That year Huayu

About ten meters apart, Gu Changwei and Lin Nan nodded.

Zhang Jingchu seemed to have completely forgotten her disparaging words about "Into the Dust" in front of the media, and even took the initiative to shake hands with Lin Nan.

Jiang Wenli was still taking pictures in the distance and did not come over here, otherwise Ms. Zhang would not blatantly come to talk to Lin Nan.

After a few perfunctory words, Ms. Zhang realized that she was not welcome to meet, so she returned to the "Peacock" crew.

The red carpet continued, and Lin Nan was informed that it was about to be the crew of "Into the Dust".

Li Baotian and Jiang Wenli arrived at the exit with Lin Nan. The crew in front of them was the German film "Hope and Resistance".

The red carpet host began to introduce, "The people walking down the red carpet are the crew of "Into the Dust" from China, including director Nan Lin, male lead Bao Tian Li, and female lead Wen Li Jiang.

This is their first time coming to Berlin, which reminds us of Yi Mou Zhang who won the Golden Bear for the first time he came to Berlin..."

Lin Nan tried hard to keep a smile. Outside the red carpet, the cameras of various media flashed wildly, even a little dazzling.

Lin Nan saw with sharp eyes the Sixth Princess and the people from Sohu, smiling and waving to the camera over there.

Women are natural experts on the red carpet. Unlike Lin Nan and Li Baotian, Jiang Wenli looks elegant and calm in every move.

Two and a half minutes was the time reserved for "Into the Dust" on the red carpet. The host also briefly interviewed Lin Nan.

As I continued walking forward, I heard the host begin to introduce the crew of "Peacock"...

The staircase venue, which could accommodate thousands of people, slowly began to fill up.

The crew of "Into the Dust" is located at the back of the center. On the left is the crew from France, on the right is the crew from Germany. The crew of "Peacock" is in the row directly in front of Lin Nan and others.

Gu Changwei could just turn his head and chat with Lin Nan, but he would never do that because Lin Nan was with Jiang Wenli and next to him was Zhang Jingchu.

Lin Nan could feel the chilling atmosphere. Looking at Li Baotian, the old god was resting on the ground with his eyes narrowed.

It was getting dark outside, but the lights were bright. In the venue, supporters announced that the closing ceremony of the 55th Berlin International Film Festival has officially begun.

The most exciting moment is coming.

All the guests were looking at the big screen on the awards stage

First, the two awards for the non-competition section and the Youth Forum module were won by domestic directors.

The best film and short film in the panorama section were won by two films from France and Switzerland respectively.

In turn, the children's unit and film critics awards for each unit were awarded.

With the appearance of the chairman of the jury, everyone finally came to the highlight of the night.

“I am very happy to gather at the Berlin Film Festival with filmmakers from all over the world and contribute to the development of film art.

In the past few months, we have selected a large number of excellent films from all over the world, and after ten days of voting, the films that won the award tonight will be introduced to you. "

From this moment on, Lin Nan began to hold his breath, because the name "Into the Dust" might appear at any time.

The first award was the Best European Film Award, an award reserved for local films, which was won by a Dutch director.

The second best film score award went to a French director.

When it was the turn of the Alfred Ball Silver Bear Award, everyone began to feel a little anxious. In 2003, "Heroes" won this award.

The winner was "A Cloud in the Sky".

At this point, Lin Nan was completely excited, because the following awards were all grand prizes for him.

Li Baotian's squinted eyes were shining, who said the old-timer could see clearly.

“The winner of the Silver Bear for Best Actress is: Julia Yench, “Hope and Defiance.” Congratulations.”

Hearing this voice, Jiang Wenli's tense body relaxed.

"Sister Wen Li, it's okay, we'll come back next time." Lin Nan comforted.

"I'm very satisfied to have made it this far." Jiang Wenli consoled herself.

Gu Changwei turned his head and glanced at his wife, "Director Xiaolin is right, let's come back next time." What he received was Jiang Wenli's cold silence.

Zhang Jingchu in the front was also a little disappointed. Maybe she took it too much for granted at the beginning.

After the Best Actress received the award and made a speech, the jury members continued to award awards.

Several films flashed by, including "Into the Dust." "The winner of the Silver Bear Award for Best Actor is Lou Taylor Pucci for "Thumbsucker." Congratulations."

Li Baotian breathed a long sigh of relief and said, "Oh, I am too impetuous. I still have to practice Qi-nurturing Kung Fu."

"Teacher Li, you are serious. Your strength has been noticed by the audience for so many years." Lin Nan said seriously.

"Haha, let's see, we can probably get a big one." Li Baotian knew the awarding process, and Lin Nan was a little embarrassed to be told that.

Gu Changwei also stared nervously at the award podium. The actor was giving a speech, and there were three more important awards.

Best Director individually, as well as the Golden Bear and Grand Jury Prize for the film overall.

"The winner of the Silver Bear Award for Best Director is: Nan Lin's "Into the Dust", congratulations."

As if thunder struck the heavenly spirit, Lin Nan was a little confused at this moment, as if everything was unreal.

Li Baotian and Jiang Wenli took the lead in applauding. In the distance, everyone from China Film Academy also stood up and looked at Lin Nan, congratulating with joy on their faces.

Gu Changwei turned around to congratulate. Lin Nan stood up, hugged Jiang Wenli and Li Baotian, then walked out of his seat and walked to the award podium.

The jury members were still introducing Lin Nan and the film, "The film is like a vast sandstorm, showing poetry and power, shining with light, and full of extraordinary restraint and compassion..."

Lin Nan walked up to the podium and took the Silver Bear Trophy with both hands. This was Lin Nan's first important trophy, not counting the Golden Horse's Best Rookie.

"Thank you." Lin Nan thanked him.

The presenter took a step back and gave the podium to Lin Nan.

Facing thousands of people at the venue, Lin Nan was a little nervous, but he cheered up and said in English with a slight accent, "I am Lin Nan, from China. I came here once last year as a new actor.

This is the first time that I have brought my own work to the competition. I am very honored to receive the love and recognition of the jury. I will continue to work hard.

Here I would also like to thank Teacher Li Baotian and Teacher Jiang Wenli for their support. They are the male and female protagonists of my film. Thanks to my school’s film school for training and teaching me. Thanks again to the Berlin Film Festival for recognizing me, thank you. "

The applause sounded like thunder, and Lin Nan returned to his seat as if he was stepping on cotton.

Holding the Silver Bear trophy, Lin Nan was very satisfied.

The jury award, which is only second to the Golden Bear, has already begun to be announced on the stage.

"The winner of the Jury Grand Prize Silver Bear is: Chang WeiGu's "Peacock", congratulations."

Gu Changwei, who could no longer hold himself back, suddenly stood up. Although he was not a golden bear, he was already very satisfied. This was his first time directing, and there would be opportunities later.

Lin Nan sent congratulations, and Gu Changwei walked up to the award podium amidst the applause of everyone.

In his acceptance speech, he expressed his love for the film industry and his gratitude to his relatives and friends. At the end, he specifically mentioned that his wife is the heroine of "Into the Dust". This is Lin Nan's direct address.

The Golden Bear Award for Best Film was won by the South African director's "Carmen of Khayelitsha", and the film festival has come to an end.

At this moment in China, it is already three o'clock in the morning, and many media practitioners are forced to get up and work overtime.

First-hand news from the Berlin Film Festival began to grab headlines on major news pages.

Lin Nan was preparing to meet with a group of film producers the next day.

When Lin Nan fell into sleep, the domestic morning news began to report on the awards won by "Peacock" and "Into the Dust" in Berlin.

Li Baotian and Jiang Wenli both left Berlin on the 21st. Lin Nan specially sent them to the airport to thank them for their trip to Berlin. Everyone could only think that it was God's will that they were nominated but did not win the award.

After watching the two of them and their assistant board the plane, Lin Nan returned to the hotel. She had made appointments with many film producers today.

He had a question in the past, why those directors of the older generation were still happy to make one film at a loss, and finally found out the reason.

Others just go to film festivals. As long as they can win awards, the copyright can be sold for at least several times the cost, minus the publicity and distribution costs and theater shares. It is a pure profit, and they don't care whether the domestic box office can make back the money.

Mr. Han specifically asked Lin Nan if he needed help. Regarding the sale of film copyrights, China Film Group was professional, and they had to hurry up and finalize the introduction of some films in the past two days.

Lin Nan readily accepted and met with several well-known film producers with people from China Film Group at around ten in the morning.

European film studios still offer the highest prices.

Lin Nan had made up his mind from the beginning to sell off the copyright and not get involved in subsequent matters.

Several film producers have evenly divided the copyrights in regions other than the Mainland. Europe accounts for half of the price, rising from more than two million to four million just because of a Silver Bear trophy.

After a day of negotiations, buyers were identified in all regions except the mainland, with a total price of US$8.3 million.

Two years ago, "The Blind Shaft" won the Alfred Ball Silver Bear, and it only sold for more than three million U.S. dollars. As expected, awards are also divided into high and low.

Lin Nan believes that "Peacock" will definitely not sell less, but it will not be as good as "Into the Dust". All copyrights belong to Lin Nan alone.

That night, Lin Nante met with Han Sanping and thanked China Film for its help.

"I really should have invested in this movie. I'm so envious." Han Sanping didn't hide the passion in his eyes.

The investment was less than 400,000 U.S. dollars, but it was sold for 8.3 million U.S. dollars, a net profit of more than 20 times, and a Best Director trophy.

"Mr. Han was joking. At the beginning, no one dared to think that it would help me win the best director. I just hoped to win an encouragement award."

Lin Nan said with a smile that when he invested alone, he really had a trying mentality, but he won the bet.

"Let's get started on the release permit matter when we get back. You won the award, which will also help this matter. Have you heard about the box office of "Peacock"?"

Lin Nan nodded. He read the news. The domestic box office of "Peacock" was dismal. It was released on the 18th. The box office on the first day was less than 500,000, and it was about the same on the second and third days.

Even if the film was sent back and won the Grand Jury Prize, it would not be able to save the box office, which would reach 700,000 to 800,000 per day at most, but the domestic box office is no longer important.

The copyright of "Peacock" has been negotiated. Its cost is only three times that of "Into the Dust". It is no problem to make five or six times by selling the copyright.

Mr. Han meant that Lin Nan should learn from the experience and lessons of "Peacock". At the very least, the domestic box office should not be so low-key, but a movie with a cost of three million, even if it is limited by the subject matter, will not lose money as long as it can be released.

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