Happy Tycoon

In fact, the original work of this painting is now in Yang Jing's storage space, which has already explained a lot of problems.

　　Since all those Li Er designated to be buried were secretly exchanged by his son, it is no surprise that as Li Zhi’s wife, this authentic painting fell in Wu Zetian's hands.

　　 Wu Meiniang is definitely a brave lord, she even dared to steal the world from the old Li family, so what is the mere authenticity?

　　 Wu Zetian is also very fond of calligraphy. If Li Zhi really secretly exchanged the original work of his father Li Er who was going to bury him, then what happened to Wu Zetian taking this painting as his own after Li Zhi died?

Perhaps it was seeing Li Zhi secretly swapping out the funerary for his Lao Tzu. Wu Zetian was also worried that his son would be greedy for his funerary objects after his death, so he placed the funerary objects in this mausoleum in advance, including this one. Authenticity.

It’s just that Wu Meiniang probably didn’t expect that her son didn’t know everything she had prepared, but her son was even more ruthless, so he buried her and Li Zhi in the Qianling Mausoleum. This mausoleum that Wu Zetian carefully built for herself is natural. It was useless. In the end, these funeral goods arranged by Wu Zetian in advance were all cheap for Yang Jing.

　　 Yang Jing, who had figured out all this, couldn't help but laugh and cry. He also didn't expect that after going around for more than a thousand years, Wu Zetian, the emperor of the ages, would have fate with him in the dark...

　　 But this is a good thing after all. First, the country’s jade seal, then the precious stone inscriptions, then the handwritten Buddhist scriptures by famous masters of incalculable value, and then this Wang Xizhi’s original work. If it weren't for Wu Zetian to do this back then, I wouldn't know which tomb thief had cheaper these things.

　　 Yang Jing hid this article happily, and then began to shift his energy to the next goal.

　　 It is not for Yang Jing not to divert his attention. It is true that the closer to the center of this tomb, the more brocade boxes made of golden nanmu. Undoubtedly, these brocade boxes are absolutely full of precious funerary objects.

　　 Sure enough, when Yang Jing opened one of the long brocade boxes, it turned out to be a scroll of paintings inside. Then Yang Jing decisively handled the same as before, and threw all the boxes and paintings directly into the space.

　　 After opening the scroll in the space, Yang Jing discovered that the scroll turned out to be a painting by the famous painter Yan Liben in the early Tang Dynasty.

　　 This painting seems to be a scene from the prosperous scene of a certain shop in Chang'an when it opened, but it is relatively rare.

　　 Yan Liben is good at drawing figures, no matter it is or, it truly reflects the characteristics of Yan Liben's painting. Even Yang Jing thought that Yan Liben usually only painted portraits of people. How could he have thought of seeing a painting similar to the same here?

　　 Of course, this painting is not that huge, almost half of the capital is painted in. The size of this painting is not small, but it was drawn after cutting a scene from a certain street and magnifying it.

　　 If Zhang Zeduan's painting is big and complete, then this painting is small but precise.

　　 is the same as the paintings of many painters in the Tang Dynasty. The painting is on the left and the characters are on the right. At the end of the scroll, there is a paragraph indicating how the painting came from.

After reading the words in the back, Yang Jing realized that the painting was called Yan Liben. When he was passing by the East Market after drinking with his friends, he happened to see a rice spreader open, which was very festive. Splashing ink, made such a painting.

　　 It's just that Yang Jing thought about it for a long time, but he didn't remember any record of this painting in relevant historical records. That means that after the completion of the painting, the painting was not circulated to the outside world, perhaps it was collected by the owner of the rice shop at the time, or it was directly collected in the palace.

　　 Yan Liben was a great painter than Wu Daozi in the early Tang Dynasty. It was more than ten years before Yan Liben died before Wu Daozi was born, so in the early Tang Dynasty, Yan Liben was the best painter.

　　 There is no historical record of this painting, but this does not mean that this painting is not precious. After all, this painting is also the work of Yan Liben, and the style is completely different from his usual painting style, so this painting is even more precious.

keep it!

　　 After discovering this painting by Yan Liben, Yang Jing discovered two portraits of Yan Liben’s brother Yan Lide in the funerary, as well as paintings by famous painters such as Zheng Fashi in the early Sui Dynasty, Lu Tanwei in the Southern Dynasty, and Zhan Ziqian in the Sui Dynasty.

　　 Either these paintings are not recorded in history, or there are records but the original works have been lost long ago and only copies are left. Now these paintings are all found here.

　　 Yang Jing originally wondered if he could find one or two paintings by Saint Wu Daozi here, but after searching for it for a long time, it was a little bit dumb to think about it.

　　 When Wu Zetian died, Wu Daozi was only in his twenties and he was not yet famous. Naturally, his paintings would not be put away by Wu Zetian as funeral objects...

　　 Wu Zetian deserves to be a generation of empress, the funeral goods she carefully prepared for herself will naturally not be bad. Of course, it may be that Wu Zetian respects Buddhism more, so these precious funerary objects are put together with other gold and silver jewelry, rather than placed in a separate tomb like those Buddhist scriptures and statues.

　　 In addition to these paintings ~www.readwn.com~ Yang Jing also found more than a dozen calligraphy works, all of which are the works of famous calligraphers in the Southern and Northern Dynasties, Sui and Tang Dynasties.

　　 Whether it is those paintings or these calligraphy works, they are invaluable national treasures in modern times, but now these national treasures are scattered on the floor of this tomb in such a mess. Obviously, Wu Zetian paid much less attention to these calligraphy and paintings than those Buddhist scriptures and Buddha statues.

　　 It's no wonder that even Wang Xizhi's works are placed here, and other calligraphy masters' works will naturally inevitably be accompanied here.

　　 Yang Jing took care of it for a long time, and then packed all the funerary objects that fell out of the six scattered wooden boxes into the storage space, and even the six scattered boxes were put in.

　　 This is golden nanmu, even if it is taken out to build furniture after going back, it is a precious existence.

　　 As these burial objects on the ground became less and less, more than a dozen relatively large things gradually emerged.

And when Yang Jing had collected all the funerary goods, and these more than a dozen large objects revealed their true appearance, it was because Yang Jing saw many of the treasures of the country today, and now they are almost numb, and they are still in front of him. These large burial objects were shocked.

Twelve golden golden figures over one meter high are placed in the center of the tomb. In the middle of the twelve golden figures, there are eight small and one large tripods with different styles... ...

　　 When Yang Jing looked at these things, he took a breath...

　　PS: I will go home with a plane ticket tomorrow morning, and I will be out for a trip. Lao Mo himself is almost exhausted and doesn’t say anything. He has not updated a lot. Please forgive me.....