Rebirth: The Great Designer

Although it is said that there is a solution to the problem of cemetery feng shui, it is not just a feng shui pattern of five dragons holding saints. 56 Bookstore new website:

First of all, it takes too much manpower and material resources to build a hill. If it is just to build a hill, it will be a bit of a loss, and it will not show his level.

The second is the location of the man-made hill, and the selection of the location will also affect the design of his subsequent plans.

Su Leqing looked at the drawings on the table thoughtfully. If he wanted to make the subsequent designs more eye-catching, the artificial hill must be in the center of the other four hills, so that there would be a sense of symmetry and coordination. .

And the stone Buddha can just be placed on the artificial hill among the four hills to cooperate with the Quartet.

But such a scheme is too common! Su Leqing shook his head and thought to himself.

With such a plan, he couldn't even get through this level, let alone Zang Long's level.

"Even Zang Long knows to put the stone Buddha on the top of the hill. If I design it like this, doesn't it make me look mediocre?" Su Leqing muttered to himself.

Su Leqing thought about it carefully, if he wants to be unexpected and make Zang Long think his plan is amazing, he can't follow Zang Long's idea, he must do the opposite.

"To do the opposite..."

Su Leqing pondered for a moment, and his eyes suddenly lit up.

Since we want to do the opposite, then this stone Buddha cannot be placed on the top of the hill, but should be placed on the ground.

Thinking of this, Su Leqing hurriedly took out the sketchbook, and quickly sketched a Buddha statue on the sketchbook. Then Su Leqing drew two diagonal lines on both sides of the Buddha statue, which was the **** of the hill.

This is exactly what Su Leqing designed.

Since placing the Buddha statue on the top of the hill is a little mediocre and cliché, he put the Buddha statue in the belly of the mountain.

The entire hill is built like a crater, and inside the crater is a stone Buddha with a height of 15 meters. Half of the Buddha's head is exposed outside, and under the hill, a passage is built into the belly of the mountain.

In this way, when entering the passage, you can only see the feet of the stone Buddha. As you go deeper and deeper, the body of the stone Buddha will slowly appear in front of you. Finally, when you enter the mountainside, the eyes are wide in front of you. Looking up, the huge Buddha statue and the blue sea and blue sky outside come into view.

This kind of plan is easy to understand. There is a word called sitting in the well and watching the sky, which is a bit similar to the plan designed by Su Leqing.

The entire mountainside is like a cone-shaped well, and there is a huge Buddha statue in the well. The Buddha statue just sticks out half of the head outside the well. At this time, there is a passage at the bottom of the well. From the passage, you can only see it at first. The foot of the Buddha statue moves forward, and the big Buddha gradually appears from bottom to top. Only when you really enter the well can you see the whole picture of the Buddha statue.

The moment he walked out of the passage, there was light in front of his eyes, because the light shining in from the top of the head made the person who came in look from the bottom to the top, and the Buddha statue was solemn and solemn.

Su Leqing intends to design the hill as a Buddhist hall buried in the belly of the mountain. This Buddhist hall is different from the traditional redwood, yellow pillar and green-topped hall. Buried in the "ground", and finally achieved a very impactful visual effect, from the other four hills, you can only see half of the Buddha's head exposed outside the hills.

In the passage into the mountainside, Su Leqing intends to directly use fair-faced concrete as the main body.

First of all, the color of fair-faced concrete is similar to that of stone Buddha, and secondly, the color of fair-faced concrete is relatively cold and simple, and this is exactly what Su Leqing wants to express. In the cemetery of the deceased, there is no need for an overly luxurious Buddhist hall. , it only needs a Buddha state that can make people's minds wait for comfort.

In the conical space on the mountainside, Su Leqing intends to design strip folds in the surrounding interior. , in this way, it looks as if the highest point is the center, and a line of rays is shot around.

In this way, looking up from the bottom of the conical space, it is like a light beam with a prop image, which is ingenious and shocking.

Now that the mountain has been determined, the next step is the water.

Su Leqing pondered slightly, and then drew a river outside the mountainside.

There is no doubt that since such a Buddhist hall is going to be built, the entrance to the entire cemetery is obviously directly opposite this Buddhist hall.

Therefore, the road to enter the cemetery takes the entrance of the Buddhist hall as the central axis, and this road connects the entrance to the Buddhist hall and the roads to several other hills.

After entering the cemetery first, go straight on a road and you will come to the entrance of the Buddhist temple, and the road also has a fork in the road. There are roads leading to the other four hills on both sides, and the two sides of the road are poured out of fair-faced concrete. The wall prevents others from climbing to the top of the artificial hill, which is the side of the Buddha's head.

On the entrance and passage, there is still a journey, and during this journey, Su Leqing intends to design a pool as the living water of the entire cemetery.

Like the "Church of Light" he designed before, there is a pool at the entrance~www.readwn.com~, but this scheme is also significantly different from the "Church of Light".

There are two pools in front of the "Church of Light", and then there is a path in the middle, which can make people feel mysterious and religious.

And here, Su Leqing doesn't plan to design it like this, and he doesn't plan to use the same design twice.

However, expressing it in another form actually has the same effect.

That is, a long water court is designed in the middle. There is no bridge between the water courts. If you want to enter the Buddhist temple, you must walk in through the walls on both sides of the water court, adding a sense of mystery and ritual.

Then Su Leqing began to draw construction drawings. The first thing to do was to build the rosette of the stone Buddha. The stone Buddha is about fifteen meters high in total, and the entire rosette is about three meters high.

After the lotus seat is built, the stone Buddha can be placed on it, and then the entire cone-shaped mountain belly is built with steel bars, and then the channel is built with concrete slabs.

Because the lotus seat is three meters high, if you want to see the legs of the stone Buddha, the lowest part of the passage needs to be four meters high, the highest part must be four and a half meters high, and the top of the entire passage is an arch.

After the conical space and the channel are built, the fair-faced concrete can be poured directly. After the concrete is solidified, the soil will cover the entire channel and the conical space to create a hill.

In this way, not only the feng shui treasure cave of the five dragons was formed, but also a very distinctive fair-faced concrete Buddhist hall also appeared in this cemetery.

And Su Leqing also plans to plant lavender around the Buddha's head on the entire man-made hill, so that the lavender blooms all over the hill, stretching from the top of the hill to the foot of the hill, adding vitality to the concrete building.

In winter, snow covers the hills, and in the vast snow scene, only the head of the Buddha full of Zen is revealed...