Screenwriter Mystery

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"The name of the deceased was Melico Lance, 37 years old, with obvious scars on his neck. It was initially judged that he was penetrated by some kind of sharp hook. No murder weapon was found at the scene. The information provided is consistent with…”

Put on your gloves and take Agent Angela's bag of candy.

Inside the museum, a large number of BSI agents are carefully searching for clues.

Amanda frowned and looked at the hard candy stained with the blood of the deceased, then looked down at the corpse lying in the art gallery.

"Have you identified the DNA on the candy?"

"Not yet, but according to the Washington Police Department's identification of the candy found in the mouths of the victims, it can be confirmed that the main ingredient in these candies is honey, and there is no other DAN except the victim's DNA. ."

There is no doubt that the killers who killed these victims were quite discreet and left no trace behind.

Or, the person who did all this is not a human being, so it comes and goes without a trace.

It is precisely because the Washington Police Department prefers the latter that these homicides are reported to BSI headquarters.

"Can you confirm that any of the victims have been in or passed through the homeless neighborhood?"

Of course, for Amanda.

The problem of the murderer is not the main one. The first thing she needs to confirm is whether the entire serial murder case is related to the homeless or supernatural power. If it is just an ordinary murder case, even if it is a group crime, it is not under the jurisdiction of the BSI. They are only responsible for cases related to the supernatural.

"None of them have been found to be linked to the homeless."

Shaking her head, Angela's answer somewhat disappointed Amanda.

She originally thought that there was a high probability that the murder at the National Gallery had something to do with the homeless.

However, now it seems that all this is just the work of some ritualistic serial killer.

"Continue to investigate, in addition to these victims, I need to find out the first victim to confirm whether his death is related to the existence of the homeless, or the existence around him..."

In her encounters with paranormal cases, Amanda is clear.

Sometimes, these supernatural powers do not just act on the person themselves, or, perhaps, death is one of the costs of using such supernatural powers.

Before confirming the truth, Amanda will not easily judge the case.

Here, Amanda, Angela and others are conducting a carpet search for the death cases in the art museum.

On the other hand, Spike looked like he was doing nothing, wandering around the museum constantly, admiring the portraits of various characters hanging in the exhibition.

Stopping in front of a portrait, Spike's slightly drooping blue eyes stayed on the content of the portrait for a long time.

"Can you tell us about this portrait?"

Immediately afterwards, the organizer was pulled in front of the portrait, and he pointed to the portrait hanging on the wall and asked.

"This is a portrait of a modern figure from around the nineteenth century..."

Faced with Spike's question, although the organizer was helpless about his practice, he patiently introduced it, pointing to the black portrait on the painting and saying: "The artist's name is Daniel Robitel, born in In New Orleans in the 19th century, a rare black painter in modern history, Daniel Robitel was originally the son of a slave. His father was famous for inventing a machine for producing shoes after the Civil War and became a rich people..."

"It is precisely because of this that Daniel Robitel received a good education since he was a child, became a rare black man of the wealthy class at that time, and became a painter famous for his portraits. The transformation in front of him is The self-portrait created by Daniel Robitel has obvious style from the brush strokes and lines of the painting. Compared with the portraits created by Daniel Robitel in the future, although there is still a gap, it is also seen. Some flair..."

The forced suspension of the exhibition obviously made the organizers in charge depressed.

However, Spike's inquiry somewhat relieved his inner stagnation. Therefore, after introducing the self-portrait of Daniel Robitel in front of him, the organizer was still a little unfulfilled and pulled Spike beside him to the exhibition. Go to another exhibition area

"In addition to the self-portrait left by Daniel Robitel, we have, in fact, collected one of the last portraits left by Daniel Robitel's death."

Under the leadership of the organizer, Spike came to a portrait that was larger than the previous self-portrait.

This is a portrait of a white woman. In the painting, a blond woman can be seen standing in front of the portrait, smiling, and Daniel Robitel's portrait can be vaguely seen on the mirror held by the woman. The figure who created this painting is reflected in it~www.readwn.com~before death? "

Taking a look, in the mirror, Daniel Robitel's still young, blurred face.

Thinking of the death of Daniel Robitel mentioned by the organizer, Spike blinked, and then asked the organizer who was chatting beside him.

"Sir, you mentioned that Daniel Robitel died after finishing this portrait. Can you tell me how he died?"

In the face of Spike's question, the organizer stopped his introduction to the painting techniques a little too much.

The expression on his face hesitated for a while before sighing.

"In fact, a large part of the death of Daniel Robitel comes from the epitome of the black and white racial antagonism of the era at that time. From the stories that circulated later, Daniel Robitel was employed by a wealthy man at the time. Painted a portrait of his daughter, and while doing it, Daniel Robitel and the rich man's daughter fell in love and got together very quickly."

"It's just a pity that at that time, love between blacks and whites was obviously not allowed, so after the rich found out that Daniel Robitel was with his daughter, the other party was furious and hired A group of people brutally killed Daniel Robitel, which also led to this portrait being the last work Daniel Robitel left behind during his lifetime."

"Originally, the rich man planned to burn this incarnation, but her daughter, the daughter of the rich man who fell in love with Daniel Robitel in the story, protected it, and it was passed down to us and bought as an exhibition. "

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