Virtual End

　　 will be on the shelves at 0:00, I hope everyone can come and support me, ask for a subscription and monthly pass, thank you!

　　 This book was opened seamlessly after the richest man finished the book. It has been updated with 270,000 words in the 20 days since the book was published on the 10th. Although some readers have been urging and saying not enough to read, the speed is really fast.

　　 Many books are now on the shelves with 15 to 60 thousand words from the starting point. Although I only have a 20-day public period, I still wrote as many free chapters as possible.

In fact, it is a loss to do this, because the knowledgeable know that the more you go forward, the more you will subscribe. The same is 100,000 words. The number of subscribers to the 100,000 words just released may be five or six times that of the last 100,000 words. After all, Everyone looks at it from the front to the back. With the natural loss of readers, or because many readers look at so many words and then rush to see piracy, there are actually not many readers who can get the most complete copy in the end.

I still wrote more. On the one hand, it is to give back to old readers. On the other hand, I try to keep the 4D every day and give readers a good reading experience. The most important point is that I think the public chapters are at least All the stalls have to be spread out so that everyone can roughly understand the framework of the whole story and guess the general content afterwards.

　　 If the public chapter can't even finish the world view, it would be a bit uninteresting.

　　 It turned out to be much more. I didn't consider the story of the card to be put on the shelf at all. It happened to fall into a turning plot, which was a bit embarrassing.

　　 But I think that a long story has five or six million words at all, and the specific chapter on the shelf falls in the position of 200,000 or 300,000. There is no big difference. After the story card is put on the shelves, we still have to go through the normal turning point and pave the way for the story, and there will still be a natural loss of readers, all the same.

　　 The key is to consider the overall situation, and the plot content should always maintain the established level.

　　 Many people think that at the beginning they are a bit like the richest man, and then they feel that they are not as good as the richest man at the beginning. I will briefly explain this. It is normal to have this kind of thought, but it is not the case.

It’s a bit like because I deliberately put this small part of the plot in the early stage mainly on the company and the experience store, mainly to reduce the reader’s sense of alienation from this strange world, starting from these places that are more closely connected with the real world, and then It's a little bit better to expand the setting of the world view. If you throw it into an unfamiliar environment as soon as you come up, most readers may look too confusing.

　　 It’s because of the environment at the beginning that everyone feels similar to the richest man. After all, it’s the company, but as the plot unfolds, there will be obvious differences in the personalities of the two people.

　　 As for the beginning is not as good as the richest man, it is normal. If the beginning is worse than the richest man, it would be weird, because you always have to take care of it in the early and late stages.

The beginning of the richest man is completely ignorant of the middle and late period of writing. A very familiar and substitious urban background, coupled with a few very fast-paced reversals, and some common plots in daily life and workplace, can be achieved in a short time. Achieve very good results.

　　 But the direct problem caused by this writing method is that it is more painful to write in the middle and late stages, and it can't be uploaded when it is cool. There is no good material available.

　　 I also said in the comments of the richest man that the conventional urban themes exploded in the early stage and the later stage became cold. This is the consequence that you have to bear if you choose the early wording. The way to solve this problem is to expand the breadth and depth of the worldview. Only when the worldview becomes more complex, can we continue to be more refreshing in the later stage, making readers more and more interesting.

But a new problem that arises from this is that since you have made a new world view, you have to spread it out roughly in the early stage. It can't be said that the city is written in the front. When it reaches five or six hundred thousand characters, it suddenly changes to science fiction. , So in the early stage, you have to spread the world view, let the readers accept this setting, and after having this foundation, can you continue to spread the plot.

　　 And letting readers understand some setting process, it will definitely seem a bit boring and tedious. But once it is laid out, the various accumulated plots in the middle and late stages can burst out in a series, which can give readers a more refreshing feeling.

　　 This is a bit like setting up a stage to sing an opera. The higher the stage, the more people you can attract in the end. But if other people don't set up the stage to sing directly, the front will definitely take them away. If you set up the stage, you can only really exert your strength until the middle and late stages.

Therefore, it is normal for UU reading www.uukanshu.com that the book started not as fast as the richest man. It conforms to objective laws and is completely within my expectations. My goal is to make this book cool from beginning to end. The points are always increasing steadily, and the plot of the latter one must be better than the previous one, so it keeps stacking up. To catch up with the richest man when fighting for two or three million words, and then gradually overtake.

　　 As for the structure of this book, it is bigger than the richest man, with at least 5 million words. The specific content depends on the natural development of the plot.

　　 Of course, I also said that the way to solve all problems is to write faster. If the pace is a little slower, just write faster. So rest assured, I believe that the further this book is, the better it will look.

　　 It was updated normally on the day it was launched. Because of the seamless opening of the book, the public chapter has been updated by 270,000 in 20 days. There are still settings and outlines. There is definitely no saving.

　　If there is still a manuscript in this situation, wouldn’t it be...

Is 　　 normal?

　　 Okay, I’m joking with everyone. There are manuscripts saved. How can the author not save the manuscript when it’s on the shelf?

　　 Four chapters are updated at 0 o'clock, and another chapter is updated at 10 o'clock.

　　 is not a 2,000-word chapter, not a 3,000-word chapter, nor a 5,000-word chapter, but a 10,000-word chapter, my friends.

　　 is to update 40,000 words at 0 o'clock tonight, and then update 10,000 words at 10 o'clock tonight, and the update time will be fixed at 10 o'clock in the morning.

　　 As for the number of updates after the release, I strive to maintain between 12 and 15 thousand. That is to say, the daily update is a 4D chapter, and another 4D chapter will be added every three to five days.

　　 So, you don’t have to raise it, let’s start slaughtering! Said it is a lot of food, and you must not be hungry.

　　 Finally, ask for monthly tickets, recommended tickets, and ask for a subscription. See you at 0 o'clock!