Princess is Glamorous in Modern Day

  Chapter 161 Former Master of Late Summer

  "Why did you show it to Mr. Wang first?" In the memory of the original owner, Mr. Wang was not a good character, so Xia Wanyuan was instinctively puzzled about him wanting to watch the music first.

"No, tell me first, did you really finish the lyrics and music?" Although Xia Bangyuan has been refreshing his own knowledge recently, this matter is too unbelievable, "This is a new album, we can't Use your old old tune."

   "I know, six are brand new, I will change it a little bit, and I will send it to you later."

  "Don't worry, don't worry, you can think more about it." Chen Yun was a little flustered. He was worried that Xia Wanyuan was releasing an album for the first time, and he was too excited, so he straightened out 6 songs in one day.

  But this quality is guaranteed, Chen Yun had to remind Xia Wanyuan tactfully.

  Hung up the phone, Xia Wanyuan made a slight modification, then packaged the file and sent it to Chen Yun.

  Chen Yun couldn't understand the group of musical symbols, and directly forwarded the email to Mr. Wang.

  In the office of Junshi Group.

   "Did you find it?" Jun Shiling's voice appeared extremely low in the deep and secluded office.

   "The person who came here was very concealed, but we adjusted the satellite data and found out that the tea-sender had something to do with the Xuan family." Lin Jing put a few photos in front of Jun Shiling.

  Jun Shiling remembered the last time he met Xuan Sheng in the Qing University Auditorium. At that time, it was because he saw that he was too enthusiastic about Xia Wanyuan, Jun Shiling couldn't help stepping forward.

  Thinking that Xia Wanyuan knew that it was the tea sent by Xuan Sheng when he saw the painting yesterday, Jun Shiling suddenly felt uncomfortable.

  Obviously they were in the auditorium at that time. They still looked unfamiliar. When did they start?

  Jun Shiling was rare in the office for a while, until Lin Jing came to remind him to go to the meeting, Jun Shiling withdrew from the chaotic thoughts.

   "Redo."

   "There is a problem with the report."

  "The scheme design is not good, redesign."

  Jun Shiling said with a cold face, and basically rejected the plan of the senior executives.

Everyone was trembling, and they couldn't help but slander. Although there are problems with what Mr. Jun pointed out, Mr. Jun today seems to be too strict. Even the punctuation marks of the investment department are wrong. This vision is absolutely incredible. .

   Under the pressure of Jun Shiling, the senior executives once again realized what is hot and cold, but they have to bear it no matter how hard it is. Who makes the Jun Group pay two or three times the salary of other companies on the market?

  Recently, a new star has been rising in the traditional Chinese painting world that most people have not paid attention to.

  I first came into contact with this painter named "Late Late Summer" because of a peach blossom picture brought by Professor Zhang from the College of Letters at National Tsing Hua University.

  The long-lost boneless painting method is fully reflected in this painting.

  In recent years, according to the exquisite books of ancient books, many people have tried to reproduce this painting method, but the boneless painting method without border restrictions can easily make the whole painting appear weak and weak, lacking in bones and bones.

  However, this painter named Yuan Late Xia was able to use the sharpness of the brush as the muscle and the gesture as the bone, and he created a boneless painting to create a unique look and bones.

  People searched for a long time, but they did not find this master named Yuan Xia Xia in the painting and calligraphy circles.

  Everyone judged from the painter's brushwork that this should be a master of traditional Chinese painting that has been hidden for a long time.

  For a time, this original late-summer master, known as the "Relic from the Sea", gradually became famous in the painting and calligraphy circles.

  (End of this chapter)