I’m a Director, I’m Not Bad

  Send a small single chapter

  Actually, this single chapter, I wanted to talk about it a few days ago. But the reason why I haven't posted it is because I said something about the hero and heroine at the end of the chapter, and many readers who haven't seen the message much have left messages of encouragement, so I didn't post it. But today I saw a comment, and I was so emotional that I simply chatted with everyone.

   Actually, there are only a few points to say.

  First, there are too many scenes about the hero and heroine. What I want to say is that my entry point is the Olympic Games, and during the Olympic Games, there are really not many film sessions that can be written. Just two, one "Golden Armor", and the other... well, guess what.

  The plot design of this book about the Olympics is actually something I came up with after watching many documentaries over and over again. In my setting, the proportion of the 2006 Olympic Games is actually not too big, and the focus is on 2007 and 2008. Or to be precise, in March 2007 in the real timeline, the creative team was overthrown after the creative plan with the four major inventions as the core structure was overthrown.

   Over there, the whole Olympic drama started to work.

  The Olympic Games is a big plot, and it is also the most important keynote of my book. The subsequent plot developments are actually an extension of this. So it must be long.

  Then the question is, what about the length? It's very simple, branch plot + male and female main plot.

  I was originally a single heroine...Many people don't understand it, and they don't understand...I actually started as a harem stallion. But after writing tens of thousands, I especially want to write a book with a single heroine. As the introduction said, if you want to be a light to illuminate others, first of all, the light itself must be clean and pure.

  So in the setting, the proportion of male and female protagonists in this book will definitely be more, because I can’t open so many branches and female protagonists in this book like other books.

   This is why it looks "sweet".

  Because I have to use a rich heroine image to support the subsequent plot of my book. And if the image of the heroine is not plump enough, it will become the normal "opening a movie - high box office - accepting women - opening a movie - high box office"...or to put it more bluntly, "shocked - shocked - still **** Shocked" scenario.

  So, I would rather spend more space to describe some... things that everyone seems to have nothing to do with the theme. But in fact, I have carefully set these things. For example, I learned first aid in Hengdian, and I used this kind of... a series of small lines in Baihe, which have to be sprinkled in the front before they can be harvested later.

   And in 2006, the "sweetness" of the hero and heroine actually runs through.

   Otherwise, what can I do? filming? You said that the interests of the motherland are above all else, but you went to make movies?

   Is it funny?

   How about focusing on the Olympics? Whether it is according to the dream or the reincarnation routine, how can you keep an eye on the Olympic Games by yourself? Then why do you need other supporting roles... The protagonist can play by himself.

  The essence of entertainment writing is actually invincible writing. As for all entertainment articles, the first 300,000 to 500,000 words are actually the most important. Because this is to determine the character of the protagonist, the introduction of important supporting roles, the personality of the heroine, and so on.

   Of course, I can be original. But before opening this book, I had a chat with the editor, and I asked if my original character would be okay... The editor directly rejected it, saying no... It is suggested that I, a newcomer who just came to the starting point, start with this kind of "fellow".

  Then I'll be obedient and be done. This is also the reason for writing fan entertainment.

   So, what I'm trying to say is, I know what people want to see, and I'm not saying that the plot stays where it is. I am writing every chapter with my heart, whether it is the interaction between men and women or the plot. Not water, and no water. I have my rhythm, my outline, and I'm a plausible party.

  Maybe my rhythm is slow, but every plot I have at least... really crafted with my heart.

  When, what to write, how to advance the time, how to advance the plot, I have my own settings. Please rest assured.

Second, I just want to talk about the reason for writing this single chapter today. A reader just left a message, which probably means that I am in the role of Shui Zhu Wushuang, saying that I am embarrassing, and that the role of Zhu Wushuang is really so deep , why is it not popular...

   I can understand what he means, but allow me to give my own reasons.

   First of all, as I said in the book, for actors, some roles are hard to come by. It's the kind of golden wind and jade dew that when the golden wind and the jade dew meet, it's like dry firewood, fire, old trees blooming vigorously overnight.

   This role may not be very important, but it must be suitable for the actor himself.

   There are actually many specific examples. Let me just mention one... the source of the line "I have to add money".

Is it enough?

  Yes, the hottest part of "Wulin Biography" is the protagonist group. But at least for me, in terms of the artistic depth of my book, the character of Zhu Wushuang is the most worth exploring. I have already explained the specific reasons in the chapter, so I won't repeat them here.

  And what I want to express is that when Xu Xin is invincible, Yang Mi also needs some original intentions to change her destiny.

   As I said before, I am a reasonable party. I told everyone rashly: ah, Yang Mi is talented, Yang Mi's acting skills are well polished and she will be invincible... What are you doing? play? antecedent? as a result of? What caused this change? What kind of mental journey did you go through? Have you explained clearly to the readers? If I didn't explain it clearly, then I, as the author, was fooling around, and that was my incompetence.

  So, "Golden Armor" is led by the master, but how to practice next, don't you need to describe it?

  Secondly, about the character of Zhu Wushuang... I actually resonate with it.

  Why do you particularly want to write about her? Don't write to Yang Mi and Guo Furong? First, I think "Wulin Biography", like all sitcoms, is particularly easy to stereotype an actor. Before the role of "Su Mingyu" appeared...or even now, when many people mention her, who is the most impressive? Or Guo Furong.

  And this impression... will basically accompany her for the rest of her life, and it is difficult to eradicate.

  This is not the plot I want, and I don't want my heroine to be locked in this role. So from the very beginning, I never thought that she would play Guo Furong.

  Secondly, why must it be Zhu Wushuang?

  It's very simple, I dedicate this plot to my wife.

  Old readers know that my wife was adopted. The second child in the family, her elder brother beat her, and her younger sister looked down on her. And the reason for adopting her is also very simple. Before the third child came out, the parents thought that they would not have a child, so they brought one back. As a result, the third child appeared in person, and the second child who was adopted was also... predictable, right?

  She dropped out of school at the age of 14 and moved from her hometown to Zhengzhou to start a street stall. I don't want to repeat the hardships and sins she has suffered. But if you come to the book friend group and see the story picture in the group album, you can actually understand what kind of environment my wife and I are in.

  I can only say that in Wulin Gaiden, the only one my daughter-in-law would cry when she saw it was Zhu Wushuang.

  Because they are the same.

   No home.

only myself.

  She will be called a "bastard" by her parents, and when she is fighting with her brother, she will be strangled by her brother, and when she can't breathe and throws at her parents, she will get a cold look. After being kicked out of the house at the age of 14, when she set up a street stall, her biggest dream was to never become a parent like her parents when she got married...

very many. One was originally adopted, and when she asked about her biological parents, she would get a reason from others that "your mother is a lady, and she gave birth to you with an old man"... I don't know how to empathize with her pain. But according to what she said...she understands the mentality of an orphan like Zhu Wushuang too well.

  Whoever stutters, let me live, I can go with whoever.

   Really, it's that simple and pure.

   But when I saw her secretly crying while watching Zhu Wushuang in Wulin Biography, I gradually came up with the idea of ​​this plot.

  This idea has been with me for several years, but the previous books...are not suitable for use, and I have been putting it until now.

  So, in this episode, I actually just hope to express to my wife through words a kind of distress that I don’t know how to describe, and to let Yang Mi get on the boat of "Wulin Biography".

  Yang Mi cannot be locked in this drama, and likewise, I also use this plot to remind myself to be a good husband.

It's that simple.

   And I'm not saying this to express how much I love my family or to win everyone's sympathy.

  Including today's single chapter, the reason why I will post it is just to tell you why this book is five or six hundred thousand words long, and the reason why I haven't made a single movie, that's all.

  I know that my way of writing may have a gap in expectations compared with readers who started watching the Olympic Games and the protagonist filming the plot of the movie.

   But what I want to say more is that I will be conscientious and down-to-earth, and bring you an unconventional, after-dinner retrospect, I still think "ah, there is an old dog who wrote a book with such a plot".

   That's all.

  At 2:10 in the morning, that's all I want to say.

   Thank you guys for your perseverance all the way.

   Those who scold me and those who praise me are all readers who feed me.

   Picking up the porridge bowl and putting down the chopsticks, I am thinking of your kindness.

  The general level of ability is limited, but the elders of Jiangshan can tolerate me and don't make money in the world.

  Write books in a down-to-earth manner, be a down-to-earth person, do not write ghosts, do not hydrology, and treat every story and character in the book seriously.

   This is the promise I can make.

   Thank you all for your tolerance and suggestions, suggestions and care.

  The old dog nodded.

   bow.

Thanks.

  Oh yes, as usual... 14,000-word update, plus 3,000-word single chapter, rounded up to 20,000-word monthly ticket...

  (end of this chapter)