Rakugo in Another World

This time, it was "Manju frightening".

It is very famous.

While men confess their fears, a man says they are afraid of the whole world.Then I threw various manjus into the man's house to make fun of him a little, but when I peeked inside, the man was desperately eating the thrown manju.A tricked friend asks."Hey, what are you really scared of?I'm afraid of tea now.

It's famous enough to explain.I think it is a masterpiece that is really well thought out.Say, "Don't push, never push!".Techniques still in use in the variety industry.I can't help but feel the history and depth of rakugo.

Now, this "manju frightening" story is very difficult for actors.Because for some reason, it's a raven in which multiple characters appear in one scene.There are many characters in the rakugo we've dealt with so far, but there's never been a conversation between the three of them."Time udon" also has two men, an udon shop and three people in one scene, but there is no exquisite conversation between the three people.

"Manju frightening" is also strictly a part of avoiding three-person conversations, but it is still more difficult because of the "confusion" of having a large number of people in one room and having conversations.

It's the same with novels that it's hard to have conversations with more than three people.If you're a writer, you might be able to understand a lot.

If you are playing a rakugo with multiple conversations for the first time, panic in the first exercise.

As some of you may know, rakugo is about splitting your face up and down (and chewing), that is, turning left and right alternately to separate people by yourself.Great people are good (sitting on stage with left hand) and low people are bad (sitting on stage with right hand).This means that if an actor is speaking poorly (right), the person performing is a high-profile person (such as a hideout or landlord).

When you two are talking, once you have decided on the relationship, there is no problem if you talk alternately afterwards, but if this is an odd number and three people, it will rotate up and down more and more.The third person doesn't know which way to turn.

In that case, I eventually took the "I don't really care" approach.Try changing the angle slightly with the person who spoke before, or the third person talks in the middle.If I did not violate the rule that "the angle of the neck of the characters should be established to some extent by the actor in a single jar", it was my decision that it would be generally permissible.Professionals may be tougher, but in student rallies, it's best to play at a level where you're not confused.

Then there is simply the part where it is "difficult to play three people at once."

You'll see if you can do this once.The easier it is to get used to the conversation, the more difficult it is to be three.I would like to give you an example.

(Two-Person Version)

"Hello." "Oh, well done.I wonder if you're there. "" Yes, you seem to be doing well in your hiding place. "" Oh, well, I'll come up. "" Yes, I'll come up. "" So, what do you want today?"No, actually, there's something I'd like to ask you in your hiding place." "Well, what do you want me to ask you?

(Triple Version)

"Hello." "Oh, well done.I thought it was you. "" Yes, you seem to be doing well.Oh, isn't that Iseya's warden over there?"Oh, Yatsuya.It's been a long time. "" No, the warden called me a chess player.Well, there's nothing to stand for."Go up." "Yes, let me go up." "Yatsunan."What are you doing hiding?"No, actually, there's something I'd like to ask you in your hiding place." "Well, what do you want me to ask you?"What kind of guy is that? Maybe he can answer me too."

The former should alternate between the "healthy young man" and the "calm old man", so you can quickly separate them as long as you put them on.

However, the latter three versions have to play "healthy young people", "calm old people" and "ordinary uncles".This "ordinary uncle" is a curve. If you raise the tension too much, you will catch up. If you lower the tension too much, you will come to the hiding place. If you start to care about it, at the end of the day, your head will scramble and you will not understand the reason.There are many ways to simply distinguish between voice tones and facial expressions, but I have survived with the technique of "I don't really care" about this.Because it is amateur, the key is whether it can be divided into "impossible things".

If the latter part of the example (three-person version) can be easily done by swinging his head, he has the talent of rakugo.I recommend leaving work or school now and entering apprenticeships in nearby houses.

Similar to "Life Unlimited," I didn't do much of this stuff when I was a student.I think it is because it is too famous.

Even if you make it the same famous, "time udon" has a long dialog to cheer up when you pretend to eat udon, but "manju frightening" is famous for its inspiration.

In other words, it is already a state of rattling, and it is very difficult to see if you make bad rales.

It's a story everyone knows, so it's the first time a good person has done it that deserves to be viewed.I think the student is a little heavy.I am now speculating further that there may have been something that was difficult for everyone to do.Of course, even the best students played well.

Let's call it a Beatles copy band, if you like music.Isn't that right?

No, when I was a high school student, I was just saying that I actually had a tough time playing Beatles' copy band.The white eyes of the customer at that time are still dreaming.

When I think it will be exciting because everyone knows it, it hurts my eyes.It was a story that contained such danger.

I studied very well.

Next time, the original story will be "Daedle Raccoon".This is an extremely low-profile raven.But it's my favorite act.Enjoy.