Soul Painter

Although worried, Mrs. Feng and Bao Bao Bao could not leave their home just because of Gao Fan's word.

Seeing that Gao Fan could not leave them, he decided to resolve the matter as soon as possible and surrender the curse as soon as possible.

It may be the pressure from Gao Fan, so in three days, Feng Yuan has already broken through the 390 level, and seeing 400 is in sight, if the figures in the Red Chamber in Mao Zhou’s hands are calculated according to the statistics of the Qing edition, Feng Yuan has already drawn Nearly 90% of the characters in "The Fragment of Red Mansions" may be a few days or half a month away. This practice, which has lasted for more than a year, can come to an end.

today.

Gao Fan held the toner and the carbon pen aggressively and continued to challenge.

In order to take care of his antiquities, Feng Yuan kept guarding him when Gao Fan challenged him.

Looking at the thing that Gao Fan had brought, I couldn’t help being very curious: “What’s in this box? I still use a carbon pen? How can carbon pen draw meticulous painting? Is it still called meticulous painting?”

"If it works, try it." Gao Fan said as he unfolded the scroll he had made by Xin Wei, a ten-meter long roll of rice paper that was already mounted.

Ink paintings are usually painted first and then mounted. The reason is that the pen and ink is difficult to control. The famous works such as "Lanting Preface" and "Tengwang Pavilion Preface" have been changed countless by the author himself because of typos and omissions. There are too many characters and other characters. If it weren't for these wonderful works that were too famous, the author himself would be difficult to reproduce, for fear that he would not have the opportunity to spread to the world.

But Gao Fan's gongbi imitated with toner and carbon pen is different, because the carbon is erasable.

So Gao Fan first mounts and paints, so that the paper is hard and solid, which is very conducive to charcoal drawing.

"Xiao Gao, you are really deliberate." Feng Yuan saw what Gao Fan wanted to do, and couldn't help feeling, but there was no way to object, because Gao Fan did not violate the rules.

A gentleman can deceive him, and Feng Yuan is that ‘gentleman’.

Gao Fan smiled, called out Mao Zhou, and lifted up his inspiration, letting the Qing Dynasty female painter sit in front of him.

"Are you here again?" Mao Zhou had no good expressions on Gao Fan. He had been entangled in the past few days, and as a result, he couldn't draw even a complete brushwork. It was really a rascal.

"This time is different~" Gao Fan said with a smile, "Ms. Mao Zhou, look okay!"

As he spoke, Gao Fan began to spread out the rice paper on the desk and painted with carbon with his hand. He saw his right hand draw the outline of the pen, and the left hand with the carbon shadow. Although the "gongbi" is symmetrical to the "freehand brushwork", it is correct. The body is extremely heavy, and there is no lack of coloring and wiping in the painting method, and the interplay of pink and white, so the finished product is extremely rich and easy to spread and portray.

Meticulous brushwork can be extremely complicated when used in portraits. It is like an ancient camera. In Yan Liben’s "Steps of the Road", it depicts the picture of Tang Taizong meeting with foreign messengers. The characters in the painting look roughly like expressions, but If you observe carefully with a magnifying glass, you will find that the dignity of Tang Taizong, the panic of the messenger, and the leisure of the court ladies are all visible, which is very wonderful.

In the Fragment of Red Mansions painted by Mao Zhou, the characters on the scroll are only in ink and no lead or powder, but when you look up, you can see the magnificence of the golden step in the woman's hair bun, and look out of her hand. The beauty of the flowers in the pinch can even see the vivid expression of a person's expression, which shows that the magic of Mao Zhou's fine brush skills has reached the point of extraordinary skill.

Coupled with the singularity of "The Fragment of the Red Mansions", ‘after one picture is described, another one will be reborn’, it’s no accident that Feng Yuan, a Chinese master of meticulous brushwork, became fascinated by it.

Now, Mao Zhou looked at Gao Fan and used his left and right hands together, smearing on the rice paper, and frowned. It was these **** tricks. Was it not enough to be beaten last time?

But looking again, the lines drawn by Gao Fan's right hand are twists and turns, and a few strokes outline a figure of a woman. She is shy and shy. She holds a round fan in her hand. She has a graceful posture, like a flower and a moon in his leisure time, and acts like a weak willow. The helper, his romantic posture, is already on paper.

At the same time, Gao Fan quickly smeared his left hand, and the background of the woman appeared one by one. She seemed to be held in her arms by an old woman. The old woman did not describe in detail in the painting, but a few simple strokes have been painted out. In addition to his kindly posture, further out, there are many standing women's portraits.

When he came down again, Gao Fan switched to applying toner with his right hand. The only woman with a clear face also appeared on the rice paper. She saw two frowning eyebrows, a pair of eyebrows that seemed to be happy and not happy. It must be a scarlet grass walking on the earth, and the female fairy in the sky will fall into the world.

Looking at this painting, Mao Zhou raised his right hand and gently put it down. Others might like the scenes in the book "Daiyu Burial Flower", "Reading Xixiang Together", but she only loves Lin Daiyu's relegation to the mortal world, this moment when she was born. .

"How?" Gao Fan finished painting and looked at the time, but it was only five minutes. He raised his head with both hands and asked Mao Zhou with a smile.

snort! With a cold snort, Mao Zhou turned the scroll to the second page.

...

Ah?

Feng Yuan looked at the'Daiyu Statue' that Gao Fan drew with toner and a carbon pen on the table, and then immediately folds the position behind the long scroll, and began to paint the second portrait of the figure in the Red Mansion. He realized that Gao Fan This first picture has actually been completed, and it has been recognized by the "Fairy in the Juan". More importantly, Gao Fan only took less than ten minutes.

"You...you?!" Feng Yuan was shocked.

"Tsk tsk, the first one is over, and there are more than four hundred more. Fortunately, I have practiced~" Gao Fan snapped his fingers and recalled the practice days in Boston City Plaza more than a month ago, and talked about painting. Speed, he is professional, as long as this painting method can be recognized by Mao Zhou, then he can kill the square!

Next, it's time to witness the miracle.

Feng Yuan held the Fragment of the Red Mansions in his hand, and watched Gao Fan on a large enough rice paper, he began to draw the figures of the Red Mansions, from Daiyu Baoyu to the other eleven golden hairpins, from Jia Jing and Jia From Fu and Jia She to Jia Zheng and Jia Min, in one night, for six hours, nearly fifty figures have appeared in Gao Fan's writings, occupying one-eighth of the ten-meter scroll.

I saw that Gao Fan not only wanted to finish "The Fragmented Red Mansions", but also wanted to finish "The Fragmented Red Mansions" on this scroll.

In addition, the portraits of people drawn with toner and carbon pen reveal the rigor and neatness of meticulous brushwork from the bones. The lines are regular and the coloring is exquisite. There is no illusion of transcending reality in oil painting, only the reality. The infinite stretch.

Feng Yuan believes that the difference between oil painting and Gongbi lies in the treatment of the world outside the scroll. The world in oil painting techniques is limited to a corner ~www.readwn.com~, while Gongbi brings unlimited imagination to the world outside the painting. Of course, This is just a personal impression, and it must be subjective, but Feng Yuan believes that temperament is difficult to change.

A person who is accustomed to using oil painting thinking and methods to depict the world will never escape from this frame.

However, at this moment, Feng Yuan was greatly amazed by Gao Fan’s fine-brushed characters described with toner and carbon pen using oil painting techniques. He couldn’t help but feel an eye-opening feeling that he could paint like this. It’s really close to the art. , Use skills to surpass the mindset.

After waiting for six hours, Feng Yuan was in shock, suddenly realizing what had happened to him.

If Gao Fan continues to paint at this speed, he only needs to multiply the time to create these fifty figures by eight, which is... six or eight, forty-eight hours, or two days, to complete the entire "fragmented scroll of the Red Chamber". Re-enacted!

Feng Yuan's fastest speed is only three or four paintings a day.

How does this compare?

There is no way to compare this!

Feng Yuan fell into anxiety.