Happy Tycoon

Not surprisingly, Master Zhu was really taken aback by the price offered by Yang Jing. Of course, the old man also simply rejected the price offered by Yang Jing. Although the old man knew it was Yang Jing’s kindness, the old man was still very much. He simply refused.

"No, the price you gave is too high. I can't sell it to you at this price. My pot is not worth so much money. Xiao Yang, don’t talk to me anymore. If you insist on buying at this price, don’t Blame the old man for breaking my promise and not selling it to you. Just a few years after this good day, my old man doesn't want to make a mistake because of this."

As soon as the old man said this, Yang Jing realized that what he was thinking was not thorough enough. He seemed to have forgotten how great the impact the chaotic decade had brought to these aged masters. In 1982, people, especially The thoughts of older people have not yet completely changed. Deep in their hearts, they still have a huge fear of that "buzzing" era, for fear that the wind will change and be knocked down again.

The price of a pot of three thousand yuan offered by Yang Jing, let alone 30 years later, is very low even after ten years, but in this era, the price of a pot of three thousand yuan is very low. The price is undoubtedly poison, whoever eats will die.

Seeing Yang Jing's tangled look, the old man said happily: "Xiao Yang, old man, I thank you for being so admirable of my craftsmanship, but the price you gave is too high, and my old man really dare not accept it. Ah. Well, since you want to buy my pot, I'm not hypocritical, don't I still have ten pots here? If you ask for it, you will take all three thousand dollars!"

Later, the old man seemed to think that the price he had opened seemed a bit high, he hesitated and explained: "Xiao Yang, in fact, it is the three thousand dollars that I want to take. I feel uneasy. Let me go. The master will give you another two sets of pots. One is a five-head set and the other is a ten-head set. What do you think?"

　　 Yang Jing shook his head slightly, knowing that he couldn't do it because he wanted to be a good person today, but he was not a silly person, since the old man had said so, he simply agreed.

Seeing Yang Jing agreeing, the old man smiled on his wrinkled face, "Come on, Xiao Yang, I will find out the pots that can be sold for you. Alas, most of these pots are my little by little over the years. It’s a bit reluctant to sell it all at once. But my old man has been alive for a few years. If these things follow me, they will be buried in the soil with me in the end. You like these so much. Pots, these pots can have a good master with you."

　　 "Well, I remember this set of five-headed Sanyou pots was made in 1953, almost thirty years ago."

"This Yunlong Kettle was made by me in 1967. I remember that at that time an old friend wanted a Yunlong Kettle, but I made it for him, but he was defeated by a group of little red ghosts. The people were gone, and the pot was not sent out, so I just stayed."

　　 "I made this golden bell pot in 66"

　　 "Well, this bowl of plum pot was made in the summer of 1970. I remember it very clearly. That summer it rained heavily and the water from the Li River next door almost washed up on the embankment."

　　 While mumbling, the old man slowly took out eight purple clay pots, two tea cups and two cup holders from the four wooden shelves. His expression was full of memories and dismay.

　　 It can be seen that the old man really has a lot of affection for these pots. These pots are like his children. He made them bit by bit. Now that they belong to others, the old man is naturally a little uncomfortable.

　　 Yang Jing who watched it all wanted it. For an old man, these pots that he made when he was young or in his prime, put aside the valuables first, and all the memories of the old man’s life are entrusted in them.

"Well, when I made these two pots, I felt a little unsatisfied. Forget it, I won’t give it to you. I will use these two pots for you to exchange two sets of pots. Well, this is not bad, this is me The five-headed Yunlong pot made in 55. This is a set of ten-headed squirrel grape pots I made in 1963. Xiao Yang, I gave you all of these. What do you think?"

Yang Jing whizzed, the hesitant expression on her face flashed away, and said, "Master Zhu, or I don't want these pots? I think if I buy these pots, it's as if I'm going to eat you. My heart, why do I have a deep sense of guilt?"

"Hahahaha" The old man laughed, and while wiping his hand with a cloth, he said: "You little guy is so funny. Xiao Yang, I know what you think, but you don't have to worry about it. Cut out my heart. These pots were made by me in my early years. Although I have placed a lot of memories on me, I am still not that way. This man just loves to think about the past when he is old, just like to mumble a few words, Don't be surprised. Xiao Yang, just these pots are all sold to you. We said that for three thousand yuan, you can't miss mine."

　　 The old man squeezed his eyes naughty as he said, and amused Yang Jing just like the old naughty boy.

　　 Yang Jing leaned forward and looked at these exquisitely crafted purple clay pots.

　　 I have to say that a master is a master, even if the style is similar to the styles of the purple clay pots that later generations have seen, but the sublime charm is far incomparable to those purple clay pots of later generations.

　　 If you compare these purple clay pots to beauties, then those pots of later generations will at best be regarded as net celebrities, and the pots made by the father himself are peerless beauties at the level of Xi Shi and Diao Chan.

Although there are two eyes, one nose, one mouth and two ears, the old man puts these pots here, and people can feel the kind of peerless beauty that can only be seen in Qingrencheng and then for the country. Peerless style!

　　What is a master? This is the master! The undisputed master!

　　 To paraphrase a modern internet term, the master's work is just so hanging!

　　 Yang Jing is also very satisfied with the pots given by the old man. I won't talk about the Yunlong pot, it's the old man's fame and skill. When everyone else was still playing the Yuhualong Kettle, the old man had already made the Yunlong Kettle.

　　 As for the Yuansanyou pot, that is, the round pine, bamboo and plum pot, it is also the first design unique to this master.

　　 The bamboo-shaped purple sand pot made by Master Zhu Kexin is second to none in the entire circle. He comprehended the layout of the painting theory from the ancient painting "Takamatsu Bamboo Book", realized the magic of plastic bamboo from the discussion of calligraphers and painters, tasted the best structure from the production of purple clay pottery flowers, and applied the skills of sticking and pasting. The bamboo pot made by his old man comes in many forms and changes are endless.

　　 The three-you-round pot in front of me has a bamboo knot in the middle of the body. The steady and large square spout is in a zigzag shape with three bends, and the forehead is flat and respectful. This spout shape is a unique style of the mouth shape in the early Republic of China. Next to the spout, there is a small bamboo stick floating, bright and beautiful, from the bottom to the top, it is curved into a handle, and the firm and powerful cover is a small dome embedded, plump and delicate, molded into a tender bamboo, with bamboo leaves on both sides, symmetrical and charming . The whole pot is made of bamboo, with different angles, which is quite dynamic.

　　 Yang Jing knows very well that the original stamp of the famous Wandao Zisha pot is based on this shaped pot!

　　 And the most important thing is that this pot is not a single pot, but a five-piece set! It’s not what the old man said to Yang Jing alone

One of the two sets of pots, but the old man promised to sell it to Yang Jing from the beginning.

　　 The so-called five hoods consist of five pieces in total. That is, one pot, two cups, and two trays, a total of five pieces.

　　 If this five hood is put on auction for later generations, five million is only the starting price!

　　 Of the two sets of pots that the old man exchanged for Yang Jing, one of them had five heads. That was a set of Yunlong pots with five heads. The workmanship and value of the pots were definitely not in this set of Yuan Sanyou pots. Counting the previous single Yunlong pot, Yang Jing can buy two Yunlong pots of Master Zhu at once!

　　 As for the ten-headed squirrel grape pot that the old man exchanged, it is more valuable.

Masters’ purple clay pot works, naturally, the more the number, the higher the value. Just like the set of the most valuable pots sold in the later generations of purple clay pot auctions, it is a set of ten-headed squirrel grape pots made by Master Gu Jingzhou himself. A high price of 92 million was sold.

　　 In later generations, I never heard of a ten-headed squirrel grape pot made by Master Zhu at auction. UU Read www.uukanshu.com But this does not mean that Master Zhu’s works are worthless. Just like this set of squirrel grape pots, with such exquisite workmanship, its value may not be as good as the works of Gu Jingzhou, but it definitely started in eight figures!

　　 This ten-headed squirrel grape pot is the "floral product" in the purple clay pot. The so-called flower products are teapots that use embossed, semi-relief and other techniques to design objects that exist in nature into a bionic image. This kind of teapot is called "flower products" in the industry.

　　 This kind of purple sand squirrel grape pot is the theme of grape branches and leaves, squirrels and tree stumps in nature, and it is integrated into the art of purple sand.

The pot body adopts the classic "tree stump" shape. The sturdy pot body gives people a sense of steadiness. On the side that resembles a tree stump, another section of slender branch is cut out and twisted into a spiral shape to form the shape of the spout and the **** of the pot. Also cut off a small branch, or slowly bend into the spout, or naturally lie on the button of the pot.

　　 And the grape leaves on the lid of the pot echo the grape leaves close to the body of the pot. The lovely squirrel looks around from a high place, and the natural taste of the whole pot is thus displayed, which is lifelike and vibrant.

　　 Under the superb craftsmanship of Master Zhu, this pot is quaint and generous, and it is very natural and interesting. It is definitely a rare masterpiece of Master Zhu!

　　 There are also tea mugs in this set of pots which are smaller than the teapot but larger than the teacup. The shape of the tea mug is similar to that of a teapot, except that the tea mug has two handles.

　　 This pot and that tea mug, coupled with four quaint and elegant tea cups and four saucers, together form this set of ten-headed squirrel grape pots.