Happy Tycoon

After using the holy ring to appraise, Yang Jing confirmed that this imperial edict was the imperial edict of Zhu Zhongba and Zhu Yuanzhang.

　　 This unexpected joy made Yang Jing very happy. Yang Jing had collected a copy of Wu Zetian's "book making" in Wu Zetian's mausoleum. This kind of book making was actually the imperial edict of the Tang Dynasty.

　　 Book-making was originally called "Edict" in the early years of the Tang Dynasty. Later, when Wu Zetian became emperor, in order to avoid her name Wu Zhao (zhào), he changed the edict to book making. Of course, the function is still the same. Because book-making deals with important government affairs, its classification will be more detailed.

　　 The "book making" of the Tang Dynasty can be divided into three categories. The first category is book books, used when setting up queens, princes, and entrusting kings. These books are all written on bamboo slips.

　　 The second category is book making, which is used in important matters such as appointment and dismissal of high-ranking officials, system changes, and pardons of prisoners of war. The third category is "comfort books", which the emperor used to praise others. The latter two types of books are generally written on silk yellow paper.

　　 The bookmaking that Yang Jing found in Wu Zetian Mausoleum is the second type of bookmaking, and it is also extremely precious.

　　 Now there is another Zhu Chongba imperial edict, and Yang Jing now has two imperial edicts of two dynasties in his hands!

　　 This imperial decree Yang Jing did not dare to take out the space at all, for fear that the outside air would cause harm to this imperial decree.

Below the imperial edict, there are volumes of hand-copied Buddhist scriptures. Yang Jing turned them over. Most of these scriptures were hand-copied Buddhist scriptures from the Hongwu period to the Wanli period, and they were not hand-written Buddhist scriptures by famous calligraphers in the Ming Dynasty. From the point of view of value, the value of these handwritten Buddhist scriptures is much lower than those handwritten Buddhist scriptures that Yang Jing found from Wu Zetian's mausoleum.

　　 But the value of these Buddhist scriptures is also quite expensive. After all, these are manuscripts from the Ming Dynasty, especially these Buddhist scriptures are mostly very complete hand-copied Buddhist scriptures, and their archaeological value is greater than their own historical value.

"Buddha Says Boro Paramita Heart Sutra", "Gao Zong's Royal Prayer", "Buddha Says Morizhi Heaven's Original Wish Sutra", "Sacred View of Freedom and Great Compassion in the Heart", "Zunsheng Dharani Shen Gu", "Vajrasattva" "Hundred Characters Guai", "Mahage Thorn Mantra", "Ask for repairing the mountain with leaves and leaves without truth", "Buddha Says To Eliminate Disasters Auspicious God Gua", "Immeasurable Buddha Says Suisheng Pure Land Gua", "Buddha Wu Zhun Mention" "Shen Gu", "Diamond Sutra", "Avalokitesvara Sutra", "Amitabha Sutra", "Morizhi Heavenly Sutra", "Tianfei Lingying Sutra", "Heart Sutra", "Srangama Sutra", "Great Compassion Mantra", "Zunsheng" Guai", "Hundred Characters of God Guai".

　　 Yang Jing counted. In this huge iron box, there are a total of 21 complete sets of hand-written Buddhist scriptures. This number is quite impressive.

　　 In fact, the hand-copied Buddhist scriptures of the Ming Dynasty are also very valuable.

　　 At Sotheby’s in New York in 2015, “Ancient Chinese Paintings and Calligraphy”, a total of 213 lots participated in this auction. In the end, 199 pieces were sold, with a total turnover of US$41.44 million.

　　 Among them, Lot 427, an unmarked Ming Dynasty regular script manuscript scripture was sold at a high price of 14.026 million U.S. dollars. If the commission is included, this manuscript script alone is equivalent to 87.08 million national currency!

It is said that this hand-copied Buddhist scripture came from a collector in Japan, but the pre-estimated value of this scripture did not exceed 150,000 US dollars. As a result, a buyer from Huaxia Huhai stupefied the price of the hand-copied Buddhist scripture. A hundred times higher!

　　 Those hand-copied Buddhist scriptures with no knowledge can be sold at such a price, and this one here not only has the knowledge, but also a very complete set of hand-copied Buddhist scriptures. If it were to be auctioned, what price would it be?

　　Of course, these hand-copied Buddhist scriptures will not be photographed if Yang Jing is killed. These treasures left by the Chinese ancestors can only be displayed in the museum for the Chinese people. These Buddhist scriptures and the Buddhist scriptures obtained from Wu Zetian’s mausoleum are combined, and a special exhibition hall can be set up to display these national treasures.

　　 After taking out the Buddhist scriptures in this iron box, another box was emptied.

Yang Jing immediately opened the third box. As a result, there was no tarp in the third box. After opening it was filled with some rotten, obscure withered grass, but the withered grass was tightly packed, which made Yang Jing somewhat curious. .

　　 After pulling away the withered grass, a large white jar was revealed, especially the blue pattern on the shoulders exposed in the middle of the withered grass, which immediately refreshed Yang Jing's spirit.

　　 "This is..." Suddenly a thought flashed through Yang Jing's mind, and even his consciousness trembled a little.

　　 took a deep breath, and after calming down, Yang Jing slowly and carefully took out the big can, and suddenly, an atmosphere came to his face.

　　 "This is the Yuan blue and white pot?" Yang Jing muttered subconsciously, and then said with certainty: "This is the Yuan blue and white pot!"

No identification is required. Just by relying on the shape, blue pattern decoration and color of this big jar, Yang Jing can almost at a glance conclude that this is a legendary Yuan blue and white jar, and it is also a Yuan blue and white character jar that has never appeared before. !

　　 Yang Jing also learned a lot about porcelain during these days. The fourth master Cai Yi is the director of the Institute of Ceramics of the Palace Museum. With such a master in existence, Yang Jing couldn't steal it even if he wanted to be lazy. Therefore, Yang Jing has a very thorough understanding of porcelain.

　　 Even if this big pot has not been appraised, Yang Jing can judge in one mouthful that this is a big pot of Yuan blue and white figures based on his feelings alone.

Blue and white porcelain existed as early as the Tang Dynasty, but it was carried forward in the Yuan Dynasty. Although the craftsmanship of the blue and white porcelain of the Ming and Qing dynasties was even better than that of the Yuan blue and white, in the Chinese public's understanding, when blue and white porcelain was mentioned, The first thing people think of is Yuan Qinghua.

Moreover, compared with the blue and white porcelain of the Ming and Qing dynasties, the blue and white porcelain of the Yuan Dynasty is more simple and elegant, especially the imported blue and white materials used for large vessels, combined with those large vessels, give the Yuan blue and white more a unique charm and charm. .

The reason why Yuan Qinghua is famous is that at the auction of Christie's in London on July 12, 2005, a big jar of Yuan Qinghua Guiguzi Downhill was sold for 14 million pounds, plus a commission of 15.688 million pounds. Equivalent to about 230 million national currency!

　　 This price could buy two tons of gold at that time, and it also set the highest auction record for art in Asia and became famous for a while, bringing the collection of blue and white porcelain to a new height.

　　 After the huge price of the Guiguzi downhill canister was sold, Yuan Qinghua completely became famous in China, and the Chinese people also fully understood the value of Yuan Qinghua.

　　 Yuan blue and white cans are undoubtedly China's first-class national treasure, but it is a pity that only one of the nine Yuan blue and white cans that have appeared in the world is in China.

At present, there are only nine large cans of Yuan blue and white figures recognized in the world. Among them, the Yuan blue and white Guiguzi downhill large can and the Yuan blue and white three-going thatched can are in the hands of the British. In the hands of the Pegasus Foundation.

There are also three large jars in the hands of Japan. The Yuan blue and white Baihuating jar is now in the collection of the Manye Art Museum, Japan, the Yuan blue and white Zhaojun exclusion jar is in the Idemitsu Museum of Art, Tokyo, and the Yuan blue and white Zhou Yafu Xiliuying large jar is In the hands of the Japanese Ataka Art Museum.

The remaining four large pots, the Yuan blue and white Xixiang Ji incense pot was collected by a private collector in Southeast Asia; the Yuan blue and white Jinxiangting pot was collected in the hands of the Wandao collector Mr. Wang Dingqian; as for the Yuan Qinghua, Yuchigong alone saved The main tank fell into the hands of the Boston Museum.

It is worth mentioning that Yuan Qinghua Yuchi Gong’s single-riding savior cans have been found in two in the world. The first one is in Boston, and the second is in China. This is also the only one of China’s Yuan blue and white figures. Big can.

This big pot was unearthed in the "Siguanling Mountain" in Heng County, Bagui Dadi in 1980. However, after being unearthed, this rare treasure was abandoned in the corner for seven years; until 1987, an agronomist discovered it by accident. This treasure was picked up and used to grow flowers and seeds; in 1989, cultural relics experts confirmed the identity of this big pot as a national treasure. Since then, China has also had its own big pot of Yuan blue and white figures.

　　 If there were no such large jar of Yuan Qinghua Yuchigong's Savior Riding Savior unearthed in Gui Province, China would not even have a large jar of Yuan Qinghua characters in China~www.readwn.com~ This is definitely a sorrow.

But now it’s different. As soon as Yang Jing saw this big can, he knew that it was also a serious treasure with a wide open door, and this treasure was also different from the eight characters that appeared before, because this big can was made of this big can. The pattern is different from the eight known large jars of blue and white figures in Yuan Dynasty. The pattern of this jar turned out to be a brand-new character pattern.

Yang Jing once saw a bottle with a similar pattern in the Jinling Museum. This bottle is a blue and white plum bottle with a Yuan blue and white picture. It is the first-class national treasure of China Blue and white Xiao Heyue chased Han Xintu plum bottle"!

Yuan Qinghua Xiao Heyue chasing Han Xintu plum bottle currently has only three pieces in the world, one of which is in the collection of Nanbo, one is in the hands of an overseas collector, and the last one is at an auction in 2011 The sky-high price of 840 million Hong Kong dollars was sold.

　　 And the pattern of this Yuan blue and white jar is very similar to the pattern of Nanbo's Xiao Heyue chasing Han Xintu plum vase, that is to say, this jar should be called "Yuan blue and white Xiao Heyue chasing Hanxin jar"!

This large jar of Yuan blue and white figures has never been seen in the world. In other words, if this jar is taken out, it will be the tenth Yuan blue and white figure jar in the world, and it is also a Yuan blue and white figure. The ninth pattern in the big jar!

　　 This is definitely the national treasure of Chinese porcelain, and it is comparable to the "Yuan blue and white Yuchi Gong single-riding savior jar" collected by the Boston Museum!

　　Https:

　　 Genius only remembers the address of this site in one second:. Sogou mobile version reading URL: