The bard joins the entertainment industry

Zhen Zhibing himself was already hated enough in another movie "The Legend of the Condor Heroes". If he plays such a disgusting character now, I'm afraid he will be poked at for the rest of his life.

If this was done well, wouldn't it mean that all his hatred would be transferred to himself?

However, if you perform well, you will gain more experience, so why should you act in a bad way?

If you want to perform well and make people not hate him, you can only play Zhen Zhibing in a good light.

It would be better if others feel pity after watching it when it is broadcast.

A very good person himself, but in the end he did something like that for Xiao Longnu, which also shows the charm of Xiao Longnu.

Of course, this is just Chen Shuo's idea. He can't decide whether others will think so.

What he wants to do now is to lean on this aspect as much as possible.

But now he is not qualified to change the script. He can only add some small actions to the existing plot to achieve his own goals.

Yu Bo taught him this.

In the drama "Xiao Shiyi Lang", Lian Chengbi can be said to be a person who has done all kinds of bad things and fallen into destruction step by step.

However, Yu Bo didn't think so, or he didn't want to act like this.

In his opinion, although Lian Chengbi is a real bad guy, there are reasons for everything he does, and they are all caused by his own emotions and the influence of the outside world.

At heart, he is not a born bad person, but he was forced by the world and had no choice but to reach this point.

He wants to show this entanglement in a performance, so that the audience will hate and love Lian Chengbi at the same time.

In other words, even when you hate him, you can't help but feel pity for him.

Chen Shuo asked himself that he didn't have Yu Bo's ability now, but he could use a trick to combine Zhen Zhibing and Sima.

One of them is a disciple of the Quanzhen Sect, the largest sect in the world, and the other is the young master of the Sima family. They have similar backgrounds.

It's just that Zhen Zhibing's temperament is a bit arrogant, while Sima Xiang is more peaceful.

If you can show yourself to be proud without being arrogant, look down on or ignore Guo Jing, but still be polite.

When facing the Seven Monsters of Jiangnan, the elders of Master's generation, he restrained his arrogance and became respectful and polite.

When he was finally knocked away by a palm, he was surprised and a little relieved, and then he took advantage of the force and walked away.

He was surprised by Ke Zhen E's move, but he understood that he wanted to vent his anger on his apprentice, and out of respect for his chivalrous behavior, he was willing to fulfill his wish.

The effect must be quite different.

Thinking of this, Chen Shuo began to copy the lines line by line in his notebook again.

Follow what Li Defu taught, analyze the emotion of each sentence bit by bit, and try new ways of segmenting sentences.

In the evening, before the director team arrived, Ma Tao led someone to hang Chen Shuo up again and let him get familiar with the wire master to make sure there were no omissions.

When the director team arrived, the entire team came to life and began to operate in an orderly manner.

At this time, Chen Shuo also saw Naibao, who was waving to a young man next to him.

Chen Shuo saw him and waved to him with a smile.

Li Yapeng is still very dedicated. He didn't come during the day because he had a scene and he really couldn't leave. He went on stage in person during the scenes and rehearsals before filming started.

This also made Ma Tao breathe a sigh of relief. After all, the wire action they designed was based on the assistant in the morning, which was different from Li Yapeng playing in person.

The special thing about wire opera lies in the cooperation between actors and wire masters.

With good coordination, the filming was not only smooth, but the effect was also very beautiful.

If the cooperation is not good, there will be a problem here or there. Let alone the effect, you will be lucky not to be injured because of it.

After running in several times in succession, after confirming the camera position, lighting and other preparations, there was a cry: "Action!"

The filming of this scene officially started.

In the camera, Li Yapeng walked out of the dome, looked in the direction of Chen Shuo, walked over and asked: "You, are you calling me? What's the matter?"

The camera flashed across, revealing Chen Shuo's figure, framing the two of them in the mirror.

At this time, Li Yapeng was wearing fur and fur on his head, and he had a pretentious and honest tone, which made him look very inconspicuous.

Chen Shuo is handsome, with his hair in a Taoist bun, wearing a Taoist robe, and his posture is as tall and straight as a green pine and a white crane.

As the saying goes: practice until your body looks like a crane, with two scriptures under a thousand pine trees. I came to ask but I can't help but say, the clouds are in the sky and the water is in the bottle.

I chose to live in seclusion and enjoy the wild life, with no farewell or welcome all year round. Sometimes I go straight to the top of the solitary peak and hear a roar of clouds under the moon.

Among Taoists, there are many things that like pine, crane, turtle and other longevity things.

At this time, he deliberately held the bird-shaped shelf, making him really look like a Taoist fairy boy.

With his eyes slightly closed and his eyebrows slender, he heard Li Yapeng's question.

When the camera panned across him, his slender eyes opened slightly and looked him up and down.

Then he lowered his eyes again and asked in a calm tone: "Are you Guo Jing?"

"I am."

As soon as Li Yapeng finished speaking, Chen Shuo stepped forward without saying a word and slapped him on the chest.

Li Yapeng staggered back, Chen Shuo jumped up, spun around, caught up with him and hit him on the shoulder with another palm.

The smoothness of this set of movements is even more obvious compared to Li Yapeng's clumsy and beaten movements.

"Why did you hit me?" Li Yapeng asked at this time.

However, Chen Shuo kept moving and struck again, and the two exchanged several moves.

Li Yapeng used wrestling techniques to catch Chen Shuo and tried to throw him out, but was easily resolved.

Then, seeing Li Yapeng chasing after him, Chen Shuo kicked his foot, followed the pull-up movement of the Wia Master, and jumped up, kicking Li Yapeng on the chest.

On the other side, the two people in charge of Li Yapeng Weiya also pulled hard and pulled him away.

When Chen Shuo made a handsome freeze frame, the director shouted: "Click!"

During the rehearsal just now, the director saw Chen Shuo's smooth movements and decided to set up an extra camera to shoot the panorama.

This requires relatively high movements from the two of them, so the two of them slowed down and played according to the movements they had set in advance.

The main reason is that Chen Shuo needs to take care of Li Yapeng. The speed is too fast, and he is afraid that he will not be able to catch it.

This scene was shot three times in total. When Chen Shuo shot Li Yapeng in the first shot, he couldn't stand still and fell to the ground.

The second time, when he kicked the last kick, Chen Shuo didn't dare to exert any force. Li Yapeng swayed a bit and failed to implement it.

The movements were erratic and looked a bit fake, so I re-shot it a third time.

After three takes, some close-ups and close-ups were taken for later editing, and the scene was considered over.

Afterwards, the Seven Monsters of Jiangnan came on stage and walked through their positions.

Since everyone does not need to make any movements, they only need to stand in place, so walking and rehearsing are all done in one go.