Mage Joan

When the caster makes a magic wand or wand, if conditions permit, he always inlays a gem that matches the spell stored in the wand for his work.

Different gems have different magical phases.

Only with matching magic guides can the gem's enchanting characteristics be displayed, otherwise it is just a beautiful decoration.

For example, "Ruby", which is characterized by a high degree of fit with the "Plastic Energy" magic, is embedded in the plastic magic wand, which can significantly enhance the power of the magic spells released by the magic wand.

"Crimson Tears" looks almost the same as "Ruby", but the enchanting characteristics are completely different.

This gem cannot be used to enhance the "plastic energy" wand, but it has a particularly high degree of fit with the "change energy" spell.

Then Joan can imagine that this ceramic wand in his hand must have stored some kind of change school spell.

Just as Joan was distracted by the ceramic wand, trying to identify the spell it contained, George Vaasa's next words revealed the answer.

"This is a'plastic stone wand'. It can transform irregular stones into regular-sized slabs and bricks. It can also be used to strengthen city walls and cut gates. You can go back and study the use of this wand. It can be of great use on the construction site."

"It turned out to be stone-moulding..." Joan nodded thoughtfully, put away his wand carefully, and told Lieutenant Colonel Vasa to return to his barracks.

Everyone knows that the mage needs a quiet environment to meditate, so Joan is given special care and lives alone in a tent. In addition to the camp bed, there is a folding desk for him to use.

Joan sat down at the desk, took out the ceramic wand, and wrote the fourth rune rune "Ansuz" on it with a pen. A flash of elven text appeared before him.

Joan quickly read the entire text, and then copied it into his spell book.

He is already very proficient in such parsing operations, and the intelligence attribute of up to 24 gives him almost memorable memory. It took less than an hour to transcribe the "plastic stone" mantra that was parsed from the wand into the spell. On the book.

In fact, Joan is no stranger to "plastic stone". Not long ago, he witnessed Conte cast this spell in Delin Township, turning a pile of loose ore into a stone wall without any gaps.

However, the "plastic stone" performed by Kandy is not exactly the same as the "plastic stone" transcribed by Joan at the moment. The druid only needs 3 rings of magical powers to release the "plastic stone". The spell version is a 4 ring spell.

Both "Divine Art" and "Arcane Art" are magic, but there are great differences in the way of using the magic net.

Corresponding to a specific spell, there may be both a divine version and an arcane version, but there are differences in the difficulty of implementing the spell in different ways, which leads to the endless spell slots occupied by the divine version and the arcane version of the same spell. the same.

Sometimes the arcane version has a lower level than the magic version, sometimes the opposite is true. "Plastic stone" is the latter case.

Regardless of the magical version or the arcane version of "plastic stone", the function is actually the same, you can change the stone or stone products the caster touches into the shape you want.

The use of "plastic stone" to produce simple-structured stone products, such as stone walls, stone boxes and stone doors, can guarantee absolute success, but it is impossible to process the stone materials carefully.

If you directly manufacture an object containing movable parts, such as a stone mill, then there is a certain chance that the cast will fail, resulting in the stone mill being manufactured with a shape but unable to rotate freely.

The upper limit of the volume of stone that "plastic stone" can process depends on the cast level, and it is usually not less than 10 cubic feet.

Joan is currently unable to learn this up to 4th-level spell, but with the help of the "Plastic Wand", he can cast 10 times a day, accounting for the increase in "Crimson Tears", and can process up to 20 cubic feet each time. Stone.

After copying the last spell spell, Joan put down the pen and picked up the "Stone Wand" again for a look.

As far as the enchanting process is concerned, ceramics are not a very good material. The biggest disadvantage is that they are too brittle and can easily break if you are not careful.

The maker of this magic wand chose ceramic as the material for the magic wand, which is actually a last resort.

"Plastic stone" needs to use "clay" as the casting material, and ceramics are actually clay that hardens after high temperature burning.

When making a "plastic stone wand" with ceramics, each cast will consume a part of the material of the wand itself. Since the ceramic is very dense and consumes very little component each time, it can almost be regarded as inexhaustible.

Joan has not yet made a wand by hand, but he has learned the basic crafts of wand making from Master Rolls.

From the point of view of this "plastic stone wand", the most mature and popular "integrated enchantment" is used-to put it bluntly, it is to gather several magic guides on a wand, so as to increase the daily The purpose of the cast ceiling.

After some in-depth analysis, Joan confirmed that the maker of this "stone wand" was an 8th-level wizard or 8th-level sorcerer, and had two 4th-level spell slots.

In the first stage of making a wand, he routinely enchanted this ceramic rod inlaid with "crimson tears". For this purpose, he consumed 4 ounces of magic crystals, and the processed semi-finished wand can only release stone shaping twice a day.

Next, perform the same enchanting operation repeatedly, each time consuming 2 ounces of magic crystals, and increasing the casting limit 2 times. Repeating the enchantment five times in this way, you will eventually get such a "plastic stone" that can release up to 10 times a day. Wand.

The cost for this is quite high. The total value of 20 ounces of magic crystal plus a "crimson tear" is more than 13,000 gold Durga, which is not counting the manufacturer's own spelling and labor costs.

At the time, Joan's crafting of "secondary gorgeous belts" was similar to "integrated magic", and he had to use the same kind of magic for repeated stacking.

The difference is that Joan uses the magic No. 23 Rune Rune Daeg, which can eliminate the magic crystal required for multiple enchantments, which greatly saves money.

Unfortunately, this enchanting process is only effective for a very small number of spells that involve "growth and evolution", and "plastic stone" is not included.

Think of it this way, although this method of making a wand is not clever, but Joan can't think of a more time-saving and time-saving process. If you need to make a wand yourself in the future, this solid "plastic stone wand" can be used as reference.

P.S: According to the DND5 version rules, write a "plastic stone wand" example

This two-foot-long, half-inch thick ceramic thin rod is inlaid with a "crimson tears" at the end of the thumb. The magic energy contained in it can be used to release 4 rings of "plastic stone", which will not exceed 20 cubic feet. The stone is transformed into the shape desired by the holder, and precise machining of the stone may cause the spell to malfunction.

The magic wand can release "stone-forming" up to 10 times a day, and it will automatically be full of energy after 24 hours.

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