Rebirth of the big era of online games

In fact, "The Legend of the New Prostitute" can be regarded as a small half of a costume drama, which involves traditional Korean culture such as classical dance, traditional costumes, and prostitution.

But this can't make a fuss.

Although almost all the costumes in Korean costume dramas cannot withstand scrutiny, especially the Korean style, the story of "New Prostitutes" takes place in modern times. Strictly speaking, it is not a costume drama, so the actors in the drama wear modern clothes. There are no logical loopholes in the refined Hanbok after improvement.

Moreover, even if there is a problem, there is no way to correct it.

After all, no matter in the previous life or in the present life, the improved Hanbok style in modern times has become an inherent impression in people's minds. Not only the people of North and South Korea, but also the people of Huaguo and the whole world have basically been culturally brainwashed and acquiesced to this. "fact".

So Fang Jie didn't bother with the persuasiveness of this drama, so as not to cause controversy, but started a new one, focusing directly on pure costume dramas.

Of course, even if we make a fuss, the costumes of the Joseon Dynasty can no longer be greatly revised. It can only be said that if the content of the plot is a historical costume drama before the Joseon Dynasty, such as the costumes of the Goryeo Dynasty, it can still be manipulated. The clothing style of Song and Yuan Dynasties.

For example, "Empress Qi", one of the ancient costume scripts, can follow this routine.

The drama "Empress Ki" is also a 2013 drama in its previous life. It tells the story of the protagonist Ki Seungnyang, a Goryeo woman who was consecrated to the palace as a Goryeo tribute girl. The story of finally becoming the queen of the Yuan Dynasty.

This is not some nonsense, it is true in history. At the end of the Yuan Dynasty, this Goryeo woman did become the queen of the Yuan Dynasty. To be precise, she was the second queen, one of the twin queens.

In history, in order to control Goryeo, the Yuan Dynasty often married princesses and intermarried with the Goryeo royal family. This also made half of the descendants of the Goryeo royal family belong to the blood of the Yuan Dynasty royal family.

However, Empress Qi was very sad. Not long after becoming an empress, she fled with the unlucky Emperor Yuan Shun, and then the Yuan Dynasty was destroyed by Ming Taizu Zhu Yuanzhang.

During the reign of Empress Ki, the relationship with her mother's country of Korea was also very bad.

His relatives were domineering in Goryeo, and the King of Goryeo killed all of Empress Ki's relatives in Goryeo in a rage, and was retaliated by Empress Ki, which led to many wars between the Yuan Dynasty and Goryeo.

This is also one of the reasons why Goryeo betrayed Yuan and became a minister of the Ming Dynasty before the Yuan Dynasty was completely destroyed when Zhu Yuanzhang became emperor.

Of course, this period of history sticks don't see it that way.

Anyway, my country has a queen of the Celestial Dynasty, and it is the only one in history, which is quite awesome!

This is a matter of honoring the ancestors, and it is so honorable, so it is natural to write a special book!
Don't look at Bangzi's keyboard warriors who are defiant all day long and don't take heaven seriously. In fact, they are quite admirable in their hearts. It's a mentality of envy, jealousy, and saying that grapes are sour when they can't eat grapes. Finally, a phoenix appeared in the family. Naturally, I want to make a name for myself.

Therefore, the plot of "Empress Ki" in the previous life was mainly based on the positive rendering of Empress Ki, a Korean girl. The heroine of Color Is Empty is a household name.

Correspondingly, in the play, King Goryeo, who was a childhood sweetheart with Empress Qi, is portrayed as tall and mighty, while Yuan Shundi, the subjugated emperor of the Yuan Dynasty, is portrayed as worthless. A disgusting little boy who poachs the wall, has no skills, and has both.

Obviously, this drama in the previous life seems to be a real drama, but it is still a magical historical romance drama. It tells the story of the male second of the brain-dead emperor of the Yuan Dynasty, who took advantage of the coercion of the Celestial Dynasty to steal the love of the first male of the King of Korea who was carrying a heavy burden. The girl Ki Seung-niang performed a wonderful love triangle.

Therefore, the plot cannot withstand scrutiny, and it is seriously inconsistent with the historical facts, beautifying and "changing" the original historical characters. Of course, the crew also stated in the film that this play has nothing to do with historical facts, and is a re-creation of historical stories.

In this life, the script of "Empress Qi" that Fang Jie got in his hands is such an unsightly appearance.

It is true that people also admit that this is a magic reform drama, but this matter is just like some domestic magic reform historical dramas. If there are too many random fabrications, it will easily lead to the fact that Li Gui beat Li Kui, and the audience who don't know the truth He mistakenly believed that the storyline in the play was real history, and inadvertently completed the brainwashing education of tampering with history.

Perhaps the Korean screenwriter of this drama didn't think too much, and he didn't have any political inclinations. He just wrote such a script to cater to the taste of the public, and he didn't understand the history of the Celestial Dynasty. He created an incompetent The image of the emperor of the Yuan Dynasty, but the negative impact and consequences are quite far-reaching.

Since the script in this life is in Fang Jie's hands, naturally he will not let others continue to mess around like this. While expressing their intention to invest, they also ask the script to be sent back for re-editing, and then invest in the project after they are satisfied.

There is no need to overcorrect. After all, it is a magically modified Korean costume drama. It does not need to be too serious. It must take care of the tastes of Korean audiences, or there is no need to leave too obvious traces of correction. The method is still to beat the side drums, in some casual places Make a fuss.

Therefore, after the revision, the play is still a play with a leading heroine, and it is still a positive beautification and rendering of Empress Qi, a Korean woman.

There is nothing wrong with this. Empress Qi, with her humble background and the status of a Goryeo woman, was able to win the battle in the palace of the Celestial Dynasty. To become the empress of the Celestial Dynasty, she must have extraordinary abilities. She is indeed awesome, and there is no need to deny this.

Not only does it not need to be denied, but it must also be strengthened to shape it into a tall image of a powerful queen, satisfy the vanity of Korean audiences, fill up some kind of unspeakable inferiority complex, and then strengthen the image of the Kingdom of Heaven in the eyes of the sticks from the side. image.

After all, no matter how awesome your Empress Qi is, she is only one of the many women in the harem of our Celestial Emperor. She is awesome, so wouldn't the Celestial Dynasty be even more awesome?
As for the male role, it is natural that King Goryeo can no longer be the first male lead, but is tied for the first male lead with the emperor of the Yuan Dynasty, or tied for the second male lead.

There's nothing wrong with that, a heroine's play doesn't need a hero.

Of course, the core of the story is still a dog-blood love triangle, but this love triangle is divided into two parts.

The first half of the series is mainly about the love triangle between Empress Ki, King Goryeo, and the crown prince of the Yuan Dynasty. Among them, King Goryeo, the male second, has relatively more roles.

The second half is the love triangle between Empress Qi entering the palace, Emperor Yuan Shun who has become emperor, another empress and many concubines, or Gongdouju.

The latter half of the plot is not in the original script. After Empress Qi completes the seal ceremony, the original plot is over, so the plot of Gongdou needs to be further expanded and filled.

This is not what Korean screenwriters are good at, but it doesn't matter, you can cooperate with Boiling Academy.

On the women's channel of Boiling College, there are quite a few female web writers who are good at writing Gongdou dramas. This kind of work is handy for them. ", "Strategy of Yanxi Palace" and other palace fighting plot magic changes borrowed from it.

I believe that after the addition of Gongdou drama, the excitement of this drama has been raised by at least one level.

After all, whether it is the struggle for imperial power or the strife in the harem, the various conspiracies and tricks mixed in it are far more high-end than the sticks. They are completely crushed by IQ.

Of course, this is not important. What is important is that in terms of character creation in the Celestial Dynasty, all IQs will be online, especially the second male emperor Yuan Shundi of the Yuan Dynasty must have an online IQ.

Fang Jie believes that the image of Emperor Yuan Shun in the play can be made very bad and become the big villain in the play, but it must not be stupid.

We must know that no matter how unbearable the last emperor of the Yuan Dynasty was in history, he received royal education since he was a child.

This is not only to strengthen the logic and make the plot more exciting, but also the need for cultural strategy promotion.

Namely: Even if the emperor of the Celestial Dynasty has poor character and has been blackened, he still has extraordinary knowledge, has his unique personality charm, and the powerful background of the Celestial Dynasty is still there. Even in the late Yuan Dynasty, a thin camel is still better than a horse. Big, not something that you, a mere vassal and small country, can easily vilify.

In the previous life, "Empress Qi" vilified Emperor Yuanshun too much, and the influence was too bad. Even Fang Jie hated Emperor Yuanshun after watching it, let alone the senses of the Korean audience.

Korean audiences don't know much about the history of the Celestial Dynasty. Most people don't know that the Yuan Dynasty was actually a Mongolian regime, and the Song people in the previous dynasty were only the lowest fourth-class people under its rule.

Although Fang Jie is not interested in the Yuan Dynasty, but the sticks watch the drama, they will only regard the Yuan Dynasty regime as the Chinese orthodoxy.

If the drama vilifies the Yuan Dynasty and Emperor Yuan Shun too much, the Korean audience will be more confident and look down on Huaguo. They feel that Huaguo was strong in history because it occupied a good place in the Central Plains. It is good luck and has nothing to do with strength. Even with such a middle school emperor, life is still going well.

At the same time, the oppression and bullying of Goryeo by the Yuan Dynasty and Emperor Yuansun in the play will further arouse the national sentiment of Korean audiences, thinking that the Hua Kingdom in history has bullied them too much, so they will be more hostile and hostile to Hua Guo.

This is obviously unacceptable. The purpose of our cooperation in filming is to build good neighborliness and friendship, strengthen cultural exchanges between the people of the two countries, and establish a correct view of history. If we film "Empress Ki" like in the previous life, it is tantamount to creating confrontation.

Therefore, the current "Empress Qi" not only created a heroine like Empress Qi to satisfy the vanity of the sticks, but also created the blackened but charming second male lead of Emperor Yuan Shun, and also created the great power of the Yuan Dynasty And the background, at the end of the new plot, it also briefly explained the process of the Ming Dynasty replacing the Yuan Dynasty, and popularized the historical knowledge about the orthodox successors of China.

As for the moralization in the play, Fang Jie didn't point fingers, because the moralization of "Empress Qi" in the previous life was "not a big problem".

The reason for the quotation marks is because in the play, Goryeo wears all Hanfu, Tang and Song styles, as well as Ming Dynasty style clothing, instead of the later Hanbok with short jacket + long skirt, and her hair style is also Chinese style. , instead of twist braid + Tang only (hair band).

As for the Yuan Dynasty, they also wore Hanfu, not Yuan Dynasty clothing.

Although it is not very particular, but since "the problem is not big", anyway, most Chinese and Korean audiences can't see any problems, so why bother to find fault...

After the magical change of "Empress Ki", Fang Jie is eyeing another costume drama "Queen In-hyun's Man".

The former is a story from the Goryeo period, while the latter is a story from the Joseon Dynasty.

In the previous life, "Queen Inhyun's Man" was a drama in 2012. The subject matter is a fantasy love drama that travels through ancient and modern times. It is worth mentioning that the actress Yoo In Na who is the heroine played the role of the second female lead in "My Love from the Star". temperament.

This drama mainly tells about the period of Sukjong of the Joseon Dynasty, the male protagonist Jin Pengdao, the school manager of Hongwenguan, in order to help Queen Inhyun, who was once deposed and expelled from the palace because of being framed by Zhang Xibing, returned. Keep hunting.

What's interesting is that every time the hero's life hangs by a thread, he can always pass through the time-space tunnel through the spell given by the master, and come to the modern Korean society 300 years later, and get acquainted with the nympho heroine who is a female star.

Then, with the help of the heroine, the male protagonist successfully traveled back many times to change the history, helped Queen Inhyun to reset successfully, and finally returned to the modern age to live with the female protagonist.

Well, although there are time-travel and historical elements, in essence, the core of this drama is still a romantic drama. It seems that 90% of Korean dramas, no matter what themes are on the outside, the core is actually a romantic drama.

It's just that this romantic drama has a lot of brains, and it uses a golden finger setting that can repeatedly travel through ancient and modern times.

You must know that this is 2010, even in the previous life, it was also a drama in 2012, and the setting of repeated travels back and forth, the current web novels dare not write like this.

But Korean dramas already exist. It can be seen that their brains are big and their creative concepts are advanced. This may be one of the benefits of being a screenwriter.

So this script is secondary. What Fang Jie is really interested in is the screenwriter who wrote this script. This guy is definitely a talent.

So one afternoon, Fang Jie and Li Qing met Song Zaizheng, the screenwriter of "Queen In-hyun's Man", who had come all the way from Korea at home.

Song Zai is a post-70s woman who can speak fluent Chinese, admires Chinese culture, and is very talkative.

He claimed that his ancestors were actually from the Celestial Dynasty, because the ancestors of the Song family in Korea all originated from the Shang and Zhou Dynasties in China.

Even in modern times, the elders of the clan occasionally come to China to participate in ancestor worship activities.

Her mother's lineage is even more remarkable, she is a descendant of the Lixing Min family.

The Lixing Min family, whose ancestors also originated from the Ji surname of the Zhou Dynasty in China, and in the history of the Korean peninsula, the Lixing Min family has always been a well-known big aristocratic family. "Prime Minister's Ancestry".

During the Joseon Dynasty, the Lixing Min family even became the largest faction in the court for a time, controlling the court's decision-making. During the Joseon Dynasty, there were three queens in the family, namely Queen Won Kyung and Queen Inhyun , Empress Mingcheng.

Because of this, it is reasonable for Song Zaizheng to write a script like "Queen Inhyun's Man".

One is the cultural background. Both parents’ lineages were aristocratic in the history of the Korean peninsula. There were many Jinshi and high-ranking officials in the family, which can be described as a scholarly family.

In the present age, influenced by the Korean wave culture in our country, it is not surprising to be engaged in literary creation and come up with such scripts combining ancient costumes and modern stars.

Secondly, Queen Inhyun is one of the prides of the Lixing Min family. It is not wrong to publicize her family, and related legendary stories have been passed down from generation to generation by the elders of the family. It is easier than ordinary people to obtain first-hand writing materials.

Of course, Song Zai is throwing out these historical origins, but he is actually just putting money on his face, trying to show his intimacy in front of Fang Jie and Li Qing, the big boss couple. If you really think that she regards herself as a Chinese, it would be too naive .

As a screenwriter born in the 70s, Song Zaizheng had written a lot of scripts before, and some of them were also put on TV screens, but none of them were popular dramas.

Therefore, even though she made her debut earlier than Park Ji-eun, the screenwriter who wrote "You Who Came from the Star", her status is far inferior to her. So far, she has not won relevant domestic awards, not even a small consolation award.

So this time being appointed by the big boss behind the scenes to come to China is a once-in-a-lifetime opportunity for her. Before coming, she was excited for several days, so that she started kneeling and licking excitedly as soon as they met.

After some conversations and understanding, this is obviously a typical mid-level screenwriter, and relatively close to the Celestial Dynasty. In Fang Jie's view, he is "a talent to be made".

Well, if Fang Jie knew that in his previous life, the screenwriter later adapted the script of "W-Two Worlds" based on comics, and then became popular overnight, he would feel even more "wisdom".

On the sofa, Fang Jie held Li Qing in his arms, flipped through the script in his hand for a while aimlessly, then raised his eyes to Song Zai who was sitting on the opposite side like a schoolboy, and said: "I read this book, it's good, it's nothing What needs to be changed. I will suggest to JYP that you will be in charge of this project, and you can start preparing after you go back.”

Song Zaizheng immediately showed joy, got up quickly, and bowed solemnly: "Thank you Mr. Fang for your trust and cultivation!"

Immediately, she bowed to Li Qing again: "Thank you President Li! Thank you!"

Li Qing glanced at her husband with a strange expression, thinking that this is selling her, and he still counts the money for us?
Fang Jie noticed Li Qing's eyes, and couldn't help but rolled his eyes, as if to say: It's not as dirty as you think, at least the drama "Queen In-hyun's Man" really won't have any changes, no entrainment any private goods.

There is really no need to carry private goods, because there is really nothing to change in the script of "Queen In-hyun's Man", the real purpose is to promote Song Zaizheng.

As long as this screenwriter becomes popular and becomes a big-name screenwriter, it will be easy to operate according to his instructions in the future to shoot some costume dramas with private goods.

So after looking away from Li Qing, Fang Jie waved his hands and said, "You don't need to thank me, you won this opportunity by your own ability."

At this point, Fang Jie changed the subject: "Also, I have an immature idea. Since the Lixing Min family is your natal family, I think you can dig deeper into some historical themes for creation in this regard. "

Song Zaizheng was not a fool, and when he thought about it, he instantly guessed what the boss meant: "Boss Fang means to arrange all the three queens in the history of the Lixing Min family?"

Fang Jie nodded, then shook his head again: "Queen Yuanjing and Queen Renxian are okay, Queen Mingcheng... How about putting it on hold for now?"

Song Zaizheng understood in seconds again: "Well, I understand what Mr. Fang means."

But seeing Li Qing, President Li, who was opposite him, didn't know why. After pondering for half a second, Song Zaizheng took the initiative to explain: "My country, Lee's Joseon Dynasty, has always been a vassal state of the Celestial Dynasty, and can only be called king, so this Empress Mingcheng is not in compliance with the rules. If it is made into a TV series, it will easily cause disputes between the people of the two countries..."

Fang Jie also popularized science at the side: "Actually, Empress Mingcheng is a princess. After the Sino-Japanese War, the Qing Dynasty declined. An island country planned a coup to attack the Korean palace and burned Concubine Min to death. Empress Mingcheng was later conferred by Emperor Gojong of Joseon. "

Li Qing was even more curious: "Why didn't the Japanese pirates kill the king of Joseon, but a weak princess?"

"what?"

Fang Jie shook his head and smiled, without explaining, he just glanced at Song Zaizheng.

Song Zaizheng understood, and explained with a somewhat complacent smile: "At that time, Concubine Min was actually the king of Joseon, the actual ruler of the Joseon Dynasty, but she didn't claim to be king in public. So killing Concubine Min is equivalent to killing the king of Joseon." ..."

Li Qing suddenly realized: "Isn't this the North Korean version of Wu Zetian? No wonder!"

Fang Jie nodded towards Song Zaizheng with some appreciation: "I believe you can completely control the historical stories of the other two queens of the Min clan."

Song Zaizheng hurriedly said a few words modestly, and then asked with some hesitation: "Boss Fang means that the theme of the story about Queen Inhyun should be further developed?"

Fang Jie recalled the memory of his previous life, and said: "You are now "Queen In-hyun's Man", I think the theme is not enough, or it is just scratching the surface, which is a waste of relevant theme resources."

Song Zaizheng said: "But this has already written a script about Queen Inhyun, and the script about Queen Inhyun, will it seem a bit repetitive, and will the audience be tired of aesthetics?"

Fang Jie shook his head and smiled: "Why can't you turn the corner? "Queen In-hyun's Man" is the time background of Queen In-hyun being deposed and restored. Why can't you set the background before and after Queen In-hyun became a princess?"

Then, he continued: "The title of the play doesn't have to be Queen Inhyun, you can use "Zhang Yuzhen, Born for Love" and put the perspective on Zhang Xibin, who is fighting with Queen Inhyun in the palace. Come on, Jang Hee-pin is also one of the legendary princesses in the history of the Joseon Dynasty, right?"

Song Zaizheng was enlightened by these words, and nodded again and again: "Yes, yes, I was on the edge of my head, and I always wanted to write about Queen Inhyun. In fact, it is more interesting to use Zhang Xibing as the protagonist! I have already With ideas and even pictures, I can definitely write a classic love drama!"

Jang Hee-pin is the most controversial woman in North Korean history, not even one of them: she is beautiful, smart and alert, she is the only one in the harem, and wins the king's heart; "Temperor"; under the strict class system, she is the only woman in the history of Lee's Joseon Dynasty who has grown from a court lady to a princess, and has suffered several twists and turns.

But in the end, she also paid the price of her life in the palace battle, and was given poisoned wine by the king of Joseon who loved her to die. Queen Inhyun, who was ousted by her, was restored again and became the only one in the history of the Joseon Dynasty who was deposed. The princess who was reset again is also quite legendary.

Therefore, interpreting Zhang Xipin from another perspective does not affect Queen Inhyun's role in the scene. The two legendary princesses engaged in palace battles, both of which have experienced ups and downs, which is very interesting.

Doing so will not increase the difficulty of Song Zaizheng's creation. After all, they are all characters from a historical period in "Queen Inhyun's Man". It's just that the time background has been pushed forward by more than ten years, and a slight modification on its basis will be another film. Drama, it can be said to get twice the result with half the effort.

The reason why Fang Jie provided creative ideas to the other party was not only to support the other party, but also to keep things secret.

For example, the officials and nobles in the play all use Chinese characters.

For example, during the period of King Sukjong of Joseon, the party disputes were very serious, and the political situation changed rapidly. First, there was a dispute between the southerners and the Westerners. Later, the Westerners were divided into the old school and the young school. The struggle between the two princesses was actually a continuation of the party struggle. .

The old school adheres to Zhu Zi's Neo-Confucianism, occupies the righteousness of "loyalty and filial piety", is foolish and loyal to the Ming Dynasty, and clamors to help the Celestial Dynasty to fight against the Qing Dynasty and restore the Ming Dynasty; If you can't twist your thighs, you should recognize the reality and be a younger brother to the Qing Dynasty on the other side of the Celestial Dynasty.

Even regarding the year name, there are disputes between the two sides. The old theory school insists on continuing to use the Ming Dynasty name, while the Shaolun school believes that the Qing Dynasty name should be used. Canceled the history of the reign of the Ming Dynasty as the country's reign.

Regardless of whether these party disputes are right or wrong, and what their political stance is, anyway, the theories they uphold are all Chinese Confucianism, and they all insist on holding the thigh of the Chinese government. It is nothing more than a question of whether to continue to be loyal to the Ming Dynasty, or to obey the orders of the Qing Dynasty. There are big differences.

At the time, such differences were like life-and-death political struggles, but in modern times, when shown through TV dramas, there are only benefits left.

This is a kind of subtly popular science education, telling the Korean audience that you used to be followers of the Celestial Dynasty in terms of writing, academics, year names, and political ideas. There is no doubt about this.

If one drama is not enough to complete the popular science education, then put two dramas, if two is not enough, then put three. In short, after all the dramas are shown in this way, the fake will become true, not to mention that this is true in the first place of.

In addition to these, since the core of the two dramas is a dog-blooded love drama or a palace-fighting drama, then in turn, does it prove that Suzong is a very willful, stupid and scumbag?

Otherwise, how can you explain that you did not hesitate to break your class identity, risked the disgrace of the world, and promoted Zhang Yuzhen to the position of princess in violation of the law?

So how do you explain that you clearly loved Zhang Xipin, and then gave poisoned wine to kill your favorite concubine?

If this move was forced by cronies and courtiers, then you, a king who cannot control the royal power, are you a faint king?
In fact, Suzong was really not a faint king in history. On the contrary, he loved the people like a son and made a lot of political achievements. He also used the emperor's art to balance the party struggle and took back a lot of royal power.

But if "Queen In-hyun's Man" and "Zhang Yuzhen, Born for Love" are filmed together, the image of a scumbag who only loves beauties and not the country will be created, will this be the case? Let some viewers with strong national pride be disappointed with their king?

These two dramas in the previous life had a similar effect. In fact, there are more than these two dramas. Other costume dramas that involve the court either describe the king as stupid, or portray the subordinates as treacherous officials. The party is an oolong made by the sticks themselves.

Of course, there are also relatively positive images of monarchs and ministers.

For example, Li Fangyuan, Emperor Taizong of the Joseon Dynasty.

In fact, Li Fangyuan killed his elder brother and younger brothers, forced his father to step down, and usurped the throne himself. Coincidentally, the specific process is very similar to the process of Tang Taizong Li Shimin ascending to power in the Celestial Dynasty, and at the same time, the Yongle Emperor Zhu Di in the Ming Dynasty He also usurped the throne.

But just like the people of the Celestial Dynasty would not criticize Tang Taizong and Emperor Yongle, but rather respected them, the Korean people would hardly complain about Li Fangyuan, whose merits outweighed his faults.

Speaking of Taizong Li Fangyuan, I have to mention another queen of the Lixing Min family: Queen Yuanjing.

Queen Yuan Jing is Li Fangyuan's original wife and a good helper. In the process of Li Fangyuan ascending the throne of the Joseon King, Queen Yuan Jing and the Li Xingmin family behind her helped a lot, and it can be said that they have made great contributions.

It can even be said that without Queen Yuan Jing, there would be no Taizong Li Fangyuan.

The reason why Fang Jie knows so much ancient history of the Korean Peninsula is that he watched too many Korean dramas and costume dramas in his previous life, and he has an excellent memory, so he learned by himself, and gradually figured out the general historical context and main historical figures there.

Needless to say about this matter, in short, Queen Yuan Jing is also a strange woman, and it is worth writing another script based on this theme.

And this new script is on Song Zaizheng's body again. After all, no one is more suitable to write Queen Yuan Jing than her.

However, Fang Jie's request was for her to focus on Li Fangyuan, Emperor Taizong of Korea, and Li Chenggui, Emperor Taizong of Korea.

That is to say, this third costume drama is going for a historical drama. It tells how the Korean Taejo and Taizong overthrew the Goryeo Dynasty and established the Joseon Dynasty. The plot is much more serious.

If this job is really going to be done like this, for the Korean industry, it is a big project, no less than the masterpiece of "Emperor Yongle" made by the Celestial Dynasty, so Song Zaizheng alone will definitely not be able to do it.

She is just the appointed person in charge, responsible for convening many history department screenwriters and historians to jointly prepare for this project, and responsible for "controlling" the overall situation.

As for how to control the overall situation, there are some things that Fang Jieming does not need to say. Song Zai is a smart person. Since the Chinese Boiling Group participated in this project, and even the boss behind the scenes personally explained the matter, she naturally knows which direction the script should go.

After all, Fang Jie, in her eyes, is no less powerful than the Lee chaebol in South Korea, and even surpasses the Lee chaebol. Abnormal, if you don't want yourself to disappear on the earth inexplicably one day, then you must be "sensible".

Fang Jie had no idea that the other party had made up the matter to the point of personal safety. His request was actually very simple - respect history and seek truth from facts. How could there be so many messy thoughts.

In history, the Joseon Dynasty was originally the closest younger brother of the Ming Dynasty. After its founding monarch Li Chenggui overthrew the Goryeo Dynasty, he sent Shi Ming Dynasty many times, begging Ming Taizu Zhu Yuanzhang to be crowned the throne, but failed. Presiding over state affairs as "Korea state affairs".

Later, Li Chenggui sent Shi Ming Dynasty to play the Ming Taizu Zhu Yuanzhang who ruled the name of the country. After the name of "North Korea" was determined, he still did not get the canonization, but changed his status to "know the state affairs of North Korea".

Later, it was not until Taizong Li Fangyuan came to power that he was canonized by the Celestial Dynasty. Strictly speaking, Li Fangyuan was the first king in name of the Joseon Dynasty.

Since the historical drama "Taizong Li Fangyuan" is going to be filmed, these historical plots cannot be escaped. As long as the joints are clearly explained, it is a good historical and cultural education.

In addition, the Joseon Dynasty believed in the Confucian "big things" from the very beginning. It is mentioned in "Zhou Li" that "a big country is close to a small country, and a small country is a big country, and harmony is also true."

It means that a really smart person can serve a big country with the status of a small country. The big country is magnanimous, loves the small country, and treats it with benevolence and righteousness, while the small country should obey the destiny, obey the order and be loyal to the big country, and treat it with loyalty. Only in this way can the small country achieve stability. In order to achieve mutual benefit and win-win results.

During the Joseon Dynasty, there was even a proposal to attach the whole country to China. For example, the Laolun faction had such a political view. This is not a capitulation faction, but a traditional conservative faction loyal to the Ming Dynasty. Otherwise, the Qing Dynasty would not have established 200 After many years, the old school still dared to commit crimes against the wind, clamoring to fight against the Qing Dynasty and restore the Ming Dynasty.

The foreign relative Lixing Min's family is just one of the so-called big parties, so the Lixing Min's family has historical roots. As a descendant of the Lixing Min's family, Song Zaizheng behaved a little kneeling in front of Fang Jie In other words, in the past, it is not that the ancestors are forgotten, on the contrary, it is actually following the instructions of the ancestors, so there is no ideological burden at all.

All in all, casting the show "Taizong Li Fangyuan" is actually not a matter of doing something, it is a basic operation that is justifiable, after all, it is the truth.

The so-called making troubles is actually to prevent Korean screenwriters from making troubles, lest they change historical dramas indiscriminately for the sake of fame and fortune, and bring wrong historical views to the audience.

In addition to these costume dramas and the modern dramas mentioned above, Fang Jie also plans to continue to follow up Korean dramas in the future, and produce 1 or 2 modern dramas and costume dramas every year to set the audience straight.

For example, in modern dramas, "The Top Floor", "Upper Society", and "The Heirs" reflect the corruption of the Korean upper class, "Doctors" and "Romantic Doctor Master Kim" reflect the chaos of the Korean medical industry, and reflect the involution of the education industry. "Laputa in the Sky"... Wait, you can do it.

The ancient drama is going to shoot all the kings in the history of the Joseon Dynasty. It doesn’t have to be a historical drama, it can be a variety of magical dramas or even magical dramas, but one basic principle remains unchanged: subtly strengthen Confucianism and the principle of big things Chinese elements such as Chinese characters and Chinese culture have a profound impact on the Joseon Dynasty, and the history of popular science is correct.

Although Fang Jie has already made a move in games, film and television dramas, which is enough to drink a pot there, but his pace of doing things still hasn't stopped.

After screening the script, more than a month later, Fang Jie called Boiling Entertainment and JYP Entertainment again, and presented a proposal for a variety show project.

And Li Qing, who knew all the inside information, although on the surface she complained about her husband's pursuit and beating, but she was still quite happy in her heart, because this variety show was her dream stage.