Restricted Doomsday Syndrome

How many ticks can be divided into one minute? How many scales can be divided into one second? As time jumps on every minute scale, Dorothy feels that she is adapting to conditions that she feels very uncomfortable. The environment around me is constantly changing, and my own inner is constantly changing. The factors that cause change are so complicated and changeable. However, no matter how the change is, she is becoming more and more constant in her feelings. There seem to be countless combinations of changes that are being delineated by an invisible range. However, no matter how the changes are made, less and less can escape this range.

What seems to be infinite is becoming limited in a huge range that is difficult to describe. Dorothy felt that she was adapting to this limitation, even if she couldn't observe and describe what the range was like.

Those uncertain factors that have been oppressing themselves have become determined, from the unpredictable variable to the predictable variable, and even the value of the variable finally has a margin and feels its limited range.

The infinite becomes limited, the limited becomes certain, what has been determined has been adapted, and what has been adapted can no longer make Dorothy embarrassed-she does not know how she did it, maybe there is super Dorothy Her identity supports this ability to adapt, but when she feels she can do it, she feels she can do it.

The super system's real-time detection data for Dorothy is becoming stable. In Dorothy's field of view, this originally appeared to be a "corridor" isolated in the interior space of the repeater, which is changing into another wonderful shape. . The so-called "corridor" is a contour that conforms to common sense cognition, and after it is deformed, the contour stretches like dough and expands like fermentation, it is no longer presented in a physical way, and Dorothy also I do n’t feel that I am standing on the corridor of an entity.

Dorothy began to feel that she was floating, that the ground under her feet did not exist, and that the walls she borrowed from did not exist. All the substances that were exerting a stress on herself did not even exist. Even the stress situation felt before is also false.

Oneself and corridor, oneself and other people, corridor and repeater, what kind of location is the other person and repeater? It is also completely different from the "actual situation" seen with the naked eye. The idea of ​​distinguishing between each other's position "up, down, left, and right" seems to be wrong from this time.

The concept of "quality" seems to have disappeared, whether it's Omi or Matso, or Father Sissen, and the things in the entire corridor.

Dorothy only felt that she was standing in a world interspersed with countless "lines", but these "lines" were by no means the lines of the outline of things seen by the naked eye. The original outline of a thing is just a part of these "lines". A little "line" even passes through the outline of two or three things at the same time, but before it completely outlines its shape, it has already turned to other things.

The world formed by these complex "lines" is full of voids, making Dorothy think that it may be possible to pass directly through these voids. However, because of the complexity of "lines", the structure of these voids has also become very complicated. It is impossible to form a straight path. Moreover, look closely at the gaps that seem to pass through. In fact, the inside is also covered with dense "lines", which are filling the existing gaps.

I do n’t know how many “lines” there are, I do n’t know where the end of each “line” is connected, or what specific meaning these “lines” represent.

Dorothy was originally just observing through feelings, but at a very sudden moment, she felt that she was really looking with "eyes"-she saw the dynamics of these "lines", and countless "lines" constituted the use Language can not describe the complex dynamics. When you carefully observe the movement of these "lines", there will be a feeling of swelling of "the brain is filled".

It is different from the feeling that the mind is constantly expanding. The more Dorothy observes these "lines", the more difficult it is to remove his attention from these "lines". Instead, his thinking seems to shrink and tighten. Firmly rooted in these "lines", there is no spare time to think about other things.

My thoughts are like being bound by these "lines". Then, a feeling of being bound stronger than before came to her, making her feel that her body was difficult to move in these "line" -filled worlds.

Dorothy glanced at her image-there was also no "girl" -like silhouette, only a large number of "lines".

She can clearly feel which "lines" are part of her outline, and these "lines" are all entangled and entangled by the complicated "lines" around her.

Dorothy has a further feeling: she must cut off the connection between her own "line" and other "lines" in order to be able to break away from the London repeater. And, not just herself, even the invisible and invisible Father Sissen who had just invaded the London repeater, was also outlined by these "lines", interspersed between other "lines", and At the same time, it is entangled by other "lines".

Does this mean that, without breaking the connection of these "lines", even the inexplicable state of Father Sissim at this time can not really leave the London repeater?

Dorothy didn't think that these "lines" were entangled after Father Sisson entered the London repeater, but instead they were wrapped around Father Sisson early in the morning, no matter how his shape and nature changed, they never really Detached.

Dorothy did not feel the passage of time, nor the change of space in this observation state, nor did she feel any sense of consumption, as if seeing such a scene could have been done by herself, the reason is in the past I couldn't see it, just because this ability was not "used".

The ability of this body as the final weapon imitation is not clear to Dorothy herself, but from the world of extraordinary adaptability and the "line" observed in front of her, this one is hit. The image of the "final weapon" imprint has a mystery corresponding to its name.

Super Dorothy and the ultimate weapon Dorothy are essentially the same. However, the ultimate weapon Dorothy is not made by Super Dorothy, and the birth of the ultimate weapon Dorothy has never been in Super Dorothy. Under the control of the script of Hexi color center. To put it simply: "The ultimate weapon Dorothy" is an already existing character, and Super Dorothy automatically obtained this character after "falling" from the reality of the hospital to the illusion of the end.

Of course, this is by no means accidental, but that the inevitable factor is so complicated that even Super Dorothy cannot find all the factors himself.

What Dorothy can do will become natural when it is really done. These mysterious powers are not skills, consumables, or abilities that require a price to develop, and there is no time to exert abilities. Even the idea does not need to rotate.

Just like raising his hands and raising his feet, Dorothy's vision has been restored to the original scene in the corridor, and in the timing of the Super Department, even one second has not passed.

Faster than blinking, faster than missing, faster than any conscious cognitive behavior. At this moment, Dorothy has undergone tremendous changes. The observation data of the Super Department is rapidly refreshing, and two-thirds of the newly generated data is garbled unintentionally.

"... What's going on?" Omi, who was also observing Dorothy in real time, couldn't help but frown, and a lot of garbled characters appeared in the data she obtained. The new data being generated, compared with all the data saved in the past, can hardly find similarities. Dorothy, as if standing in front of herself without any change in shape, at this moment, became a completely different kind of existence.

Omi has been unable to determine whether he, as one of the producers of the ultimate weapon Dorothy, knew about her in the past, and the back door left in her body, whether on this Dorothy who seemed to be brand new from head to toe Can work. Today, Dorothy's changes have exceeded her initial estimates and are completely inconsistent with her theory.

Although the situation has become somewhat different from what she expected, in the fight for the dominance of the London repeater, Omi has gained a huge advantage. Many of the permissions of the Super Department have been breached, but it is only one of the three pillars of the identity, so that Jiang can not completely ban the permissions it should have.

In a few minutes, Omi can fully control all the permissions of the London Repeater, but the Super Department can only maintain the permissions it already has. The Super Department ’s adjustment to the London repeater cannot be cancelled, but the gap between the authorities of the two sides is large enough to allow Omi to restore those adjusted parts in the first time.

She has already begun to copy the current status of the London Repeater. In the place where Dorothy couldn't see, the "time machine", the most powerful masterpiece she has made by hand, has also been connected with the prayer room where the magical girl Madoka is located. The fire escaped into the state of false death was transported to the place where the last one of the three pillars was located, and his consciousness will be repaired there.

The last of the three pillars of the London Repeater, when he was still a human, his teacher was once a "wheelchair man" who was regarded as the "strongest conscious walker". He used to use his own strength to consciously Deep into the monsters of the human collective subconscious. And after the reliable old man died because he was too close to the "monster in the collective subconscious of humanity", one of the "three pillars" took over the mantle of the "most conscious walker".

Because he was almost "the strongest conscious walker" originally, when he became the "three pillars", he surpassed his teacher and became a veritable "most conscious walker". Just like his teacher "Wheelchair Man", he has done many incredible things in the eyes of others. The mystery he possessed was unknown to Dorothy who had turned away from him.

The reason why Omi can avoid Dorothy's eyes and ears, in the case of "no one knows", one of the keys is to arrange all kinds of backers, because she has the help of this one.

Jin Jiang never doubted that the fire would recover in his hands and even sublimate.

Dorothy should haven't remembered the existence of one of the three pillars by now. She actually knows, but this cognition was forcibly eliminated by the other party. If Dorothy is still the Dorothy shown in the original data, as long as the person does not actively revoke the ability, then even if someone tells Dorothy again, one of the three pillars is such a person, she will be in the future. Forgetting, basically, there is no possibility to automatically retrieve this cognition.

However, at this sudden moment, some change in Dorothy's body made her the same as the past. Omi had to consider that now she has re-recognized the existence of one of the three pillars, "Philosophy of Philosophy" ~ www.readwn.com ~ Once she thinks of it, then many of the past arrangements are likely to fail.

When the "philosophical ghost" is the most threatening, the premise of being able to play a role in the face of the ultimate enemy is when "no one knows its existence". It is like an assassin, only launching a blow at the most critical time, perhaps this blow cannot be fatal, but it should be able to turn the situation around.

It was because Dorothy in the past also knew this, so he took the initiative to accept cognitive elimination and was moved by Omi.

However, now Dorothy does not know this, but will continue to pursue this clue to clarify the truth. When she did not have any possibility to clarify this matter, she could not care at all, but when this possibility appeared again from her. Omi felt that it was necessary to reduce this possibility from other directions.

Moreover, preventing her from recognizing the existence of the "philosophical ghost" is even more important than leaving her inside the London Repeater.

In the end, the weapon Dorothy's gain to the London repeater is visible. In the Omi plan, she will also play a huge role as a part of the London repeater. Dorothy doesn't care who the enemy is, but starting from Dorothy's thinking and analyzing its behavior, she will come to a not-so-good conclusion. Therefore, before things became like that, Jin Jiang took the initiative to interrupt her plan and grafted her plan on her plan.

Omi knew the potential of Dorothy, the ultimate weapon, and analyzed its behavioral mechanism. She knew that once Dorothy was allowed to leave the London Repeater, it would be impossible to want her back again. For Omi's plan, the loss of Dorothy is undoubtedly a major loss.

However, in the current situation, it seems that only a part can be discarded and a part can be saved.