Originally, Ma Qingyang wanted Lin Qingxia to star in Shushan Swordsman or Police Story immediately.

However, Ma Qingyang discovered that neither Tsui Hark's Shushan Swordsman nor Cheng Long's"Police Story" would have been released in 1980.

Tsui Hark's Shushan Swordsman originally came out in 1982, and failed miserably at the box office. Its only achievement was that it was a pioneer in fairy tale dramas, allowing people to see Lin Qingxia's beauty.

Cheng Long's"Police Story" was only released in 1985. Now he mainly focuses on kung fu comedies and has not yet advanced to desperate stories.

If it were adjusted to 1980 now, it would be a bit counterproductive, and it would be impossible for these two works to have a good box office.

So he arranged for Lin Qingxia to participate in some guest appearances in movies and learn Cantonese at the same time.

In this year of 1980, in addition to"The 590 Best Partner", New Art City Film Company》、《happy ghost》、《In addition to"Mr. Zombie", there are several movies that have entered the top 10 box office of the year.

Among them is Cheng Long's"Junior Brother Goes Out".

In the original time and space, this movie broke the box office record in Hong Kong film history after it was released. It was also the first movie in Hong Kong to have a box office of over 10 million, and the first"Spring Festival" movie in Hong Kong!

At this time, although Cheng Long's movie is not the first one to have a box office of over 10 million, it is still Cheng Long's proof that he is a film with a box office of over 10 million.

This film is Cheng Long's first work after joining New Art City Company. It is also the first time that he has written, directed, and acted. He has tailor-made a highly personal entertainment masterpiece for himself. (c

In this movie, the main source of fun is a series of humorous martial arts. The finale shoots the duel between Cheng Long and Huang Renzhi, which vividly interprets the word stalker.

In"Junior Brother Goes Out", Cheng Long fully demonstrated his His agility and comedic nature add many funny elements such as naughtiness, embarrassment, and getting into trouble. His exaggerated expressions, dexterous movements, and every move are highly entertaining. The humorous fighting performances of several main characters are amazing. Wow!

Cheng Long has also truly established his martial arts route and movie style, taking off the packaging of a righteous hero and becoming an ordinary but extraordinary little character that everyone loves, a flesh-and-blood person who, although he has a glib tone, A civilian hero who is unmistakable in the big festival!

Cheng Long also went to Hollywood this year to develop, just like in the original time and space, it was Zou Wenhuai who helped him. (To read Baoshuang novels, go to Feilu Novel Network!)

Although His Jiahe didn't get Cheng Long like he did in the original time and space, but through several of Cheng Long's movies, he saw the potential of this person. Zou Wenhuai also wanted to make money from Cheng Long, so he set up a matchmaker and wanted to push Cheng Long to In the international market, make money from Americans. After all , the box office of American movies is usually 10 times that of Xiangjiang.

Cheng Long was very excited, so Ma Qingyang couldn't stop him, so he let Cheng Long give it a try.

Time and space are the same, this attempt is a failure

《"The Killer's Trench" was the product of Zou Wenhuai's plan to enter Hollywood. It was also a film specially made to promote Cheng Long to the international market. Although it had a good box office, its reputation was mediocre.

What American audiences want to see is Li Xiaolong's brave and powerful style, with his fists to the flesh, but Cheng Long's style is humorous and naughty, and his movements are like acrobatics.

The audience in Hong Kong was very dissatisfied with the action design of"The Killer's Trench"; Cheng Long, who has always been the martial arts director himself, was also very dissatisfied. In the United States, he actually had to follow the martial arts actions designed by Americans for filming.

Moreover, since the free-flowing shooting habits of Hong Kong's"Flying Paper Boys" were inconsistent with the strict industrial processes of Hollywood, Cheng Long could not stand the strict control of others. After the filming of"The Killer Trench" was completed, Cheng Long returned to Hong Kong without hesitation and filmed a series of A video with its own style.

This film is relatively ugly among Cheng Long's films. The plot is very cliche, and the fighting in this film is also very inferior. It is not enjoyable to watch, and only some of the big scene designs reflect some of the standards.

Also because of the failure of entering Hollywood this time, Cheng Long completely gave up the idea of entering Hollywood, and Zou Wenhuai was too embarrassed to cooperate with Cheng Long again..

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