Mage Joan

Chapter 463: Spell combination (Ⅱ)

Joan's next copy of the "ring blaze" is a typical tactical spell.

He had seen Conti cast this spell, creating a huge fireball, tumbling and jumping against the ground, which looks like "fireball". In fact, it is far worse than fireball, and it must hit the enemy under the control of the caster. In order to cause 2 levels of fire damage.

This level of lethality is too low for a 2-ring spell.

Although the caster can remotely control the "flaming sphere" to chase the enemy repeatedly and repeatedly, each time it can cause 2 energy levels of damage, but the enemy is not an idiot. If he is hit by a fireball, of course he must pull his legs to escape, as long as he escapes a hundred feet Outside, the "Flame Sphere" reached the remote control limit distance, and could not continue to kill.

In this way, the "flaming sphere" seems to be a chicken rib spell, there is no need to waste energy to learn?

Joanne doesn't think so.

It is indeed not very practical to look at the "flaming orb" alone, but use your brain a little bit and use it with other spells to get the magical effect of turning decay into magic!

For example, the biggest shortcoming of "Pyrotechnics" just copied by Joan is that it is difficult to find a suitable source of fire as an outbreak medium.

If "flaming sphere" is used as the source of fire for "pyrotechnics", this problem can be solved easily:

The caster first releases a "flaming sphere" among the enemy groups in the distance. While the enemy has not spread, he immediately casts a "firework" on the "flaming sphere" and uses it as a source of fire to cause blindness The glare or choking smoke makes the enemy suffer from "firework" while being burned by the "flaming orb".

Sources of magical fire such as "Flaming Sphere" will not be consumed by "Firework".

After completing the above spell combination, if there are still enemies who are missing the net trying to escape, the caster can remotely control the "flaming ball" to roll over and hit, or when the fireball is about to catch up with the enemy, another "firework"...

All in all, where the "Pyrotechnic Ball" rolls, the source of the "Pyrotechnic" is the source of the fire. Since the caster can remotely control the "Pyrotechnic Ball" at will, it is actually equivalent to being able to choose the outbreak of "Pyrotechnic" at will area.

"Pyrotechnics" and "Flaming Sphere", two spells that are not very practical on their own, have a wonderful transformation when combined, and together form a very practical tactic. This is the manifestation of the wisdom of spellcasting.

The eighth 2-ring spell Joon transcribed itself represents a kind of tactical thinking.

The name of this spell is very straightforward and is called "pitting technique".

After casting, a 100 square foot crater can be created on any plane. The pit depth is proportional to the cast level. At Joan’s current level, the crater is about 20 feet deep.

The trap created by the "pitting technique" is not an entity, but a semi-open heterodimensional space, or "half plane", so it can exist on any medium surface, including on the water or on the ship's deck The surface can instantly create a big pit to shut down the enemy.

Obviously, this is a spell specifically used to pit people.

However, the depth of 20 feet is not safe. Those enemies who are particularly tall, have superb jumping ability, or are proficient in climbing, take a little time to climb out of the pit.

In order to enhance the imprisonment effect of the "pitting technique", Joan naturally thought of trying to increase the difficulty of escape from the pit.

For example, with "greasy technique" combined with "pitting technique", a lot of viscous grease was spilled in the pit, and it became slippery from the bottom of the pit to the four walls. The people trapped in the pit could not even stand still. climb out?

Just releasing the "greasy technique" into the pit did not satisfy Joan. In the following time, he copied a new spell, an enhanced version of the "greasy technique"-2 ring "fuel technique"!

"Fuel technology" retains all the functions of "greasy technology", and also has a special function that "greasy technology" does not have. When it hits an ignition star, it will burn violently, and the oil-covered area turns into a sea of ​​fire. The creature deals 4 levels of fire damage.

If "fuel oil" is used instead of "greasy" in combination with pit-making, it can not only effectively prevent the prisoners from escaping, but also ignite grease and turn the pits into "fire pits", so that the prisoners can experience the taste of fire.

It is not difficult to ignite the fuel in the pit. For example, it is possible to shoot a "burning ray" against the pit, but is this the best tactical match?

No, obviously not.

The fire spell that is more suitable for matching "pitting technique" and "fuel technique" is actually a "flaming orb".

Putting a "flaming sphere" in a pit filled with fuel can firstly lead to fuel grease. Secondly, the "flaming sphere" itself will also hit the prisoner and cause 2 energy levels of burns.

Compared with the 4 energy-level damage caused by "Burning Ray", "Burning Sphere" at first glance looks weak, but "Burning Ray" can only cause one-time damage, but "Burning Sphere" can continue to contact prisoners. And caused multiple killings, comprehensive calculation, its lethality is much greater than "burning rays"!

If it is on flat ground, the above analysis does not hold.

After the enemy is hit by the "flaming orb" for the first time, it will try to stay away from the burning fireball.

But in the pit, the space for prisoners to move is very limited, and the surrounding is full of viscous fuel. How can there be room to dodge the "flaming sphere"?

The spell combination of "pitting technique + fuel technique + blazing sphere" is very practical, but it is not perfect in Joan's eyes.

Since the pit has turned into a "fire pit", there is also a burning fireball in the pit. When necessary, Joan can also use the "flaming sphere" in the pit as a fire source and cast a "firework". Make the prisoners in the pit blind, or force them to inhale a lot of choking smoke, and fall into a cough that makes them unable to try to escape from the fire pit.

If this is not enough, Joanne can add another "Mage Assault Palm", the remote control giant palm is suspended above the fire pit.

The giant palm formed by the force field will not be burned by the flame. If the prisoner in the pit has not been burned to death, or even trying to climb out of the fire pit, Joan can remotely control the giant palm to slam down, slapping the prisoner's final escape hope. Died in a fire pit.

What is creative casting?

What is tactical casting?

This is it.

There are no useless spells in the world, only incompetent casters.

The 10th spell Joon transcribed is the 2 ring of "crazy laughter".

He is no stranger to this spell. Not long ago, he witnessed Big Jack cast it. After Zhezhong stroked, he could do nothing but endlessly laugh.

This confusion control spell is very practical, with only one small limitation: it has no effect on creatures with too low intelligence.

For example, low-level creatures such as beasts and insects, either cannot understand the sense of humor, or have not evolved the function of "laughing", and "crazy laughter" cannot be performed.

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