Chapter 960, Retreat

On the other side, Damu and Dedao Gaoren and his group were leaning towards the hall in the middle of them. It looks like there are still two brushes on this one.

Bu Shiro looked at him for the first time before, only to think that he was dressed up and looked like a fairy tale, and the two long beards on his mouth seemed to make him very knowledgeable.

It seems that this person is much better than the Onmyoji Anbei Yunshan they invited.

This master of Taoism, he led a group of people to the front, he walked in the forefront, and he also held a small wooden box in his hand.

And as they walked along the way, a little powder would fall out of his small wooden box. These powders fell on the damp ground, especially conspicuous.

Boushiro had discovered it from the beginning of the construction, and based on the color and smell of these tombs, he could accurately judge that this was cinnabar.

It seems that this master of Taoism is still very good, and he may be careful for fear that they will encounter this kind of spirit hitting the wall after they enter, and the formation of the spirit hitting the wall is too strong to allow everyone to come out, so he Only use this method so that they can find a way to survive.

Each of them took a waterproof flashlight, and the waterproof flashlight shone on the ground. It can still make the cinnabar on the ground a crimson color.

When they had been walking for a while, at the beginning, there was no more mud on their walls, but a big escape, which was their special green mud bricks.

This kind of brick is very waterproof, even in such a dark environment, he can still maintain his original black color.

And since their flashlights were turned on, they found that there were mural paintings on the wall, and this change was Datang, the Wu paintings that were very popular at that time.

The main reason why Wu painting can be popular is that its founder is Wu Daozi. At that time, Wu Daozi has always been called a painting sage, and his paintings can reach a state of superb quality.

Although many people in modern times do not agree with his artistic quality, it is undeniable that this kind of painting art was still very popular in the Tang Dynasty.

When they came along this way, he clearly found that on this wall, they seemed to follow Wu Daozi’s method. The phone was facing the paintings on the wall. They weren’t using normal colors. Many of them were Engrave them, and then use paint to supplement them.

This can allow them to be preserved for a long time under the condition of being maintained. This practice has already existed in the ancient Han Dynasty in our country.

They must have a good understanding of this matter because in the Tang Dynasty, Wu Daozi liked to paint flowers, birds, fish and beasts.

But later the emperor of Datang discovered his talents. He was introduced into the palace to paint for its concubines and his ministers. In the later period, there were still a lot of pictures of visiting the palace, as well as the pictures of changing and washing the palace ladies.

Their pace couldn’t help but slowed down, and they looked carefully at the pictures on the painting walls. After hundreds of years of precipitation, Datang has formed many modern ink paintings.

Although the wisdom of the ancients is still used on top of the foundation, the techniques and accomplishments are quite different on the above. Looking at the ancient pictures from the eyes of modern people, I still feel that it is very difficult to understand their art. Where does the sense exist?

Bushiro walked in the middle of the line, holding a waterproof flashlight in his right hand, and lightly looking at the wall. The above picture is about taking an urgent booklet to show them the emperor at the time.

This looks like Tang Gaozu. According to modern people’s repair of the original painting of Tang Gaozu, and then according to his overall manner characteristics, it is very likely that this is what they think of Tang Gaozu.

However, this looks very bloated. There are still many differences between the big men in the Tang Dynasty and the Qing Dynasty. Their black hats have long strips on both sides, and they will look carefully at their hands when they go up. Wearing a jade belt.

This kind of jade belt represents the morphological characteristics of each of them, just like their observation characters, each color may be a grade.

So he can probably tell from the jade belt he holds, this should be a figure like the prime minister, but he really doesn’t know who the prime minister is.

The Tang Dynasty also went through other changes, and several prime ministers also changed. If it is not particularly impressive, no one will remember it at all.

Not only Bu Shiro, a person thinks of the murals on the wall, and even his other subordinates will be attracted by the murals on the wall.



The strange thing is that the environment is very dark, but when their flashlight is illuminated, there is a kind of magic that deeply attracts them here.

In the later time, almost every one of them stopped his footsteps and stood there very seriously. Looking at the past, the walls of their row seemed to be painted with such frescoes, but each picture is again Different form.

Bu Shiro looked at the picture in front of him closely. There were two rows of court ladies and eunuchs standing upright around the emperor, and behind him there were two large guards of honor standing behind him.

He should be officially visiting Chun, or when he was on a tour in the microservices, the bigwigs who guarded the capital. Ask the prime minister to ask the Huangdi for instructions.

This thing looks like this picture. I probably wanted to describe this meaning. It was also very popular in the Tang Dynasty, and the emperor went on a tour of Weifu.

During the tour of the microservices, they mainly inquired about the people’s sentiments, but more so that the emperor could look at his wonderful rivers and mountains more pleasingly.

Perhaps the original author of the emperor’s background picture should have described it, but because the age is too old, I can only look at it sporadically with a little dotted behind it, but more of these portraits.

Although it was just a few hurried strokes, the nervous expression of the palace lady and the form of the emperor’s outrage were perfectly outlined.

Even in modern times, no one may be able to achieve such a good level. This picture only occupies about one meter, and the full walls seem to be all such paintings.

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