Since 1983

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In the morning, Beijing Broadcasting Institute.

The school started today during the winter vacation and the students reported that there was a lot of noise. Fang Tingting of the Advertising Department stopped at the school gate and didn't like to enter in an instant. Her family is in Beijing, and she has no classes today, so she comes over for some time.

She crossed the street and first ran to a newspaper stand and asked, "Is there any news today?"

"Yesterday Lantern Festival, is it news?"

"You're not funny, serious."

"Then it's gone."

The boss spread his hands.

whispering sound!

Fang Tingting had to find it by herself. When she saw dozens of newspapers in the red, red and green papers on the stall, she flipped over a few times and suddenly her eyes lit up.

"This newspaper specially invited the producer of" Hutong People "and famous screenwriter Xu Fei to open a column to discuss the art of film and television drama with everyone ...

As an iron powder in the alley, she naturally knew who this person was and quickly bought a copy. Followed into the early shop next to it, asked for a bowl of ravioli and waited while watching.

In the following supplement, a long page almost occupies one edition. The name of the column is "On the Self-Cultivation of Movies and TV Series", the first issue, "Performance".

puff!

Fang Tingting looked at the title in an unreasonable way, with a unique alley style, and looked down when he was busy.

"Small characters have entered the industry for a few years, with a few achievements ... This column is opened at the invitation of this newspaper.

First of all, it is stated that this name has nothing to do with Stein's great book "Self-cultivation of Actors" and is purely personally liked.

Since 1905, the owner of Fengtai Photo Studio Ren Jingfeng filmed "Dingjun Mountain", Chinese film has gone through 84 years of history. Starting with "One Piece of Cake" broadcast by CCTV in 1958, domestic TV dramas have also experienced 31 years.

Today, the art of film and television is a mature industry with a large audience in the world.

It is presented to the audience as an art form based on storytelling. The most intuitive carrier is the actor, and the core thing of the actor is performance.

For a long time, the domestic literary and art circles have only focused on themes and content, and ignored the personality of actors. There has been a slight improvement in recent years, at least there are special actor awards ...

Today I want to talk to you about what is a good performance and what is not a good performance.

First remember two concepts, in and out of play. Simply put, good performances allow us to enter the play, and bad performances allow us to play.

Let me give an example.

The last paragraph of "Below the Bridge" has always been praised for its delicate and timeless artistic conception. Gong Xue won the Golden Rooster and Hundred Flowers awards, so let's analyze the performance inside.

The role played by Gong Xue has been in the line for many years and returned to the city. She met a man when she was in the line, and had a child before marriage, but the man ran abroad.

Under great pressure, Gong Xue raised the child alone, and was moved by Zhang Tielin's sincerity. At the end, he confided his heart and told his story.

Knock on the blackboard and draw the key points!

When analyzing performances, you must never carry out a segment alone, and you must combine the situation and the character of the character. "

"what!"

Fang Tingting's wonton has already come up, but he can't even eat, and continues to look down.

"Gong Xue cried at first, then calmed down and said," Strange, why did I tell you everything today? "

Zhang Tielin: ‘I understand. ’

‘What do you understand? ’

‘I understand anyway, and you understand. ’

At this time, Gong Xue's strong and closed heart for many years has actually been softened by the other party. She trusted and fell in love with this man before tearing her most painful scar and showing it to him.

So after she cried, she seemed to inadvertently say something deliberately, ‘strange, why did I tell you everything today? ’

The subtext is, ‘Oh, you should confess! ’

"Poof!"

Fang Tingting smiled, first thought nonsense, and thought very carefully.

Do the girls know why? She must know, why should I ask? I just want to get a response.

Similarly, "It's very easy to chat with you", "I seem to have said a lot today."

"It was because she was clear in her heart, so when she asked the exit, she already had a bit of shyness and anticipation.

Everyone looked at the picture, Gong Xue had been holding the handkerchief in his hand, and he had been holding it before. When he said this sentence, he began to slowly wrap around his fingers and slowly wrap around.

This is a typical example of borrowing props and subtle movements to express the character's heart.

At the moment, it was still a preliminary test. After Zhang Tielin said ‘I understand’, this layer of emotion was unveiled again.

Gong Xue's daughter's mind was pierced and changed, and friends with conditions can listen to this sentence ‘What do you understand? ’

That tone obviously changed from being shy to being mean.

Zhang Tielin said again: ‘I understand anyway, and you understand. ’

The performance that Gong Xue followed was the best place to watch the film. She froze for a moment, then fell on the table, rubbed her forehead with her back, and gently bit her lower lip.

It ’s also wonderful to enter the camera, and it ’s close-up. The profile with a seven-pointed face, eye movements, a little shyness, a little joy ...

The hard-working and imposing immortal beauty came out at once.

This is called a drama.

Of course, some people may say, hey, what do you do so much? It's over if you don't see it?

That's right, but there are different views. It's still a good taste to take a closer look at the flowers. It feels different. For example, just now, if we understand it, we will understand that the two of them said that.

‘You should confess. ’

'I know. ’

'what do you know? ’

‘I ’m rare, and you ’re rare. ’

"Goose Goose Goose Goose Goose Goose……"

Fang Tingting squeezed the newspaper and walked into the campus like a fool. For the first time, he felt that film and television art appreciation was so fun.

She slipped into the classroom, reported to the instructor, followed her eyes, and ran to Chen Xiaoxu.

"No class today, why are you here?"

"It's boring at home, it's easy to come and look at the school ... what do you do with a newspaper?"

"I just bought it, but it's interesting."

Chen Xiaoxu glanced over and lipped his lips.

"Another example.

At the end of the little nanny of "Hutong People 1", Ge You sat on the steps and rubbed her face, which was praised by many audiences as one of the most memorable shots. Today we will also make a specific analysis.

First of all, Xiaowei is a liar and the information is not completely transparent. What he understands is just what others let him know.

Secondly, as a superficial and hooligan man, it is not easy to meet a woman she likes, let alone want to marry and have children.

So when the police came to the door and exposed all the truth, the impact on the individual was unimaginable.

Human emotions are complex and rich, and many emotions are often mixed. For example, someone suddenly heard of a mother ’s car accident and died on the spot, daring not to say it all. At least the first reaction of most people must be shocked and his head blank.

After this, sadness, sorrow, disbelief, hysterics, fainting, fainting, etc. will only arrive.

The previous play was simple, black and white, and the characters were profiled. Even the mood is very monotonous.

As the subject matter of film and television works is rich and the number increases, the requirements for actors will become more and more refined. Such a performance with many emotional changes is personally called layering.

Back to Ge You.

After learning that his feelings were a hoax, he was naturally shocked, and his head was blank.

Everyone had entered the door, but he stood at the door in a daze and then sat on the steps.

Everyone looks at the picture. Just now Ge You's eyes are empty, and at this moment it is dazed. This is a subtle emotional change. What is he dazed?

Is Xiaowei a liar? Does Xiao Wei like herself? Are you like a joke? And Xiao Wei's real name, is it Shen Taohong?

If you continue to change, it contains doubt, bitterness, self-deprecation, self-comfort ... so many things are mixed together, no one can perform at the same time.

So Geyou started rubbing her face.

This action was designed by himself, and it was absolutely impossible. The actor is not a panacea. Look at how to adapt. He rubbed his face, covered his face, and transformed his expression into a limb.

Some people say that Ge You didn't perform, why did you applaud the show?

Because his rhythm is not broken, rubbing his face instead adds effect, always giving the audience a powerful emotional rendering state.

The audience can imagine that he is in pain, he is in tears, anything.

This is also called a drama. "

Chen Xiaoxu and Fang Tingting huddled together, unconsciously and fascinated, even the teacher said that he did not know about the meeting.

"Let's talk about the not-so-good performance.

It's "Under the Bridge".

Zhang Tielin also played the role of returning to the city as an educated youth, and set up a car repair booth. He is kind, upright, inclusive, and dares to break through old thoughts and pursue true love.

Let's analyze a turning scene first. He knows that Gong Xue is unmarried and has a five-year-old child.

When his mother went upstairs, Gong Xue sat down and looked back.

No sense of layering, because no. Zhang Tielin looked at her, looked around, drew a cigarette, pinched a match, and looked for matches all over the room.

The eyes are not messy, the face does not have any fluctuations, and I can only use the match to try to express panic. This is a very simple method.

He liked the other party, and suddenly learned that this situation, the impact is great. This performance obviously cannot support this turning point and lacks strength.

On the other hand, Gong Xue, she also panicked after looking at each other, immediately turned her head and continued to make clothes.

When a person is nervous, there are many external manifestations, such as blinking, pursing his mouth, breathing rate, slight movements of the head, movements in the hand, etc.

Gong Xue showed it relatively delicately.

Zhang Tielin's simplistic performance is full of movies, frowning, sighing, contemplating, and staring at a place without moving, basically repeating his work.

In the end, look at the comparison.

Gong Xue's eyes and smile are full of affection at a glance, looking at the people he likes. Zhang Tielin's eyes have feelings, but they are not deep enough, and his face still has no fluctuations.

The two have experienced so many things and are finally going to be together, but it is difficult to feel his joy and expectation.

The tone of the film "Below the Bridge" is restrained and subtle, and the actor's style also leans in this direction.

However, restraint does not mean rigidity, nor does it mean lack of detail and appeal.

It's not called restraint, it's called no performance. "

In order to satisfy Xu Fei's combination of pictures and texts, the "Beijing Youth Daily" laid down the blood. Limited by technology, black-and-white pictures, high-blend, can be matched with his text description and his own brain supplements, and it can be magically distinguished.

"That's not called restraint, it's called no performance ..."

Fang Tingting patted the table and said, "Teacher Xu is so funny, so funny!"

"Okay."

Chen Xiaoxu pursed her lips, just thought it was well written, fresh and interesting, not old-fashioned and intimate.

She followed her through the newspaper, "Yeah, it's gone."

"what?"

When Fang Tingting was addicted, she immediately panicked and turned a few times, seeing that there were four words tomorrow, and she was relieved.