Miro Blue Scroll

Chapter 284 The fairy in the painting

But as the general of the ancient ice country, the strong man doesn't know what his followers think.

Asking him to observe the close combat, the strong man said coldly: "The cultivation of the brave lies in the blood and will, between life and death, to sharpen the foundation. Although Han Xia's skills are more ingenious, they are not suitable for us to observe. I can’t compare it to watching these paintings. If we can learn a thing or two, we can write the divine patterns more clearly in the future, which will be of great benefit to the new generation in China.”

If he was asked to observe the team battle, the strong man was even less interested and directly refuted.

"Can you persuade me to find some better reasons? The most ingenious part of Hanxia's army lies in the formation of the army. It lies in the vision of the way of war in which the general and the soldiers are united in blood and will. No one knows about that thing, just by observing It’s useless. Even if we have their cultivation method, we can’t learn it. If we have the time to go and see that, I might as well go and see the method of cooking over there, at least it can be used.”

The entourage noticed that Bian Shanghanxia, ​​a cultivator at the Heavenly Realm who was following them, turned a little ugly when he heard his lord say, "Even if we have their cultivation method, we can't learn it", and they couldn't help but secretly groaned. But he could only continue to persuade: "Since adults are interested, it's better for me to watch the cooking competition."

Hearing this, the strong man was silent for a while. He also noticed the change in Tzuyu's breath before. Knowing that he had made a slip of the tongue, he stopped insisting and continued to visit according to Han Xia's wishes.

After the strong man left, Mi Luo and some painters in the competition were also slightly relieved.

Being stared at by a powerful foreign monk who specializes in the way of qi and blood, even if there is no malice, but pure inquiry, it also slightly affected Mi Luo's mind.

Now that the other party left, Mi Luo's originally suppressed mind suddenly became active. With the brush and ink sketching, the depicted landscape gradually spread out from the painting.

This is what Mi Luo is best at, because of the blessings of "The Immortal in the Painting" for many years, Mi Luo is very familiar with the means of opening up the spiritual realm in the painting.

Even at this moment, many abilities are affected by the sacrificial ceremony, and almost all of them are banned.

But the insights brought about by years of blessings, as well as the slight influence of talent, are not suppressed, and this has widened the distance between Mi Luo and ordinary people.

The better Mi Luo performed, the more excited the other outsider was.

Kuro originally watched all kinds of competitions and absorbed many ideas from Hanxia, ​​but when he discovered Miro, he immediately gave up on everyone else and went outside Miro's competition venue to watch his painting scenes up close.

In Kuro's heart, Miro is one of the few existences who surpassed himself in talent.

It's just that he is unwilling to give up those unimportant ideas in his heart, which makes him unable to catch up with him.

Therefore, he was very interested in the scenes painted by Miro.

Ku Luo, who has studied Hanxia's information, is very clear that Hanxia's painting Tao has changed from the original spiritual expression to a kind of combination of metaphysical "Tao" and physical "art" to construct a clear, systematic and rich painting. The specific structure of philosophical theories.

Painting in Hanxia has become the carrier of personality.

Therefore, to observe the paintings of some practitioners in Hanxia is to observe their Tao.

Naturally, Miro's paintings also have a distinct personal style. His paintings are dominated by elegance, cleanliness, softness, and tranquility, with landscapes as the core of construction, and a few animals and figures, mostly with a few strokes, to outline them.

Then the green smoke and mist surround the situation, or use the strange pines and clouds to cover the specific image, making it looming under the cloud and mist, or let the mist rise along the mountain and spread all over one side, giving people infinite imagination by leaving a large area of ​​white space. space.

However, in the details, the brushwork is cautious and careful, seeking for refinement and ingenuity, while the ink movement is hearty and bold, which is obviously a conflicting technique, but under its ability to control far beyond ordinary people, intentionally or unintentionally, In perfect harmony with each other.

This is the insight that Mi Luo got after being baptized by Cangbi before, which makes his paintings more inclusive, and also makes everyone who sees the paintings have a wonderful feeling as if they are in a paradise, a fairyland on earth.

When the mind falls into the painting, you will hear the sound of birdsong, the gurgling sound of the stream, the sound of the breeze blowing on your face, smell the fragrance of pine trees in the mountains, the smell of flowers and plants by the forest, and even feel the dampness of the mountain stream.

Xuan Xu, who was following Ku Luo, looked at Mi Luo's painting and nodded secretly: "The shape of the pine tree is like a horned dragon, and the clouds and mist are misty. Its meaning is the same as that of the painting, and its heart is the same as the ink. It is full of fairy spirit, and it can be called the fairy in the painting."

Unlike Xuanxu's full of praise, Clow showed a painful expression. In his eyes, the so-called intention and skill of the painting are all fake.

No matter how ingenious the painting skills are, he can copy them one by one, and he can even reproduce the strokes, traces, color distribution, paint materials, etc. perfectly one-to-one. It is extracted from the emotions and filled again.

Relying on this skill, Clow was also called a master of painting in his early years, and was even called the contemporary No.1 by the painting circles of many countries in the South China Sea Islands.

But at this moment, he couldn't understand Miro's paintings. Obviously, he had already analyzed the strength and trajectory of the painting, the material of the paint used, the corresponding changes after touching the paper, and the emotions contained in it.

But when he simulated it in his mind, there were always problems.

For example, the looming person in the landscape painting, Mira clearly only depicted an outline, but when he imitated the painting in his mind, he changed into various characters, with faces ranging from familiar to strange, from handsome to ordinary, and his identity was also It's ever-changing, from high-ranking officials and aristocrats to ordinary people, from idiots and resentment to fairies and immortals.

It seems that the outline is not a person, but everyone in Hanxia.

In the same way, it is obvious that Miro depicted the scene of spring, but when he simulated it in his mind, he could not help but evolve the scene of spring, summer, autumn and winter, wind, flowers, snow, moon, sunrise and sunset, etc.

However, when Kuro tried to analyze this scene carefully, the changes in the mountains and rivers disappeared again, and the spring scenery was restored, and every stroke of it was as if Miro had painted it himself, without any deviation.

But Craw didn't need to look again to know that the two were not one painting.

'There is a bit of spirituality missing in my paintings. '

Clow extracted his extreme emotions according to his past ideas, and then blended them into the painting to make it look more, but compared with Miro's paintings, there is a more obvious difference.

Originally they looked alike, but upon closer inspection, the artistic conception was different.

But now the difference between the two can be noticed at a glance.

Mi Luo's works are full of Hanxia people's romantic longing for immortality, while the imitation in Ku Luo's mind is also full of fairy spirit and full of immortality, but it is more inclined to act recklessly and follow one's inclinations. It can resonate with some people, but cannot satisfy everyone's desire for immortality.

It was a kind of mysterious and mysterious, wonderful and wonderful feeling.

Forcibly explained, probably a painter accidentally saw a legendary painting from ancient times to the present, and spent a lot of effort to figure out and copy it, and finally painted a very similar work.Taken alone, this work can be regarded as a first-class masterpiece, but when put together, it immediately becomes an ordinary thing. There is nothing amazing about the strokes that were originally quite mysterious.

Perhaps those who can agree with the artistic conception in it, after seeing Craw's paintings, will feel good and okay, but they can't say a word about what is good and what is okay.

This kind of feeling made Kuro want to know its origin even more. He observed Miro's technique, explored the artistic conception of the painting, and finally, after observing it again and again, he gradually integrated into it and drove the animation changes.

This time Xuanxu was also surprised, isn't this the method he used when he was pretending to be an old melon grower?He couldn't help admiring: "What a Taoist Miluo, I don't even know my own technique, but I can still use it like this."

As he said that, he also carefully observed Mi Luo's painting, and as his attention fell, the artistic conception in the painting became more complicated,
With more and more people watching, the ideas contained in the painting became more and more complicated, but this painting itself has an inexplicably grand and vast inclusiveness.You can clearly perceive the boundary of the painting, but you can't perceive the limit of the painting. In addition, the expansion of the time axis brought about by the strong inclusiveness makes the emotions and thoughts of the painting all precipitate in the painting.

These precipitated emotions are also in the period of change, which is consistent with the principles of Hanxia Taoism, driving the further transformation of the animation.

In the end, these changes pushed Miro's mind and made the work more perfect.

And everyone's approval, and the improvement of Mi Luo's own ability, in the special competition environment before him, could not help but lead to a slight change in one of the names in the treasure scroll.

[Shinto/Immortal Dao · Immortal from Qipin Huazhong] Shining brightly, it constantly swallows a little bit of sacrificial Dao energy from all directions, and every time it swallows, it will spit out some more pure energy.

Therefore, this action did not cause backlash from the sacrificial ceremony, but gave Mi Luo some blessings.

In the end, after the competition was over and Mi Luo won the first place in the preliminary round, the Immortal in the Painting that Xuan Xu admired before became his nickname, and when this nickname began to spread in Jinhong City, a brand new name was born.

【Shinto/Xiandao · Immortal Mira in Zheng Qipin Painting】

Compared with the original [Picture Fairyland], except for the third core ability [Painting Fairyland], which only has a certain degree of change, the remaining two abilities have been greatly improved.

Among them, [Xu Xian False God] was changed to [Xian Hao Dan Qing].

[Xianhao Danqing] Although it is not really holy, it has a fairy name.Greatly improve temperament, increase longevity to a certain extent, slightly increase luck and understanding of Taoism, and acquire weak divinity, and increase the speed of cultivation of immortal ways and divine ways, as well as the talent and power of illusion to a certain extent.

Secondly, [Falling Ink Turns into Flies] has changed even more.

[Flying ink is a fly] By mistake, ink dots are painted as flies, and the viewer thinks it is true and raises his hand to play.Contains the complete Zhuge painting sage inheritance and some insights of Mi Luo, which greatly improves the painting ability, greatly improves the painting appreciation ability, and improves the power of painting techniques to a certain extent. The success rate and power will be improved to a certain extent.

In addition, Mi Luo can also feel that the energy of the painting around him is constantly gathering towards him. After this painting competition is over, the power of [Xian Mi Luo in the Painting] can be further improved.

ps: The detailed introduction of [Shinto/Immortal Way·Cong Qipin Hua Zhongxian] is here.

　Yiqi's memo:
　　[Shinto/Immortal Way · Immortal from Qipin Painting] (inside is the information of Zheng Qipin)

　　[False Immortals and False Gods] Although they are not really holy, they have the names of immortals.Slightly improve temperament (temperament is changed to a large increase), longevity (shouyuan is changed to a certain degree), good luck, Taoism perception, and obtain weak divinity, to a certain extent, improve the speed of immortal way, Shinto method and illusion talent and power.Note: Although false immortals and false gods have names and personalities, they have no real priesthood. They cannot accept a large amount of incense and vows, otherwise they will deviate towards the divine way. (note deleted)
　　[Flying ink is a fly] By mistake, ink dots are painted as flies, and the viewer thinks it is true and raises his hand to play.Contains the complete Zhuge painting sage inheritance, greatly (greatly) improves the painting ability, to a certain extent (largely) enhances the painting appreciation ability, slightly (to a certain extent) enhances the power of painting techniques, and the painting works can be used in all aspects False, using paintings to cast spells, the success rate and power will be improved to a certain extent.

　　[Wonderland in Painting] Kunlun scenery in Penglai was originally a scene in painting.Slightly (to a certain extent) improve the talents of Yu Dao, Time Dao and Shinto, and greatly improve the ability to guide the spirituality of paintings.It is possible to deduce all kinds of false illusions through paintings, and if the quality of the paintings is high enough, it is possible to open up spiritual realms in the paintings.Note: The attributes and tendencies of the spiritual world created by the fairyland in the painting will be affected by the meaning and spiritual tendency of the painting itself.

　　
　
(End of this chapter)