Shrouding the Heavens

Chapter 77 Kyushu Heavy Equipment

Liu Guanshi was beaten by several people with less air and more air, lying on the street like a dead dog. In the past, they had done too much and had already caused public outrage. If it were not for the persuasion of a few prudent old people, they would have to be killed alive and have to kill. In the end, the crowd threw them to their doorsteps like a dead dog.

At noon, there was a laughter in the small restaurant, Xiao Tingting's smile was brilliant, no longer worried and afraid. The sullenness in Mr. Jiang's heart also spit out, and the wrinkles on his face seemed to have melted a lot, making several dishes in a flip-like manner, red-wound rabbit meat, clear soup rabbit meatballs, sweet and sour rabbit ribs, Biye roll incense Chicken, spicy chicken, and some vegetables made of green vegetables and wild fruits.

I ate this meal for a long time, with laughter from time to time. This kind of harmonious atmosphere gave Ye Fan an illusion that it felt like returning home.

After lunch, Ye Fan went directly into the mountains, and he began to try to control the "god pattern", because it was very critical and important for later cultivation.

Every "God's Pattern" is like a chain of gods, lingering in the golden bitter sea sky. This is the original form formed by the condensed essence of life.

Monks can sacrifice the "God pattern" into various shapes, such as flying knives, daggers, etc., which can be released outside to kill the enemy, which is more effective than the "God pattern". Some people will spend a lot of time and thoughts to sacrifice the original "divine pattern" into flying swords, small shields, halberds, etc., which is easier to control and will have a lot of power against the enemy.

Individuals are not afraid of complexity and mystery, repeatedly tempering the "divine pattern", offering "ding" and "bell" or "tower", etc., can exert all kinds of mysterious powers.

Legend has it that very few monks sacrificed "insects" made of "divine patterns", and unexpected changes may occur in the later period. The "trajectory" of the Tao interweaves inside the "instruments", which has unpredictable power.

Of course, this probability is very low, and only those monks who are very talented and extremely powerful can have this kind of chance.

According to past experience, the more complicated and mysterious the "artifacts" sacred from the original "spiritual patterns", the more powerful the "dings" and "bells" or "towers" are. "Tao's trajectory", I hope it might be bigger.

Of course, the more complicated the "tool" is, the harder it is to shape. It takes a lot of effort and time to figure out a silhouette, and it is a waste of time.

Moreover, even if it is a fluke, it is difficult to get a reward in hard work till the later stage. After all, the hope of appearing the "trajectory of the Tao" is too slim. For many monks, it is just a legend, and it is only for the very few who are shocked and gorgeous.

It is very important for monks to temper the original "divine pattern" into "artifacts". Everyone will take it seriously, because this is the root of their future "imperial objects".

Such as Han Feiyu's imperial envoy Aoki Treasure Seal, Elder Han controls twelve green wood swords, and unscrupulous priests control a variety of psychic weapons, provided that the original "divine pattern" has been tempered into a "device" and controlled by "device" With various weapons of control.

After tempering the "God Pattern" into an "Organ", the vast majority of people will choose the same shape of the spirit treasure. Only when the two are consistent can they exert their greatest power.

Of course, the shape is different, it is not impossible to control other weapons, but it is only a little discount.

There are also some monks who continue to condense the "god pattern" and repeatedly sacrifice their own "apparatus" without having to control other physical weapons. The "apparatus" tempered is their spiritual treasure.

According to the records of the Daojing in the Daojing, the four realms of Kuhai, Mingquan, Shenqiao, and the other shore can be tempered in each realm.

Ye Fan is already a monk in the Bitter Sea realm, and now he will temper his first "apparatus". He is seriously thinking about what to choose, because this is a matter of importance. Once the "apparatus" is formed, it will be difficult to change. .

Moreover, the first "tool" is the foundation of the future, and it is much more effective than the "tool" tempered by other realms.

Since he chose the path of spiritual practice, everything will be considered in the long run. Ye Fan first ruled out common weapons such as flying swords, shields, and spears.

Although he knew that the hope was slim, he still hoped that his “instrument” could interweave the “trajectory of Tao” in the future, so he decided to choose among those complicated and profound mysteries.

"What the **** ..." Ye Fan thought about it carefully and for a long time, and finally his eyes brightened.

Eventually, he had a clear choice and decided to temper his own “god pattern” into a “ding”.

Is not a momentary impulse. This is Ye Fan's deliberate consideration, not only because he likes "Ding" subjectively, but more importantly, "Ding" is the most mysterious artifact in ancient China.

Ding, throughout the entire history of China, mountains and rivers cracked, dynasties changed, princes joined together, Kyushu unified ... are inseparable from Ding, is the artifact of Kyushu, the holy thing of the country.

A trip to the Central Plains, spring and autumn flourishing ... countless idioms are related to Ding. They are all magnificent. Ding has a long history in ancient China. It is the most mysterious "national instrument". It can even be said that "ding" can represent ancient China.

How long China has a long history, it is difficult to make clear, some things are not recorded and inherited, Ye Fan thought a lot, so he chose "Ding".

In the pre-Qin period, many holy emperors and ancient emperors used to practice Zen in Mount Tai, including 72 ancient emperors such as Fuxi, Shennong, and Huangdi. It seems to Ye Fan that there are too many mysteries. From his own experience, it is not difficult to find that the ancient China has shrouded the endless mist.

There seems to be an extremely mysterious period in ancient China. The period of time was annihilated in the vast river of history. From the various traces of the horses and horses, we can perceive some conditions. The ancient ancestors seemed to have extraordinary power.

And "Ding" as the most mysterious artifact inherited from that period, was naturally valued by Ye Fan, and the most important sacred artifact throughout the history of ancient China, he was naturally selected as the "heavy weapon".

For this choice, Ye Fan is full of confidence. This is the crystallization of ancient China. As his first "tool" and "foundation", it is the most suitable.

There are many forms of tripods, the most prestigious are the three-legged round tripod and the four-legged square tripod. Which one do you choose? Ye Fan thought about it again.

"Three-legged Yuanding appeared earlier ..." He gradually decided in his mind.

In addition to the earlier reason, there are other reasons to think about him as a current monk, and think that the three-legged round tripod contains some inexplicable truth.

The three-legged is more stable than the four-legged, and it is the most stable form, and the Tao and meaning contained in the circle is wider and deeper than Fang.

Tripod, stable, firm, stable, solid!

Circle represents the universe and the stars in the universe. According to legend, Pangu opened the world, that is, breaking a circle and breaking a spherical space is the initial evolution of chaos, and the circle represents the origin.

"Yes, just choose the three-legged round tripod!" After careful consideration and consideration, Ye Fan made this important decision ~ www.readwn.com ~ I want to refine the original "God pattern" into a device, not so Easy, this is a difficult and long process, it can't be done overnight.

First of all, we must determine the shape of the "instrument" and firmly imprint it in our hearts. In the future, we will use it as a reference object for tempering, and no flaws are allowed.

Ye Fan held a bodhi, immersed in an ethereal state, carved a picture in his heart, simulated nineteen "divine patterns" with his consciousness, and then began to temper them, and set them in the sea of ​​mind first.

Through unremitting efforts, nineteen "gods" melted, and finally condensed into a golden bean with large beans, brilliant and brilliant, very perfect.

However, Ye Fan is not very satisfied, he always feels that there is something worse, the shape is perfect, but the lack of Dao Yun.

"Yes, there is still a lack of ears."

Ye Fan began to temper again, and the golden small tripod with large grains of beans was slowly tempered to produce a pair of tripod ears.

When this golden little Ding was sacrificed in his heart, Ye Fan felt a natural Dao rhythm suddenly, he felt quite satisfied, could not help but said to himself: "One Ding, two ears, three Foot. Yes, the Tao produces one, two in one, two in three, and three in all three things.

Ye Fan felt more and more satisfied with the look. The golden small Ding with large grains of beans became more and more mysterious in his eyes. At last, he filled his heart and became quaint, atmospheric and natural.

"Yes, that's it!"

Ye Fan's stereotypes were completed, and the three-legged round tripod was forever imprinted in his heart. From now on, he will begin to temper such a true "tripod" in the bitter sea.

"The most mysterious artifact throughout the entire Chinese ancient history ..." Ye Fan's heart was full of anticipation.

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