Hollywood Road

Uh... I have been busy with my head recently. I can’t guarantee five thousand code words a day. Work or something is the most troublesome. Let me give you the comfort of a recommendation ticket or something.

More albums were found by Hailey from Jeff’s bedroom. Some of the girls on it were tied up, some looked blurred, and some collapsed on the ground. Although they were only some photos, they could be seen clearly. These girls do not have the ability to resist at all when shooting, they can only make people do whatever they want.

"Scum!" Daisy whispered.

Everything shows that Jeff is not only a pedophile, but also a very dangerous kind.

Hailey poured another glass of water into Jeff's mouth abruptly, and the picture turned black again.

When the screen came on, Jeff was lying on his back on his workbench, his lower body was not wearing clothes, only a large bag of ice was covered in key locations.

The little girl is going to castrate this pedophile!

Daisy felt very happy, but the corners of her male partner's mouth jumped.

At the end, I don't know when, Tony Guzman moved two rows forward, and he thought this film was getting more and more interesting.

Unlike other people, Jones Butler laughed. As a working woman, she has suffered some unfair treatment because of gender issues. Seeing Hailey's castration drama about to begin, she was inexplicably happy in her heart.

Baker Larsson is relatively calm because of his own relationship, and only looks at the scene from a professional point of view.

The director named Murphy Stanton used overhead shots to take a close-up of Jeff’s tied hands, moving the camera from top to bottom, scanning Jeff’s body until the lower body covered by ice. Clearly explained Jeff's status and laid the groundwork for the subsequent castration.

Moreover, Jeff was lying on the metal table, and the glare reflected light from the light shining on the metal table was caught by the overhead shot. It also made people feel the horrible cold tone, indicating that something bad and horrible was about to happen. occur.

Then there is the dialogue between Hailey and Jeff. The camera is constantly switching between Hailey and Jeff, and both of them are given close-ups of their faces. This is a psychological montage that vividly shows the inner world of the characters. Let the viewer feel Hailey's calm and Jeff's panic.

The director's 2 to 3 seconds of switching shots also speeds up the film's rhythm and strengthens the psychological tension of the viewers.

This part has always been shot with backlighting. The bright background and the darkness of the characters form a sharp contrast, which highlights the gloom and mystery, and it is easy to make people nervous to guess what is going to happen.

The director is unique in photography, editing, and the use of light, and he is not at all the people on the roadside of Park City who are shooting indiscriminately.

When he saw this, Tony Guzman gazes quickly between the few audiences in the theater, trying to find the director. This guy who has never heard of the name is a very thoughtful director. If he can maintain his standard, given time, he will definitely not be an unknown person.

This guy is quite sophisticated in the use of lens language, and he doesn't seem to be a novice at all.

When Jeff asked, "What are the ice cubes used for?"

The camera immediately opened the curtains to Hailey, and the picture immediately became clear, indicating that the mystery was about to be revealed, and then the camera took a close-up of Jeff’s face. The light shone on him, and the distortion of his nervous struggle could be clearly seen. The expression, I also realized that Jeff knew that something bad would happen to him, and switched to Jeff’s perspective, by pushing the lens, narrowing the scope of the scene, letting people and Jeff see the expression of Haley Desser And bring a scalpel.

The answer is ready to come out here, this sense of synchronization can make people feel Jeff's mood at this time.

When Jeff knew that Hailey was going to castrate him, he once again took a close-up shot of his face with horrified expression, while Hailey was sitting on the other side talking to him.

The methods used by the director are quite clever, and Tony Guzman is more satisfied that all the methods are simple and easy to understand, which is quite important, because obscure shots are often a weapon to drive the audience away.

There are only three kinds of shots in this paragraph, Hayley's face close-up, Hayley's panoramic shot, and Jeff's half-length shot from the perspective.

The information transmitted through the lens can easily be read out that Hailey is completely active, still calm and confident, and Jeff is the weaker under control, and the interesting thing is that when Hailey appears on the lens, the background is a blue wall. , Consistent with the color tone of the surgical gown that Haili is wearing, the background of Jeff’s lens is a red wall. The director clearly and ingeniously uses the cool blue to set off Hailey’s calm and calmness, and the warm red to set it off. Jeff's nervousness and horror.

These are very simple to say, but any director who wants to do it must have considerable abilities.

There is no doubt that the ability of Murphy Stanton as a new director far exceeds his psychological expectations.

Frequent beating short shots let Tony Guzman see the director's ability to control the rhythm, and the subsequent long shots also made him nodding. The new director's long shot narrative ability is also excellent.

When Hailey left briefly, the screen returned to Jeff and turned into a long shot. The camera moved back and forth between Jeff who was struggling crazily and the mobile phone placed on the coffee table, deeply expressing Jeff's desire to escape.

After Hailey came back, Jeff recounted a piece of memory. The whole memory used a long lens again. The director used the camera to pan and shift the lens, and used close shots to show Jeff who was telling the memories, highlighting Jeff’s sincerity and pity Impress Hailey with the revelation of true feelings and make Hailey let him go.

But then the camera turned to the nearby picture frames, and the figures of girls appeared one after another, which made it clear from the side that Jeff was just a cunning argument, and his words could not conceal what he did.

At the same time, the weird background music sounded, Hailey walked to Jeff, Jeff stopped yelling, his eyes were full of despair, and the castration was about to begin.

The voice in the hall became horrified, Jeff gasped quickly, Hailey exhaled softly, the knife slid through the peculiar tear of the skin, something suddenly broke...

There was never any direct castration on the screen, but through these voices, every audience in the hall was told clearly that an operation to cut off the source of Jeff's evil was underway.

Coupled with the previous rendering, even if you don't look at the picture, just hearing these sounds can make the viewer feel extremely painful and cruel.

Of course, it's all men who think so.

Female audiences like Daisy have only one cool word in their hearts.

The little girl's action to punish Jeff is so cool and cool! All **** men deserve this punishment!

A stream of blood burst out and splashed onto Hailey's surgical gown. The little girl showed a calm asymmetry with her age, but she put away her scalpel and said, "OK!"

The soundtrack was immediately changed to peaceful piano music, giving the viewer a sense of relief, as if the castration had finally come to an end.