Hollywood Road

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In the dilapidated and old huge warehouse, the lights on the ceiling were gradually extinguished, and only the shooting lights arranged by David Robbie were still shining. Under the lights was a huge iron cage, and the two diagonals on the left side of the cage did not affect each other. Towards a 45-degree angle, a 35MM camera was set up, Murphy and the director of photography Philip Raschel each stood behind one.

Looking through the lens, the iron cage is covered with sharp barbed wires, and these fake things made of rubber by Baker-Klebert seem to be real in every way.

A fat man wearing only small pants came out of the make-up room. James Franco whistled at his fat body. The fat man turned his head and raised a **** and strode to the entrance of the iron cage. Look to Murphy's side.

This was not a formal filming. It was just a trial of props, lighting, and makeup effects. Murphy did not speak, and gestured ‘OK’ to the fat man.

The fat man lowered his head and got into the iron cage, as if there was a woman who was fatter than him was chasing after him, and went into the cage desperately.

The barbed wire hung on his body one by one, and the fat man wailed miserably, as if he was being forced by a she-wolf. The place where the barbed wire was pierced by the wire was also flowing red liquid, which looked so dazzling.

Afterwards, the silicone that the fat man put on his body collapsed as planned, and the "wounds" were shocking.

"Stop!" Murphy turned off the camera, walked behind the other camera, exchanged a few thoughts with Philip Raschel, and exclaimed, "The iron cage and wire are OK, and the scenery is OK..."

The fat man had exited the iron cage and was looking at Murphy. Murphy nodded to him, "Jonah's performance is also good."

The fat man didn't care about wiping the bright red liquid on his body, cracked his mouth and laughed.

Murphy has never been the kind of harsh to perverted person, he prefers to encourage actors rather than angry with them.

After talking about the good performance, he also pointed out the shortcomings. First, he said to the lighting team, "David, we are film noir. The lighting you use is still a bit softer. I want the lighting to be harder. Also, I gave Jonaga the background light during the formal shooting, and I wanted him to look paler in the shot."

He turned his head and said to Jack Watson, "When Jonah's character dies, his makeup should be whiter."

Barbed wire can't directly kill people. The fat man died only because he lost too much blood. In this case, the corpse must be paler than other methods of death.

The others wrote down Murphy's request one by one, and began to discuss with their assistants how to resolve it.

"That's it for today." Murphy looked at the time, "Before the filming officially starts, all the problems that arise this afternoon will be solved."

He returned to the back of the camera, and Philip Raschel was still playing back the shot of the fat man just taken, because the barbed wire is made of rubber, and when it is hung on the body, some places will inevitably look fake.

Editor Jody Griffith was also standing here. He looked at it and said, "This section can be edited with a jump. We keep a close-up of the barbed wire, and then the panoramic shot shows the actor climbing forward, ignoring the wire hanging. The physical process is directly switched to the scary wound on the actor's body."

As long as no one touches the barbed wire, it looks like it is real, and the effect of Jack Watson's makeup is guaranteed. This is undoubtedly a good solution.

Murphy nodded, "It can be done."

At the end of the day's work, Murphy packed up the film and walked out of the set to the security room and crew temporary office near the warehouse door. Three men, two fat and one thin, were sitting on the chairs here and laughing loudly.

"You don't know, Seth."

The fat man in the iron cage has removed his makeup, is wearing a large T-shirt and jeans, has a plump belly, and said happily, "When rehearsing the scene where the father loved his daughter, Jim was so despicable and shameless and multiplied ten times. The guy who looked at that Lily's eyes were straight."

James Franco can't wait to plug his big mouth, "Jonah, shut your stinky mouth!"

Since most of the people were gone, the fat man named Jonah spoke unscrupulously and sputtered, "Jim, don't deny it! Don't you dare to say you weren't hard at the time?"

He made an exaggerated move to stand up, "If you don't, I dare to cut mine off and throw it into Seth's mouth!"

"Hey! Hey! Jonah..." Seth Logan jumped directly from the chair, "You gay! Don't pull on me."

Murphy stood at the door and knocked on the door. The three guys saw Murphy, except for the fat Jonah who was not very familiar, the other two were not embarrassed, and still laughed unscrupulously.

"Hi, Director Stanton." Jonah turned to say hello.

"You're welcome." Murphy nodded and smiled at him. "Just call me Murphy."

James Franco was not at all polite with Murphy, came over to grab him, and said, "Well, guys, there is a treat tonight, think of a place."

Murphy looked at James Franco, James Franco took him and walked out, "Don't hesitate, workaholics, you need to know how to relax. Relaxation will have a higher work efficiency."

Jonah followed, "I know there is a good place in Venice, where the show is very good."

Seth Rogen walked at the end and said loudly to the front, "Jonah Hill, you gay, don't you want to take us to the **** bar?"

"You fat guy!" Jonah Hill turned his head back, full of swear words, "you're a **** guy! You fat guy!"

Tomorrow is the crew's day off, and Murphy did not refuse.

It can be seen that the relationship between these three people is very good. Murphy drove his car, James Franco was sitting in the co-pilot, two fat guys squeezed behind, waiting for him to start the car, Jonah Hee Er jiggly pointed the way crookedly, not forgetting a few words to hurt Seth Rogen and James Franco.

Listening to the unscrupulous swear words of these people, Murphy suddenly felt that his tight nerves relaxed a lot. Over the past period of time, he has been too tight. Even when a person is resting alone, his body can relax and his spirit can be relaxed. But still tight.

From the day he left prison, he knew that time is extremely precious to him. In order to become a top director, whether it is a freelance journalist running social news or entering the film industry, Murphy has very strict requirements, and he also gives it to him. I have exerted a lot of pressure, and the direct result is that headaches will occur from time to time.

People cannot always work tightly, and sometimes they need to relax.

It didn't take long for the car to go out, and Murphy could roughly tell that Jonah Hill, who was less than twenty years old, was the most unobtrusive one.

Of course, a few of them are no better than this fat man.

The most serious of the four people is James Franco, but under this guy's elegant and handsome appearance, he has a very different personality, and his behavior is sometimes absurd. The biggest shortcoming is that he is too courageous. Like to hide behind others in the situation.

Seth Logan looks simple and honest, but the narrative is endless, and it is not too much to say that he is a bitch.

According to Jonah Hill's instructions, the black Ford sedan slowly stopped in front of an underground strip club.