Digging up my own ancestral grave, the school flower insists that I am a tomb robber

immediately,

In the eyes of everyone, several high platforms made of gold slowly rose from the ground of the tomb, and on the high platforms, there were priceless treasures.

this moment,
Everyone in Chen Mu was a little surprised. It was not as dangerous as imagined, but there were many treasures.

at this time,

Ye Wen's expression became extremely happy, "This...this is the blue and white inkstone box with cloud and dragon patterns!?
The body of the box is shallow and straight, and the top of the lid is arc-shaped without buttons.The inside of the box is unglazed, and there is a raised low cylindrical inkstone on the bottom, about the same height as the edge of the box, and a ring-shaped inkstone pool is formed between the inkstone surface and the inkstone wall.The outer wall of the box cover is painted with seawater and river cliff patterns, and the cover surface is painted with five-clawed dragon patterns.

This kind of round inkstone with a raised center and surrounded by inkstone pools is called "Piyong inkstone", which was very popular from the Wei, Jin, Southern and Northern Dynasties to the Tang Dynasty.Ban Gu of the Han Dynasty recorded in "Baihutong · Piyong": "The Pioneer is like a jade, which is perfect for the sky, and the Yong is water, and the image is popular."

Cai Yong of the Eastern Han Dynasty wrote "Ming Tang Dan Hui Lun": "It is surrounded by water on all sides and round like a wall, so it was named Yong in later generations." In the early Piyong inkstones, there were many porcelains, such as ring feet, ring feet, animal-shaped feet, etc.The box-shaped Piyong inkstones are less in shape and mainly appeared in the Yuan, Ming and Qing dynasties.The five-clawed dragon is painted on the top of this inkstone box, which should be ordered by the Yuan Dynasty royal family. "

"Sky-blue glaze flower mouth purple spot pasted plastic animal face double chi ears with seat bottle, the bottle has a wavy flower mouth, long neck, shoulders, belly, two shoulders and necks on each side have a animal ear crank, the body is pasted with plastic Two animal ear rings are placed on the head decoration. The lower part of the vase is a flower-shaped hollow base, and there are ribbed curved feet on the base. The texture of the utensil is thick and thick, and the whole body is covered with sky-blue opalescent Jun glaze. The rim, shoulders and base There are purple-red glaze spots, the glaze color is gorgeous, and the shape is unique."

Ye Jin also said at this time, "There are also blue and white banana leaves, flowers, fruits, bamboo and stone printed with peony patterns and diamond mouth plates,
The plate is along the rhomboid mouth, the abdomen is arc, the foot is flat and the sole is exposed.Blue and white decorations on the inner and outer walls of the plate.The plate is decorated with three layers of blue and white patterns, the bottom of the plate is covered with blue and white patterns of banana leaves, melons, fruits and grapes, the pattern of peonies on the inner wall and the pattern of chrysanthemums on the inner mouth are all die-printed, the superb printing technology combines the top, bottom and bottom of the peony. The upside, front and side are very vividly painted, and the external decoration is smudged with blue and white or painted with fine sea water patterns to form a blue-and-white decoration.The decoration technique of this plate is novel and unique, the blue and white flowers on the white ground and the white flowers on the blue ground complement each other, and the decoration is vivid.

Blue ground white flowers, also known as anti-blue flowers, is to paint the ground with green materials and leave the decorations blank. This decoration method uses darkness to set off the light, and the depth is bright and beautiful, which has a unique artistic charm. "

"Also, blue and white Manchi Jiaotu Linghua mouth plate. Pan Linghua mouth, folded edge, shallow arc belly, ring foot, sand bottom is flint red, the outer bottom is exposed without glaze, and the method of firing with sand is used. There are sticky sand or spots on the bottom. Because the carcass contains iron and is sintered into iron oxide, the color is red, commonly known as flint red. The picture of mandarin ducks in the lotus pond, also known as the picture of mandarin ducks in the pond, is painted in blue and white with four bunches of lotus flowers in full bloom, next to them are painted clover and duckweed, and two mandarin ducks are swimming among the lotus bushes, looking forward to their love. Picture is a common decorative theme in Yuan blue and white porcelain.

The inner opening of the plate draws sea wave patterns along the blue and white lines, and the inner wall uses blue and white as the ground, leaving white molds to imprint raised peach, pomegranate, chrysanthemum and other flower patterns.The blue and white flowers on the outer wall of the plate are painted with upward-looking lotus petal patterns, and there are blank spaces between the lotus petals, which is one of the characteristics of identifying Yuan blue and white flowers.

The central theme of the plate is the picture of mandarin ducks in the lotus pond, also known as the picture of "Manchi Jiao". "Manchi Jiaotu" was originally a decorative pattern of court costumes. It depicts the scenery of flowers and birds in the pond. Most of them are in the pond, with lotus and lotus in full bloom, accompanied by waterfowl such as mandarin ducks, forming a small scene of the lotus pond.It was first seen in the Song Dynasty. In the Southern Song Dynasty, Wu Zimu's "Mengliang Records" Volume [-] "Night Market" recorded that the items sold in the Lin'an Night Market at that time included "thong yarn lotus full of delicate vests". "Manchijiao" is one of the common decorative themes in Yuan Dynasty embroidery. It is often seen on fabrics, gold and silver lacquerware and porcelain. "Manchijiao" is a special decoration for the noble class in the Yuan Dynasty. People banned.The carcass of this plate is solid and thick, the glaze color is clear and moist, and the imported blue material is drawn, mainly flat coating, combined with techniques such as hooking, chapping, dotting, and dyeing, it is chic and free, and the lines are vigorous and powerful.The painting gives full play to the artistic effect of blue and white, combining blue flowers on white ground, white flowers on blue ground and blue and white line drawing techniques, and the drawing is exquisite. "

As the voice fell, Ye Wen continued, "The blue-and-white cloud-dragon-pattern jar, the standard vessel of the Yuan blue-and-white jar, has a thick and dignified shape, a straight mouth and short neck, sloping shoulders and a round belly, the lower part of the abdomen is gradually retracted, and the bottom is slightly curled. This vessel The shape can be traced in the handed down at home and abroad and on the unearthed Yuan blue and white utensils. The decoration is divided into four layers, with clear layers. The blue and white hair color is green and rich, which conforms to the color characteristics of imported green materials. The blue materials contain more iron and sink deep into the fetal bone. The mouth and near feet are decorated with waves, the neck is decorated with deformed lotus petals filled with miscellaneous treasures and flower patterns, and the main body of the abdomen is decorated with two dragon patterns. The dragon body is slender, the head is small and the neck is thin, which is different from the Ming Dynasty porcelain dragon pattern. .

The shape and painting style of the large blue and white pots in the Yuan Dynasty are closely related to the rough and majestic aesthetic concepts of the northern nomads at that time. The Yuan Dynasty was the most active period of foreign exchanges in history. Yuan blue and white flowers showed an unprecedented style in the context of religious and cultural activities, foreign business activities and other cultural exchanges and integration. "

"Also, there is a large pot with brown dragon and phoenix patterns on a white ground. The pot is short and straight, with plump shoulders and belly, and a thick carcass. There is a circle of chrysanthemum patterns painted on the shoulders, and the pattern of clouds and dragons is painted on the body. The dragon's eyes are raised, the beard and hair are open, and the belly The scales are neat and dense, the body is curled up and coiled in a rising shape, and the cloud pattern is in a swirl shape, and the flowers are stacked. The lines of the chrysanthemum pattern are even and upright, and the lines of the dragon pattern are smooth and vigorous. Thick, with a protruding and obvious tire mark on the lower abdomen, the whole body is covered with make-up soil, the glaze color is white and slightly yellowish. This porcelain jar was found in the shipwreck of the Yuan Dynasty in Sandaogang, Suizhong, LN Province. It should be a product of the Cizhou Kiln in the Yuan Dynasty .

After the Song and Yuan Dynasties, the production center of Cizhou Kiln was transferred to the Pengcheng area. The products were mainly white-ground black-flower porcelain for civil use, and some "Neifu" bottles, large jars, and jars for the courts of the Yuan and Ming Dynasties were also fired.The place is located in the upper reaches of the Fuyang River, which can be exported through the Zhanghe River and the Grand Canal, and sold to all parts of the country. The transportation is very convenient. The Suizhong Sandaogang ship sank when it was transported to the north through this waterway. "

immediately,

Ye Jin continued, "This is a blue-and-white censer with seawater and dragon patterns. It has a plate mouth, wide rim, straight neck, bulging belly, double ears with a ribbon, and a head with animal feet. The outer edge of the mouth is a pattern of phoenix wearing peony, and the neck is painted with a lion playing ball. In the picture, the upper abdomen is a circle of modified lotus petals filled with treasure patterns, and the main body of the abdomen is decorated with blue and white seawater white glaze dragon patterns. The lower abdomen is a circle of modified lotus petal patterns, leaving white near the bottom. The blue and white hair color is elegant, in the production The craftsmanship and drawing style highlight the typical characteristics of blue and white flowers in the Yuan Dynasty. Although there are many large utensils in the Yuan Dynasty, blue and white incense burners of this size are very rare, and the difficulty of firing can be imagined. In order to solve the problem that it is difficult to shape, the patterns use the typical multi-layered decorative technique of Yuan blue and white. In terms of the function of the utensils, this furnace should be a ritual utensil for worship."

"Blue and white plum bottle with dragon pattern, bottle lip, short neck, plump shoulders, the shoulders are gradually retracted, and the bottom is slightly turned outward, making a wide circle foot, the bottom of the bottle is exposed and unglazed. The whole body is painted with blue and white dragon patterns, the dragon neck Slender, with a small head and a large body, the back is hooked, and there are slender fire clouds floating between the abdomen and back. These linear fire clouds are one of the basic characteristics of Yuan Dynasty porcelain. The blue and white are rich and colorful, and the edge reaches the fetal bone. Jiangxi JDZ Kiln product.

The most representative achievement of Yuan Dynasty porcelain manufacturing is the wide application of underglaze color technology.The so-called underglaze color technology is to draw decorative patterns on the porcelain body first, then apply a layer of colorless and transparent glaze, and then fire at high temperature.One of its advantages is that it can be directly painted on porcelain, which is beneficial to the creator's artistic development, and the other is that the painted patterns will never fade. "

As the voice falls,
Ye Jin paused, and continued, "This completely covers the four periods of Yuan Dynasty porcelain.

Yuan Dynasty porcelain, as an important material carrier in the Mongolian and Yuan Dynasties, embodies extremely high historical value.The establishment of the Fuliang Magnetic Bureau created a precedent for government-run kilns to lead the fashion of porcelain production.With JDZ as the center, the production of national and local kilns such as Longquan Kiln and Cizhou Kiln was very prosperous, which greatly promoted the expansion of overseas trade of porcelain.The specific functions of porcelain as tea sets, wine sets, and ritual utensils reflect the living habits of people at that time.

Yuan Dynasty porcelain tells us the historical process of civilization intercommunication and mutual learning from a unique cultural perspective.Its exquisite patterns, rich themes, and various shapes contain the influence of various cultural factors such as the traditional culture of the Central Plains, the Tibetan culture, the Mongolian grassland culture and the Tibetan Buddhist culture. The best physical evidence of diversity and inclusion.

The Yuan Dynasty was a period of great leap in my country's ancient porcelain production technology.The further maturity of the molding process makes the molding of large and irregular display devices easier to operate.For the first time in porcelain production, the dual compound method of kaolin and china clay was used in the porcelain body, which has epoch-making significance in the history of Chinese porcelain technology.The art of porcelain underglaze painting represented by Yuan blue and white has opened up a new chapter in ceramic decoration.

The shape and glaze color of Yuan Dynasty porcelain continued to a certain extent the elegant and pure aesthetics of the literati in the Song and Song Dynasties, but generally completed the transformation from the aesthetics dominated by the scholars of the previous dynasty to the secular style, and more large-scale wares appeared, with dense decorations. The patterns are prominent.The appearance of Yuan blue and white officially declared that the gorgeous and unrestrained aesthetic interest has become the mainstream. "

As the sound falls,

Ting Chan said at this time, "This is the first time I heard the sound of a machine running, and I didn't see any danger, but I saw many treasures. It's really amazing!"

At this time, Chen Mu said lightly, "There is no mechanism, and there is no danger."

The sound just fell,

There was a shaking in the tomb, and on the wall of the tomb, exquisite murals emerged,

see,

Everyone's eyes focused on Chen Mu,
at this time,

Chen Mu said lightly, "Looking at the murals, what is buried in the coffin is Temujin and Genghis Khan!"

who? !

What the hell!

Everyone was taken aback, Genghis Khan?A generation of proud Genghis Khan! ?
What the hell!What the hell!What the hell!

Is this Queen Mother of the West so generous?Even the emperor was buried? !
That's Genghis Khan!

Temujin lost his father in his early years, was expelled by hostile tribes, and defected to the Kret tribe.After gathering the tribes, he was elected as the Khan of the Mongolian Qiyan tribe in 1189. After a series of wars, he basically unified the tribes of the Mongolian plateau in 1204. In 1206, at the source of the Onan River, the emperor took the throne, and established the Great Mongol Kingdom.After the founding of the People's Republic of China, the thousand-household system was implemented, the guard army was established, and the "Da Zhasa" was promulgated.After many foreign wars, he occupied a large area of ​​the Jin Dynasty in East Asia, and destroyed Xixia, Xiliao, and Khwarazm in Central Asia. His conquests reached as far as the Black Sea coast. In 1227, Temujin died of illness on the eve of Xixia's surrender at the age of 66.Before he died, he formulated the strategy of "uniting the Song Dynasty and destroying the gold", and was buried secretly in Qiren Valley after his death.After the founding of the Yuan Dynasty, the posthumous title was given to him as Emperor Fatian Qiyun Shengwu, and the temple name was Taizu.

Temujin was a highly controversial figure.Since its rise, it has been regarded as a brutal and brutal invader[73].In modern times, there are also views that the foreign conquest wars launched by the Mongolian Empire under the leadership of Temujin and his successors promoted the mutual influence between Eurasia and had a profound impact on the subsequent world history.In addition, his unification war against the Mongolian tribes played an important role in the formation of the Mongolian national community.Temujin is still regarded by Mongolians as a national hero and a national symbol of Mongolia.

Zhu Yuanzhang, Emperor Taizu of the Ming Dynasty, once said: "Those who lived in the past, the heavens abandoned the Jin and Song Dynasties, and the history is in the ancestors of His Royal Highness. Therefore, the Tatar tribe revolted in the desert, entered China and the people, and passed it down for a hundred years. As for Your Highness. As far as the Central Plains, the barbarians are dead, but the ancestors of His Highness, all over the world, have different recipes, and they are all strong in the earth, which has never been seen in ancient times."

Song Lian, a litterateur in the early Ming Dynasty, edited "Yuan History": "The emperor was deep and general, and he used his soldiers like a god, so he was able to destroy the country for forty years and then pacified Xixia. Ji Zaiyun."

"Xinyuan History": "Taizu Longxing Shuomo, practiced summer and gold, pacified the Western Regions, traveled thousands of miles, and still went in and out of the door, three generations later. There is no such thing. The sky will be big Kyushu and one Chinese and foreign, so that Taizu Destroying the feudal clan, trampling on its way, and exhausting the reach of its troops, even though it is said that the Great Harmony between China and Barbarians originated from the Borjijin family."

"Yuan History Romance": "Genghis Khan's Southern Expedition, the ambition was not only to destroy the summer, Gai already regarded gold as something in his bag. Looking at his death, he still ordered and attacked the gold legacy, so we can know that his success is in his mind. Trying to annex it. If you leave the order for a few years, it will be easy to destroy the gold.... He is the hero of the whole life, and now he is safe!"

In "Prairie Empire", Grusser commented: Genghis Khan quelled the endless civil wars and provided unprecedented security for merchants. ...his Zasa erected a "Peace Monument of Genghis Khan" throughout Mongolia and Turkestan ...and made possible the achievements of the great travelers of the 14th century.In this respect, Genghis Khan was the Alexander of the barbarians, the pioneer who opened new paths to civilization.

……

Then, after the archaeological team recovered from their astonishment and put away the cultural relics, Chen Mu and the others continued to walk to the tomb on the next floor.