I just woke up. This is a belated thank you.

Finally I was able to stop and talk.

Let’s start from the beginning. At the beginning of this book, I believe that someone had imagined a similar scene, but no one actually wrote it.

The linkage between the Black Basketball Team and the Nets Kings is actually a good match as long as the systems of both parties are properly introduced.

Based on this, I thought it would be quite interesting if we could write about the three years that Tezuka, Yukimura, and Akashi spent fighting each other.

That’s why I started writing

As for the protagonist "Shirazu Jisei", he is actually the lead introduction, because sometimes I need him to promote the plot, whether it is commentary, or winning the game, all of this needs someone to do it, but because the positioning is a group portrait, it needs to be written Everyone has their own elements and shining points, so Bai Jin can't overact at critical moments and steal other people's highlight moments.

This is also why Bai Jin is often "marginalized" because it is not his moment to "pretend" at that time.

The Tennis King's tennis is not an individual game, but a team game. Every game is a competition between the two sides, moves, techniques, strength, and physical strength. You must realistically consider what will happen when the two sides face off.

The classic one is the original battle between Tezuka and Akashi

Kunichi's uninjured Tezuka, who has been tempered for a long time, is very strong. It is also more reasonable for Akashi to deal with it, so the "Eye of Talent" came into being.

As for the National One "Kanto competition system" that is always criticized, it was originally set up just because we wanted to play all five games.

It seems unreasonable because it lacks a lot of considerations, but in actual performance this setting will not affect the subsequent plot.

I can only say that I still didn’t write it clearly at the time, so some people still misunderstood it.

Another big rhythm point after that is the original Nioh

It seems unreasonable that Phantom Shirazu is too strong, but in fact it is just a combination of the Zone and Phantom settings themselves.

The key to this game is to allow Di Guang to meet his "strong enemy" for the first time. Only with this experience will they be more motivated.

The main thing is to consider what actions the "characters" will take when they meet.

It's not like playing the battle flag turn-based system. Only you can move, others can't.

Both sides are geniuses, and they will have different ideas after winning or losing.

After all, if you lose, you will definitely work harder or think about how to win next time. This should be the most basic thinking of a player.

This is also the foundation for the "growth" of this book. Not only Teikou is growing, but Seigaku, Rikkai University, and Hyōtei schools will also make progress.

The follow-up is to give the characters their proper positioning. It's okay for junior high school, but the world chapter will be very troublesome, because everyone may have a different understanding of the character, so when I write it, some people may not be satisfied.

In terms of moves, we try our best to focus on the characters themselves as they grow up. For Country 1 and Country 2, we basically create our own. Later, we will start to learn from them and create our own mix and match.

Fortunately, Net King's worldview can accommodate many realms and moves without any sense of inconsistency.

The manuscript of this book has actually been used up after more than 50 chapters. Because rather than writing this mode in advance, I am actually more suitable for improvising on the spot.

So there are many wonderful plots and settings that were thought of and then written on the spur of the moment.

I have to mention that I once thought of a very suitable enhancement for Atobe, but later I didn’t write it down and forgot about it. Until now, I can’t remember what enhancement I was planning to give (laughs).

Then in the world finals, Atobe was originally the one to beat Ryuya, but considering that he didn't lose in the main match, it was a bit bad to play tricks here, so he temporarily changed to Akutsu. The effect will be better.

And the Miracles, except for Shiratsu and Kuroko, have suffered defeats in the past three years. It may seem uncomfortable, but it really should exist. After all, the people on the black basketball team are geniuses, and the Net King is not a genius. ?

Just like Tezuka and Akaashi, Akaashi defeated Tezuka twice, and Tezuka later defeated Akaashi once, which was also a narrow victory. I can only say that the game is changing all the time. As a result, some people were caring about and criticizing this at the time. I can do the same. Understand them, after all, they just want to see Diguang's people win.

But to me, if all members of Diguang are winning all the time, it feels biased and false, and it will make the subsequent plot very difficult to handle. After all, everyone is winning in the past, and if you arrange to lose later, it will cause dissatisfaction.

Therefore, if you lose, try to arrange it during the period of National One and National Two, which is in the growth stage. At least everyone can accept it. If you lose to an equal player, there won’t be too many complaints.

In terms of growth, the characters on both sides are equal, and some people are even more talented (Kintaro, Ryoma).

Except for the Murasakibara scene, which was specially arranged to pave the way for seamlessness, I tried to rationalize everything else.

Also, the purpose of this book can be seen from the introduction. It is a story about a group of junior high school students who are intensified by their internal scrolls.

The Age of Miracles does not just refer to Emperor Guang. If it refers to Emperor Guang, it would be the "generation".

Only with the players from the Black Basketball Team and the Nets King, can it be called an "era".

And Bai Jin is this leader. It is because of his special changes that people can work hard from unexpected places.

Realm, moves, and skills are all.

Speaking of this, some people often say something like "Your moves are so powerful as those of Talent Nation One and Nation Two, and they will definitely collapse in the future."

In fact, this is not the case. After taking over the new Net King, the world view of the Net King is destined to be infinitely improved. It is the last thing to put pressure on performance and strength and combat effectiveness.

As long as you don't blow up the earth with a racket in an exaggerated way, even if you give the earth a middle score, it is considered within the "reasonable" range.

Therefore, we can often see players playing in the book, and they never avoid anything. The expressiveness they should have is shown, and the power they should have is also there (Shirazu uses the power of the Titan Soldier MAX to hit an earthquake with one ball). As long as it is used properly, in fact, It does not affect the subsequent plot.

As for the daily life and personality of the characters, I try to restore the performance they should have as much as possible, so as not to cause OOC (collapse of character design).

The tone of speaking, the attitude towards people, the way to deal with things

It's not like someone just said "f*ck" or "awesome" to make his face full of black lines.

Someone mentioned before that "it's all about competitions, write more about daily life". I can only honestly say that I can't do it.

Animation is animation, and novels are novels. It is difficult to use words to achieve the kind of visual feeling that animation has at any time.

Animation can be shown with daily plots because you can see the character's demeanor, psychology, language, and contact with others at any time.

To achieve this in a novel, a large amount of words are needed to describe it, and during this period it is difficult to achieve a transition that gives you a sense of the picture.

The energy consumption and cost are too high, and the gain outweighs the loss.

Therefore, the daily life in this kind of novel can only be sketched rather than written in detail.

The three years between the Black Basketball Team and the Net Kings are realistically written, with no omissions or skips. The characters in the book have spent three years completely, and even the World Championships have made it possible for everyone to come. The fact that all of them played (Nenzu: I was obviously under-ranked at the time) allowed them to show their own style and perform as they should, although some people still lost.

It also avoids the common route of formulaic writing. (Invite Akutsu to school, Ryoma and Watanabe continue to return to Japan as representatives, Spain or BOSS.) And the protagonist is the only one, and the other characters are all tool people and transparent people. Case.

No matter how good the book is, you can at least know what the characters have grown and learned.

As for the performance of this book, the first subscription was 2400+, the peak period was 4000+ average subscriptions, and now it is stable at 3700+. Theoretically it is okay, because the audience of Net Kings and Black Basketball here is like this.

Along the way, there were also people who were dissatisfied and scolded and criticized me. The more outrageous ones were those who said in the comment area how Tezuka could practice flawlessly because his hand was injured. It always made me feel amazing. I remember Tezuka in the book. There was no hand injury at all.

As for the ranking of the training camp, I won’t leave it out to avoid causing controversy. It is enough to know that Shiratsu is “NO.0” at the beginning and Haizaki is No.15 in goalkeeping.

It has been writing for nearly seven or eight months. It has been a long journey. I have tried my best to write out the content.

The guarantee of three chapters per day agreed upon after the release was never broken from the beginning to the end, and I did not ask for leave during this period. At most, I would make up for it the next day.

As for the extra updates, due to work reasons in July and August last year, the monthly ticket extra updates stopped, so it has not been restored subsequently. All I can do is make up for it when I have time.

Also, after the extra episode, the black basket will be made up first. The Net King's side has to think about how to write the extra episode. There was originally a good entry point, but XF went in the opposite direction and it may have been cut.

I have already started to have some ideas for a new book. The group portraits of comprehensive comics are more difficult than this one. The beginning alone has already made me very stressed.

But if it is well written, it will be much more exciting than this one. Try your best, maybe you will succeed?

Thank you for your company along the way, thank you!

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