There's something wrong with my chase

It can be said that after the disguise took effect, Kazama was almost another person.

Without leaving a DNA sample at the scene, but using fingerprints as an auxiliary identification standard, it is impossible to link Kazama with Yubie.

On the other hand, Kazama has dealt with the hand tail as much as possible.

The corpse left by the parasitic beast had been burned to ashes. After leaving the factory area of ​​the casino, just to be on the safe side, Kazama disguised himself three times before finally sneaking back home.

This method is used to get rid of follow-up, and anyone who comes will have to roll their eyes.

As for the clues that didn't have time to deal with, that didn't hurt too much.In the case that the police did not have information about parasitic beasts, it was not a loophole at all.

After all, speculation based on on-site clues is also based on basic common sense logic.

Alien monster killed people?

This kind of speculation will not appear at all until the ability causes worse consequences.

The only thing that made Kazama a little upset was that he was taking the blame for the parasitic beast this time.But there is no way, he has to bear the blame.

Kazama carefully looked back at his related memories of the whole incident yesterday, and once again confirmed that he had no other omissions, and said:

"no problem..."

"If you want to deduce the general situation of a matter based on the clues left in the dog farm, it is estimated that it will develop in the direction of vendetta and gangsters."

Compared with the registration with the police, Kazama is more worried about another thing.

"About the ability..."

On the factory side yesterday, Kerberos said that he felt an inexplicable peep, and it was not human.

After Kazama came back, he immediately checked the list of dramas.

Except for the three animations "Cardcaptor Sakura", "Danterian's Bookshelf", and "Zhan·Red Eyes", which have been influenced by Kazama, none of the other works have been touched by Kazama.

If you compare the original plots on the Internet, you can find out whether there have been plot changes in these works, so as to infer whether the ability has lost control again, and know what has been manifested into the world again.

"But...not found."

Kazama took another sip of coffee, the sweet and bitter taste reverberated in his mouth, stimulating the nerve cells.

Kazama even stayed up all night to check yesterday, but found nothing.

"Perhaps, it's really my illusion." Ruberos said comfortingly.

"hope so...."

Kazama sighed.

"Now I pay more attention to a question, is it normal to lose control..."

Does the loss of control happen by itself or is it triggered for some reason.

"For example, because I manifested the Kulo card into the present world, it caused a loss of control."

The emergence of supernatural powers can be said to violate the laws summed up by human beings' current cognition.For example, the classical first law of thermodynamics, the law of conservation of energy, which shows that the mass of the universe is generally constant.So, what is the situation with the Clow card born out of thin air and the return of many items?

"I don't know what principle this kind of manifestation comes from, but if the loss of control of the ability is really accompanied by my subjective extraction of items..."

Then, out of control will happen at least three times.

If this is the reason, Kazama must be cautious about extracting props in fan dramas in the future.

"And if it's not because of the extraction of items, but loss of control is the normal state attached to the ability..."

Then Kazama must find a way to curb the occurrence of this normality, and for this reason, he will not hesitate to continue to extract props from the drama.

This is a multiple-choice question, but the current conditions do not allow Kazama to choose the correct answer directly, so he can only use the most stupid elimination method to explore slowly.

"A branching question from this question...if out of control is going to keep happening, is there a rule in how often it's going to happen?"

"For example, after picking up the items, after a fixed week, out of control will appear. Or, under normal circumstances, out of control will appear once every week."

Kazama stared at the black turbid liquid in the cup, and said slowly.

According to the traces of the appearance of the parasitic beast, it should have been manifested about a week after Kazama got the Clow card.

"Not just the frequency, but where the out-of-control occurs."

Is it fixed within the scope of Xinghai City, or is it farther away, even the whole world, or... the entire galaxy?

"If there is a second out-of-control situation, it will help to sort out the rules of the ability."

Kazama looked away from the coffee and looked up at the ceiling.

"What I said just now are all out-of-control external causes, and there are many internal causes..."

"For example, is there any limit to the things that manifest because of the loss of control?"

Chapter 41 From today, I want to become a magic stick

The limit of human imagination is far beyond the limit of the material foundation created by human beings.

This is also the main reason why Kazama breaks out in a cold sweat after knowing that the parasitic beast has manifested into reality and that the ability is out of control.

Not because the parasite came out.

To be honest, the parasite is really okay.

The weakness is obvious and the destructive power is limited.

Kazama can solve it alone, even without Kazama.The parasitic beasts fled into the official field of vision, and armed teams could easily deal with simple bullets.

What Kazama is afraid of is the possibility behind the fact that the parasitic beast is manifested.

Since parasitic beasts can come out, is it possible that the existence in other animations cannot be manifested?

For example... the apostles in Eva.

In the original book, when the third apostle made his debut, he easily wiped out the United Nations army, which gathered the best military forces from all over the world.The weapons made by humans relying on their own abilities are basically difficult to deal with the apostles.

Not to mention that according to the level of technology embodied by humans in animation, it is still beyond reality.

If the apostle is manifested into the present world, how should he deal with it, and pull Eva and the driver out of the drama by himself?

The wind can't do this.

He had done experiments before, and his realization couldn't pull the living things out.

Moreover, there are not only apostles in those dramas, who have the power to threaten the survival of the entire civilization.

The Witch of Relief or the Principle of the Circle in the Magic Circle.

The hand of God in the sword wind.

Several witches in re0.

There are not a few people who have the personality of "God".

What Kazama should be most grateful for is that works like "Dragon Ball" with a cosmic battle background are not included in the list of fan dramas.

After all, the characters in Dragon Ball no longer embody the combat power of destroying civilization, and destroying stars in the later stage is commonplace.

"Restrictions... It would be nice if the things that are manifested have fixed restrictions...."

Kazama murmured.

For example, limit the level of strength and limit the type.

"In addition to the limitation of out-of-control realization, the most important thing to consider now is the scope of the manifestation object."

Speaking of this, Kazama's face suddenly became extremely serious.

"That's the question that needs the most answers right now."

"What... what do you mean?" Seeing Kazama's serious expression, Ruberos asked weakly.

"It means...whether the things that are out of control are limited to the horizon we observe."

The wind said:

"Because it can be realized, we believe that the world in the animation is real."

"On this basis, there is a whole dimension between the present world and the world of these dramas."

The two should not be able to interfere with each other.

But because of the supernatural ability, there were situations where it was possible to interfere and observe.

"However, our observations and interventions are based on the progress of the animation story."

The story line extended from the protagonist, and the information observed through the story line.

"But relative to a complete world, the information we can observe is too little."

The protagonist does something, and if the story is described in detail, the audience will naturally know it.Then suddenly there is a time span.

It is impossible for animation to show the experience of the protagonist every minute and every second.

'The time span issue is actually okay...'

Thinking of the preliminary experiment on the ability, Kazama thought to himself.

"The key lies in the angle of view." Kazama said.

"Most of the perspectives we see are fixed on the main characters to obtain information."

"What about outside the perspective of the main characters, those relying on the background and world view, should exist in the animation world, but what about the existence that we cannot observe due to the limitation of our vision?"

This is also a very dangerous thing.

What is the most active advantage in information that Kazama has now?

It is by observing the changes in the main line of the drama that we can find the object whose power is out of control.

What if the ability manifests a monster that has not appeared in the main line?

Then we can only wait for the feedback in reality to make plans.

Moreover, the larger the worldview, the longer the main line, and the countless branch lines, the more difficult it is to obtain information about the products caused by out-of-control.

It can be said to be extremely passive.

"If the loss of control is really not restricted by observation, then the peeping you felt before might mean that the loss of control has already occurred."

At this moment, Kerberos also realized: "How could this be..."

"This is Goldfinger..." Kazama sighed.