Miro Blue Scroll

Chapter 285 Zhongyuan Festival

On the second day, the drawing competition continued.

The painting on the first day was for the painters to give full play, and on the second day there was a corresponding topic - Emperor.

Hearing this question, before the competition started, Mo Yangsheng, who came to watch, couldn't help secretly screaming, and Yang Yuan, who had already finished the competition, also sighed.

Because Taoist Xuanxu acted as a melon grower last time, Jin Yang, who had some friendship with Mo Yangsheng, asked curiously: "What's wrong with you two? But it's because Fellow Daoist Mi Luo hasn't started writing for a long time? Speaking of which, Why is Fellow Daoist Mi Luo still not doing it? This question is not difficult, I heard that when the painter is learning to paint paintings of gods, the first portrait of a god he draws is ninety-nine out of ten portraits of emperors."

Hearing this, Mo Yangsheng said: "Jinyang, what you said is not bad, but the depiction of the statue of the emperor is also the most difficult kind of painting. In the nearly 5-year history of our Hanxia, ​​only the ones of the national treasure level There are more than 8000 portraits of emperors, and those portraits have reached the level of transcendence and holiness, which can arouse the divine power of emperors. To reach their level, Mi Luo is still a little short."

"Everyone knows the image of Jiashenjun, and every household has related ornaments, which means that there is almost no room for the emperor's statue to be used. After all, the parts that can be modified have long been completely modified, and the rest belong to the scope of transcendence. "

After Yang Yuan added a sentence, Jin Yang was even more surprised: "Na Mi Luo painted mountains and rivers like yesterday, and hid the emperor in it. The painting he made yesterday was very powerful. It has nothing to do with Youzhou, but it made me feel like I was there. I can feel the breath of Youzhou."

Hearing this, Mo Yangsheng sighed again: "You stay in Youzhou on weekdays, so you don't know some criteria for judging Hanxia's painting. For other painters, they don't directly depict the image of the emperor, but use some legends and relics to further It is a good choice to show the emperor from the side, so as to stick to the theme. However, Mi Luo’s creation of landscape paintings yesterday was too good. If today is still dominated by landscape paintings, then the impression score will inevitably be low. When competing for the final result , will inevitably be looked down upon."

Only then did Jin Yang understand that Mo Yangsheng and Taoist Yangyuan sighed, not because they were worried that Mi Luo would not get good grades, but because they would not be able to win the championship.

Jin Yang was amazed at the idea of ​​the True Inheritance of the Immortal Gate, but on the other hand he had no intention of further questioning. He looked at the pensive Mi Luo, looked up in all directions, and finally landed on a lotus lantern.

Mi Luo counted the time and found that the day of the competition happened to be the Hungry Ghost Festival. He looked at the lotus lantern and suddenly had an idea, so he picked up the pen and drew the outline of a person on the scroll, and then took it as the center, Describe a series of lotus lamps.

And under the lotus lantern, various underworld scenes vaguely emerged.

"This is?" Jin Yang, who was watching from a distance, showed a surprised expression, Mo Yangsheng looked up, and couldn't help frowning slightly.

"Lotus lantern? Yin world and underworld? Mi Luo intends to use the Hungry Ghost Festival with the emperor as the main body."

Speaking of the Hungry Ghost Festival, we have to mention the Sanyuan Festival that almost no one cares about in Hanxia.

Different from the Qiqiao Festival, there is no high-ranking god in Hanxia, ​​and there is no such thing as a blessing from a heavenly official, not to mention that the earth god is dominated by the emperor, and there is another god who can be above the emperor, so there is no way to talk about the Shangyuan Festival.

Secondly, the functions of the local officials overlap with the emperor in a large range. In addition to the original Golden Rainbow Festival, no one cares about the Ghost Festival. The few concepts are also integrated into the myth of the emperor.The legends of the Hungry Ghost Festival that are circulated in Hanxia today are mostly about the emperor sympathizing with the souls of the dead, saving them with lotus lanterns, and escorting them to and from the gates of hell. There is already a clear difference from Hanxia.

In the last Xiayuan Festival, the owners of the four major river systems originally cared a little bit, and wanted to take advantage of this to occupy the sovereignty of the water system, but with the decline of Shangyuan and Zhongyuan, not many people paid attention to the Xiayuan Festival. After the Lord gradually lost interest, he also disappeared.

The decline of the Sanyuan Festival naturally makes the image of the Sanguan very blurred, and it is also very suitable for Mi Luo's creation.

Based on the legend that the local official is the emperor's side, based on his own principles, he tolerated all kinds of ideas at hand, and derived concepts such as universal salvation, redemption, and forgiveness of sins. middle.

The traces of the underworld and the underworld are naturally derived from names related to the underworld, such as "Extradition Envoy" and "Ecstasy Envoy".

As for the final image of the emperor, Miro first described his costume, matching the gods of mountains, water, rivers, wells, land, city gods, etc., into his costume, and slowly supporting the image of the emperor.

Then let my own spirituality blend with various gods, hoping to feel the power of the emperor, and then describe his image.

As he sketched more and more details, phantoms of lotus lanterns emerged around the painting, and some of them turned into substance, suspended beside him, with the thick and benevolent thoughts belonging to the earth inside, slowly Slowly spread out.

"Fantasy materialized?"

Kuro, who was standing on the other side, widened his eyes, but soon he refuted: "No, his ability is not a fantasy."

Utopia has the unique ability of some special elves and demigods in the Nanyang Islands. It is a kind of ability to connect one's will with the source of the world, so that the world can change according to one's own imagination.

In essence, this ability belongs to the system in which the subject merges into the object, and it can be regarded as one of the variant systems of Shinto.

The essence of Ke Miluo's painting method is based on the system under the theory of the unity of man and nature. The essence is still the product of the integration and independence of the subject and the object.

Compared with the realization of fantasy, it seems to rely entirely on one's own imagination to create things out of thin air, but in essence, it is automatically condensed and derived with the help of the records and power of the world.

The external influence in the painting way is more influenced by individual subjectivity.

for example.

If you want to manifest an apple, you need to strengthen your beliefs, let your will influence the outside world, and eventually heaven and earth will condense an apple based on the existing information.

Although the size, appearance, and taste of this apple are completely consistent with the individual ideas that manifest it, the core that really creates this apple is the external object, that is, the world itself.As the subject, the individual plays a guiding and catalytic role in the process of the realization of fantasy.

In comparison, the changes brought about by the painting path are completely different.

If the way of painting draws a real apple, then the process of its birth is that the painter first determines the outline and foundation, and then receives the power of heaven and earth, or condenses it into shape with his own magic power. The root is still the subject.

After figuring this out, Kuro instantly understood that it didn't matter if he was thinking wrong.

He sensed the essence of Miro's path.

'It turned out to be all-encompassing?It really restrains my ability. '

The corners of Kuro's mouth curled up, and his eyes became brighter. He already understood why he couldn't fully analyze Miro's power.

In fact, it's not that he can't analyze it, but that Miro's path, power, and accompanying treasure allow Crow to automatically integrate into it when he observes it, and become one of the variables of his own observation object.

Therefore, he cannot obtain Miro's power through step-by-step analysis.

To master Miro's principles of Taoism, he must complete the three steps of observation, influence, and mastery at one time. If he is half a beat late in the middle, the reflection ability of Miro's companion treasure will take advantage of the opportunity to include his observations. system, resulting in new changes.

To put it simply, if Kuro cannot master Miro's way at one time, then his observation will only make Miro's power stronger.

And this discovery stimulated Kuro's mind. He originally hoped that Miro's mind of giving up the insignificant humanity would become more active. He hoped that Miro could become his colleague and his partner.

Of course, if you can't become a partner...

'Then eating him is also a good result. '

Ku Luo lowered his head, recalling some of his past 'companions' in his memory, his whole breath fell silent, but Xuanxu beside him felt an inexplicable pressure.

(End of this chapter)