Hollywood Road

Ask for monthly and recommended tickets!

There was silence in the humble temporary office. Jessica Chastain had spoken about what had just happened, just looking at Murphy, Murphy frowned, and did not say anything immediately, the Israeli sitting next to him The woman looked a little angry, but she kept quiet when she saw Murphy not moving.

"Jesse," Murphy finally said, "Are you sure it's Sheriff Gatlin Collins?"

"Yes!" Jessica Chastain said categorically, "I fully confirm this!"

Murphy stood up and walked two steps back and forth, seeming to think about countermeasures.

Jessica Chastain looked at Gal Gadot first. She frowned, then looked at Murphy. This is not the first time she fell to Murphy. She was between her agent and Murphy. I chose Murphy, and in exchange for the peak of my career so far...

"Thank you, Jesse."

You have to pay for your efforts. Perhaps Murphy is not a good person, but in many cases he still follows this rule. He nodded to Jessica Chastain and said, "Have you changed your mobile phone number?"

Of course Jessica Chastain understood the meaning of Murphy's words, and said quickly, "I changed it again."

"Give me your contact information."

Hearing Murphy’s words, Jessica Chastain took out a piece of paper from his handbag, came over and handed it to Murphy. After Murphy took it, he handed it to Gal Gadot at the back. Gal Gadot also understood Mo. Fei meant to put away the paper with a string of numbers on it.

Murphy said to Jessica Chastain again, "Keep your phone open."

"Ok."

Jessica Chastain nodded, knowing that it was time to go, and said, "Then I will leave first. If there is any need, call me."

She soon left the warehouse studio.

After getting in the car, Jessica Chastain was relieved, because she had been Murphy's assistant before, and she knew some of Murphy's ways of doing things, but now it seems that there is not much change.

I should be able to get a generous return, right?

Sending away Jessica Chastain, back to Murphy’s temporary office, seeing Murphy sitting there quietly, she should be thinking about what Jessica Chastain said, she did not interrupt Murphy aloud Instead, he sat beside him and waited quietly.

More than five minutes later, seeing Murphy's frown loosen, Gal Gadot asked, "Is it troublesome?"

"It's okay," Murphy shook his head and said, "He can't find anything."

"No wonder the bullet threat letter has never been able to find the source," Gal Gadot suddenly realized, "It turned out that the police officer in charge of the case had a problem."

She couldn't help but curiously asked: "What did you do back then that you were caught by someone?"

Murphy smiled, and as soon as he was about to prepare his words, Gal Gadot said again, "Forget it, don't say it, the less people who know this kind of thing, the better, it's better to rot in your stomach."

She knew very well that the things Murphy did back then were definitely not very glorious, maybe it was still the kind of thing that would kill you when you see the light.

Now that Gail Gadot said so, Murphy swallowed the prepared words again. In fact, even if the Sheriff Gatling Collins really checked, he could actually find nothing, let alone Jessica. -Chastain and Kerry Mulligan, even Carla Faith doesn't know what happened.

What Carla Firth saw was the final result. He didn't know what he did in the middle, and Murphy never told her in detail.

However, anyone would feel uncomfortable to be investigated in private like this.

So, Murphy said again, "Gail, I'm going to work, you help me call Bill and Robert, and ask them to come home to be a guest at night."

A bunch of people on the crew's side were still waiting, handing these things over to Gal Gadot, and Murphy went back to filming.

With Murphy returning to the set, filming began again. This is a rivalry between Jordan Belfort played by Robert Downey Jr. and Donny Azov played by Jonah Hill.

The scene is not complicated. Jordan Belfort, played by Robert Downey Jr., faces an investigation by the FBI, but gives a reminder note to Donny Azov, played by Jonah Hill. , But he did not expect that Doni Azov also faced the FBI investigation, and he betrayed him without hesitation.

During Jordan Belfort’s bail, Dony Azov came to his house and said that he would help him. Jordan Belfort was moved. He wanted to protect Donny Azov privately when he was cooperating with the FBI. Ni-Azov read the note. Doni-Azov became alert when he saw the note, then secretly covered the note with a towel and handed it to the FBI afterwards.

The FBI went to the mansion to arrest Jordan Belfort. Jordan Belfort understood everything when he saw the note. He was betrayed! At the same time, he also understood the truth that Wall Street has no friends. The betrayal of Dony Azov made Jordan Belfort determined to confess to other people, and finally confessed all his accomplices.

This is also an ideal state Murphy wants the film to achieve, that is, Jordan Belfort and his gang betray each other!

After the filming started, Murphy quickly called to stop. He watched the playback again on the director's monitor, and then said loudly to Philip Raschel, "Change to a 100mm medium focal length lens to shoot Joe and Portrait of Downey!"

When shooting with a medium focal length lens, the shape of the object in the current scene becomes larger and larger, and the lens focal length becomes longer and longer; when the object in the lens frame moves faster and faster, the lens focal length becomes longer and longer.

This is a typical method of pushing the lens, and it is also one of the film shooting techniques Murphy used in this film.

Pushing the lens is a common technique in movie shooting. The camera lens and the picture are gradually approaching, the frame of the picture gradually shrinks, and the scene inside the picture gradually enlarges, so that the audience can see a certain layout from the overall view. Pushing the lens can guide the audience more deeply Feel the inner activities of Jordan Belfort and Donny Azov and strengthen the emotional atmosphere.

After shooting so many rich and varied movie themes, Murphy's film shooting skills have become more and more proficient. He has his own understanding of the lens and pictures, and he is more proficient in shooting techniques.

In addition to pushing the lens, in this shooting, he also frequently used the following lens, over-the-shoulder lens, wide lens, and mirror lens.

Following the lens is one of the classic techniques in film shooting, but Murphy has given this technique more interpretation in practical applications, forming a very recognizable black lens style. Generally Murphy will use long-term follow-up The camera records two characters walking and talking. In order to pursue excellent visual quality, Murphy will arrange props and extras in various ways between the characters and the camera to enhance the visual richness of the frame of the picture and the activities of the characters.

In addition, when the scene of the two characters walking and talking goes to the end, when Jordan Belfort is about to persuade another character, Murphy will ask the two actors to approach the camera and record the scenes of them looking at each other.

The over-the-shoulder lens is an ordinary shooting technique that can no longer be ordinary, but Murphy also has his own style of use. He usually shoots with a wide lens across the shoulder of Robert Downey Jr., which can make the image of Robert Downey Jr. The screen is taller and bigger than other characters, thus highlighting the role and status of the protagonist and achieving a strong dramatic effect.

In some over-the-shoulder shots, Murphy will also allow Robert Downey Jr.'s shoulders to occupy most of the picture, thereby squeezing the main body of the picture that he wants to highlight to the edge of the lens frame, thus emphasizing the special meaning of the scene.

In the filming of this film, Murphy especially prefers a wide lens, whether it is over the shoulder, with the lens or other various shooting techniques, as long as he wants to highlight the foreground in the background of the picture, he will definitely use the wide lens, and His handling of wide shots is much bolder than many directors, just like the subject matter and theme of the film, he is extremely adventurous.

The use of a wide lens is also conducive to Murphy's use of mirrored shooting to express the story scene. Mirror shooting is generally handled by a wide lens, and slowly transitions to a close-up shot of the character. Through this method, the transition on the lens is logical and does not leak. trace.

This can also highlight the protagonist Robert Downey Jr. in the lens.

Of course, shooting is not a simple list of lenses. Most of the time, a variety of lenses are needed to shoot uninterruptedly. Murphy now has a good understanding of various lenses. By constantly changing the shooting position, you can use wide lenses, Close-up shots, over-the-shoulder shots, and finally close-up shots for continuous shooting, all in one go without pause.

The day's shooting ended smoothly. Robert Downey Jr. and Jonah Hill did not remove their makeup, but walked over instead.

"You did a good job." Murphy put down the work at hand and said to both of them, "Especially the passion drama, which is even better than I thought."

"No way, the movie is a sublimation of reality, but reality is more exaggerated than the movie." Robert Downey Jr. shrugged and said, "You let us get in touch with the middle and low-level people on Wall Street during the preparation period. What we saw ..."

He shook his head and said, "I admired a female school bully when I was in high school. Now I work for a peripheral company on Wall Street, and I can feel confident about 3.P on Wall Street."

Jonah Hill also echoed, "I have been in contact with the same. I talked to the account manager of a small company. He said that the company had a meeting. A group of people gathered around a round table to have a video conference with the boss. The boss was talking on TV. , One of the analysts called a young lady in and started doing it on the spot. Everyone was calm."

Murphy didn't think it was weird either, any place full of money would not lack some mess.

"By the way, Joe and I plan to go to the nightclub tonight." Robert Downey Jr. invited, "Together?"

"No," Murphy shook his head, "I made an appointment with Bill and Robert tonight."

He packed his things and was about to find Gal Gadot. Jonah Hill suddenly said mysteriously, "I also learned a big secret from the people on Wall Street!"