shape.Therefore, the characteristics of roundness in straightness and squareness in circle are formed.

Among the decorative patterns on the bronzes of the Zhou Dynasty, the Taotie pattern, which was the main pattern in the Shang Dynasty, also relegated to a secondary position.The pattern of bronze decoration in the Zhou Dynasty is also different from the single and symmetrical form of the Shang Dynasty, but uses a continuous pattern of two sides, thus creating a sense of order and rhythm.

The general artistic style of the bronze wares of the Zhou Dynasty is simple and concise, with sulfur and yin smooth and upright, with a high sense of rhythm and beautiful rhythm.This has an indirect connection with the requirements of the rule of ritual in the Zhou Dynasty, and also reflects the formal rules of ancient pattern art.

Bronze wares from the Shang Dynasty are diverse in shape, thick and dignified, with gradually lengthening inscriptions, and rich patterns and patterns.The Shang Dynasty is the core period of my country's bronze wares, and it is a magnificent and glorious page of the Bronze Age.

From the perspective of the shape of the bronze wares of the Western Zhou Dynasty, because the production methods of the bronze wares in the Western Zhou Dynasty were the same as those in the Xia and Shang Dynasties, there was not much change, and they were all handmade, so the same pottery models could not be cast. There are no identical bronze shapes, and if there are, one or both must be fakes. "

As the voice falls,
Chen Mu and the others had already walked into the tomb, and Ye Wen went straight to one of the tripods, with an excited expression on his face.
"This is Maogong Ding! It is 54cm high, 27.2cm deep, 47cm in diameter and 34.5kg in weight. Majestic and powerful, the rim of the tripod is also decorated with ring-shaped heavy ring patterns. The whole shape is thick and dignified, and the decoration patterns are simple, elegant and simple, with a strong sense of life. It is a representative work of the tripod in the late Western Zhou Dynasty that turned from religion to secular life.

Maogong Ding is a heavy vessel in the late Western Zhou Dynasty. There are inscriptions cast on the inner wall of the tripod, with 32 lines and nearly 500 characters.Its content and narrative are complete, and it is an important historical material for studying the political history of the later years of the Western Zhou Dynasty.

The calligraphy of this inscription is extremely full and solemn, full of unparalleled classical beauty.

The inscription of Mao Gongding, as a model of bronze inscriptions in the late Western Zhou Dynasty, shows the typical style of ancient calligraphy and a rational aesthetic trend. , with a myriad of manners.The composition is loose and clear, well-proportioned, natural and unaffected, presenting a naive artistic interest.Through the perfect layout of the writing in "Mao Gong Ding", it shows that the writing in the late Western Zhou Dynasty formed a form and law with proficient writing skills and expressive techniques.

The inscriptions on Mao Gong Ding are round and precise in brushwork, with thick and simple lines, and the pen is mainly wrapped in the center.In the specific operation, it should be to enter against the front, to move forward, to hold the pen in the drawing, and to close the pen when the front is in the painting; the closing of the pen does not necessarily mean the center of the pen, just lightly press the tip of the pen to stop, which is the so-called "flat stroke". way out".Therefore, special attention should be paid to showing the thick, clumsy and strong spirit of the lines when writing.However, when expressing changes in severity and severity, there must be no pretentious trembling of the pen, otherwise it will be difficult to express its true meaning and it will be lifeless.

It is really exquisite, exquisite, a national treasure, it must be taken out! "

Also at this time,
in the tomb,
The sound of the lock sounded, this time it was different from the previous tomb,
Fierce air rushed towards the face, and terrifying power instantly filled the entire tomb.

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