Rebirth of the Director in Korea

There is a story that started in Melbourne and ended in Melbourne.

Two youngsters who didn’t know each other before, because of chance they met, in this exotic Melbourne, Fate gear began to show its powerful formidable power.

Although their encounter was extremely embarrassing, it became the best part of each other’s memories.

In this strange city, the luggage was robbed and there was no money. Eun-chae was lucky enough to meet Ajhussi Moo-hyuk. Moo-hyuk wanted to sell her to the dance hall, but in the end Returning to rescue her, he helped Eun-chae retrieve the luggage and left silently. As everyone knows, Fate’s gears turned and began their unforgettable love journey.

Cha Moo-hyuk, a character full of sadness^, his life seems to be linked to sadness. Abandoned by his parents since childhood, adopted by a family in Australia, he was abandoned again soon and lived a life of nomadism.

He fell in love with Moon Ji-young, a South Korean girl, and they depended on each other. But when Ji-young married the gang boss for money, Moo-hyuk was betrayed again. At Ji-young’s wedding, Moo-hyuk was shot in the head to save her. Since then, Moo-hyuk has a time bomb in his mind, which will kill him at any time.

Cha Moo-hyuk wants to find his biological mother all the time. He wants to spend the rest of his life to find his biological mother so that she can live a happy life. As he said, his parents must be He threw him away because he was too poor. He didn’t hate his parents. He wanted to find his parents and let them live a good life.

But reality often shatters his illusions. His mother leads a comfortable and easy life. He sees that his younger brother has become an international singer and enjoys inexhaustible wealth. He feels relieved. The line was swept away all at once. It is his goal and motivation to find his mother until now, but reality has become the fuse of his mentality change. The huge gap between the rich and the poor makes him hate his mother.

He wanted to retaliate, so he became the manager of Choi Yoon’s’brother ^ brother’ with a purpose.

He chose to secretly take pictures of Eun-chae and Yun embracing and send them to reporters. The two had a gossip. Eun-chae was very sad for this. Looking at Eun-chae’s sad back, Moo-hyuk was also very sad. Self-blame, he said: Why I am aiming at Yun, but you are bleeding.

Even applying makeup to seduce Min-joo, causing Min-joo to fall into the love network he wove, and was discovered by Yun, which caused Yun to be hospitalized with heart damage. Moo-hyuk looked at lying sick* ******’S Yun, he’s not feeling well. Moo-hyuk told Eun-chae that he could save Yoon. Eun-chae thought he was cracking a joke, and no one knew that he was cracking a joke. Moo-hyuk was bleeding in his heart, and he wanted to use his last life to save it. Living his own younger brother, he is willing to sacrifice himself in order not to make his mother sad again.

“I shouldn’t be back. I was thrown away like rubbish anyway. I just live like rubbish and disappear silently like rubbish…”

Everything experienced in life is actually like reincarnation, just as the old man in the play said:’There is a reason for things, Karmic Retribution’.

Eun-chae fell in love with Moo-hyuk, but Eun-chae’s father was the one who abandoned Moo-hyuk back then. It was Eun-chae’s father who caused Moo-hyuk’s miserable life. It can be said that they There is actually a causal relationship between the fate.

Eun-chae father’s abandonment of Moo-hyuk caused Moo-hyuk to hate his mother and retaliate against Choi Yoon, which damaged Choi Yoon’s heart. In the end, Moo-hyuk donated his heart to this bloodless ’S younger brother.

When Moo-hyuk kneels down in the play, anyone watching will not be unmoved. He loves his mother all the time, and he is grateful that his mother gave birth. he. Although in the end, his mother didn’t know that he was his biological son, as long as he knew that his mother was living happily, he would close his eyes with peace of mind. The only thing he could not worry about was Stonehead, that stupid little missy… ….

There is no better time in his life than the days with Eun-chae. At the end of life, being with a woman in love is no better than the greatest happiness. The tomb of Moo-hyuk was built in Melbourne probably not only because he grew up in Melbourne, but also because it was the place where he and Stonehead met, and it was a testimony of their love.

When Eun-chae cried out in the subway station in the play,’I love you…Ajhussi! Ajhussi…I love you! When she walked past the scene where she and Ajhussi walked together, what she remembered in her mind was always the slightly scornful Cha Moo-hyuk.

“It would be nice to just carry you on my back and walk for one night. Would you like to follow Ajhussi? If you are with me, I will be really happy. If you are with me, I I’ll be really happy… that’s it… Carrying our Stonehead on my back, it’s worth dying like this.”

And when she walked to Ajhussi’s cemetery, she lay gently beside Cha Moo-hyuk At that time, her heart must be very peaceful, because she knows that she can finally continue to love with Ajhussi, even if this life can’t be together, but she can continue on the other side of the world.

Perhaps this is the origin of the name of the script: I’m Sorry, I Love You. It’s Yah!! I’m sorry, I love you too much, so there is no way to live alone, no way to keep you alone on the other side of the world.

In addition to the love between Cha Moo-hyuk and Eun-chae, there is also mother-child love and brotherhood throughout the play.

The love of the son for the biological mother, the love of the mother for the adopted son, the plot in the play gently beats you deep in one’s heart at the softest place, the eye sockets are moist, and I can’t help myself.

…………………………..

I don’t know anymore How long did Lee Sung-soo take off his glasses, rubbed the corners of his eyes lightly, and closed the script. Looking up at all around, everyone is watching carefully.

Lee Sung-soo thinks that he is not an overly emotional person. He has already experienced what he should have experienced when he is over 40, but he can’t help seeing the script at hand. The corners of his eyes were red. Looking at the Screenwriter on the side of the play, Jung Hyuk-jae lowered his head and was discussing something with Director Kim.

Originally, he just came to take a look today. Who knew that when he saw the script, Lee Sung-soo could not wait to put it on TV.

If the power of words is touching, then when the picture and the plot are combined, coupled with the music, you can imagine how many people’s tears will be deceived by this drama.

If this TV series can be directed by him, then he will definitely drag his movie backwards, just like the martial arts expert met an evenly matched opponent, and he was overjoyed in his heart and picked up the table. With the paper and pen, Lee Sung-soo can’t wait to draw some of the more important scenes in the play.

“Okay, what are you looking at?” Kim Woo-ji patted attracted everyone’s attention, and then went on to say: “Everyone can come up with any good ideas !”

Helpless, Lee Sung-soo had to put down his pen and was ready to listen to the leader’s speech.

Yoon Sung-hee closed the script when he heard Director Kim’s words, and slowly rubbed his temples with both hands, ready to say something but didn’t know where to start. The script is undoubtedly a very good script, even after he has read it, there is only one word to describe it-‘envious’.

I envy Jung Hyuk-jae’s age, his starting point, and his mastery of script control and rhythm.

Everyone, I look at you, you look at me, no one planned to be the first to say, and in the end, Sunbae Lee Sung-soo, who was here, was the first to raise his own question.

“Director Kim, is the PD of this show Jung Hyuk-jae -ssi?”

This is one of his biggest concerns, because he wants to direct this show himself TV series.

If you say that Jung Hyuk-jae is just a Screenwriter, Lee Sung-soo will definitely get close. Even if you don’t have a good relationship, you must at least try to be familiar with each other, because the director and the Screenwriter are born with two aspects, the script It is a skeleton, and the director needs to fill in the texture and flesh and blood in the skeleton.

But if Jung Hyuk-jae is said to be a screenwriter and a director, then things will be different. If he is the Assistant Director of the Production crew of “I’m Sorry, I Love You” and becomes the chief director himself, he can still accept it. But if the status is adjusted, Lee Sung-soo will not agree.

Fortunately, what he was worried about did not happen. Kim Woo-ji replied affirmatively: “The drama department has decided to write and direct by Jung Hyuk-jae -ssi.”

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Lee Sung-soo shrugged, although he felt a little bit dissatisfied and disappointed in his heart, he applauded and congratulated.

The others were not so calm. They looked at each other and found that the other people’s eyes were full of surprises and surprises.

Never mind the 24-year-old writer, and the 24-year-old Screenwriter. Now even the chief director is 24 years old. What makes them in their 30s and 40s? live?

In addition to envy or envy, of course, there will inevitably be a trace of jealousy in my heart.

Kim Woo-ji was all watching the reaction of the people sitting in the room, and it was natural that everyone was surprised what was in their hearts. He also knows that the decision he made was a bit aggressive, but what Choi Ji-hye once said to him dispelled his doubts, “Although I don’t know whether there is a genius in this World, Hyuk -jae is the most spirituality director and playwright I have ever seen!”

“Weekend Reverse Theatre” is still playing, with at least 15% of the ratings slinging other programs at the same time, like College students abuse primary school students in general. This is also one of the key reasons that prompted him to make this decision.

When I heard Kim Woo-ji say this, everyone originally planned to say something, picking some logical or detailed thorns, and now they all chose to shut their mouths.

(PS: Today I took the time to review a few episodes of “I’m Sorry, I Love You”, mainly the episodes with the highest tear points. I have to say that’to love’ is absolutely OK It can be regarded as a classic in Korean dramas.

It can be said that most of the early Korean dramas presented a sad and miserable atmosphere, such as “Winter Sonata”, “Autumn in My Heart” and so on. In the later period, it gradually began to change to lightness and humor. Why is the impression of’for love’ in everyone’s hearts more profound?

Perhaps what he taught us is to’cherish’!)