Happy Tycoon

Being underground, Yang Jing couldn't figure out the east, the west, the north and the south, so he could only tell where he was.

　　 In the corner of this huge cave hall, there was an open stone door. Yang Jing held the lamp and walked in, and was immediately attracted by the contents.

　　 This stone room should be an unused stone room in Wu Zetian's mausoleum. As for Wu Zetian's intention to use this stone room to hold funeral objects or something else, it is unclear.

The area of ​​the 　　 stone room is not bad, with a length of five meters wide and wide, and the height is about two and a half meters.

　　 In this stone room, there are no less than twenty rugged stone monuments of various sizes.

　　 Yang Jing approached one of the steles about 1.2 meters high and about 50 cm wide, and when he took a closer look with the light, he felt that his scalp began to numb.

　　 It's not that something scary is engraved on this stone tablet, but Yang Jing has thought about it, but he really didn't expect to see this stone inscription in this underground stone room.

　　"Master Meng’s inscription observes the beginning of the sun of her husband, pointing to the ancestors of the sun, pointing to the greatness of the sky; the giant river diverges, and it is constantly moving towards the Bohai. So there is no one left."

　　 Yang Jing's scalp is not numb. It is the few lines carved on this stone tablet that are too famous. This is the beginning of Chu Suiliang's masterpiece, one of the four masters in the early Tang Dynasty!

　　 As one of the four great masters in the early Tang Dynasty, Yang Jing knew Chu Suiliang well. Yang Jing once saw this masterpiece from the information about ancient calligraphy masters given by the second master Xiao Lao.

　　 "Full name, Tang Dynasty official book stele inscription, written by Tang Cen text, Chu Suiliang book, inscribed in the 16th year of Zhenguan, missing the stele, only the Tang rubbings collected by Li Zonghan of the Qing Dynasty."

　　 is introduced in the material, which means that Li Shimin, who likes calligraphy, ordered Cen Wenwen to write an article, and then let Chu Suiliang write it, and finally carve it on the stone tablet. However, the stone stele has long been lost, and now only the Tang Dynasty rubbings of Li Zonghan of the Qing Dynasty are in existence.

　　 is just the Tang Dynasty rubbings preserved by Li Zonghan, it is already a treasure of the country, let alone the original inscriptions. If that thing can be found, it is definitely one of the most precious cultural relics.

　　 And what the **** is this inscription in front of you? Is this inscription really the original inscription?

　　 Yang Jing has never seen Li Zonghan's Tang Dynasty rubbings, but from this inscription, Yang Jing can clearly feel a burst of air rushing toward his face. There are densely packed handwritings on the front and back of the stele, but even people who don’t understand calligraphy find these handwritings very comfortable. This is definitely a stele made by a famous master.

　　 If this inscription is true, it is too important.

　　 Without a word, his left hand flicked over, and the holy ring immediately gave the answer Yang Jing wanted.

　　", Chu Suiliang, Cen Wenwen, Zhao Dashi, 642."

　　 is really authentic!

　　 Yang Jing couldn't help but smile. The answer given by the holy ring is impossible to be wrong. This is a masterpiece handed down by Cen Wenwen and Chu Suiliang. As for the Zhao Dashi, it is probably a stone carving. And the year of 642 is also exactly the year of this inscription.

　　 "National treasure class baby!" Yang Jing stretched out his hand happily again, and the stone tablet was immediately put into the storage space.

　　 The first inscription was such a good treasure, and Yang Jing couldn't help but look forward to the remaining twenty-odd tablets.

The second stele continued to make Yang Jing's heart beat wildly, because this stele turned out to be an inscription by Ouyang Xun, the head of the four great masters of the early Tang Dynasty, and there is no historical record in this stele. If it is taken out, it can definitely be triggered. Sensational.

　　 Ouyang Xun is Chu Suiliang's calligraphy teacher! That reputation is not ordinary.

　　 Although the third inscription is not big, it only has more than one hundred characters on it, but it is also very impressive. It turned out to be a genuine inscription by Liu Gongquan's copy of the book Saint Wang Xizhi.

　　 The appraisal result of the fourth inscription almost made Yang Jing's heart fail, because the handwriting on this inscription was actually by Zhong Yao, and it was still Zhong Yao's lower case!

　　 Who is Zhong Yao? It is estimated that there is no one who studies calligraphy in Huaxia who does not know the name of this great master.

Zhong Yao was a famous calligrapher and politician of Cao Wei during the Three Kingdoms period. He was good at seal, official, true, xing, and cursive scripts. He was quite accomplished in calligraphy and promoted the development of regular script. He was honored as the "originator of regular script" by later generations. .

　　The calligraphy enlightenment teacher of the calligraphy saint Wang Xizhi was the famous calligrapher Wei Shuo of the Jin Dynasty, also known as Mrs. Wei, and Wei Shuzheng’s teacher was Zhong Yao, so in terms of generation, Wang Xizhi was Zhong Yao’s disciple.

　　Zhong Yao has a very high status in the calligraphy world, and is called the "King of Bell" together with Wang Xizhi, and the ranking is even before the calligraphy sage Wang Xizhi.

　　 This stone tablet is a bit incomplete, missing a corner, but the content of the inscription is not missing. The inscription for this inscription has never been recorded in history, but the answer given by the holy ring is indeed Zhong Yao's work.

　　The value of these four inscriptions alone is incalculable, especially since this kind of inscription has words. Looking at the whole world, as long as it is a cultural relic with words, its value is much higher than that of the same age.

　　 And these inscriptions are definitely a great impetus for the study of the Tang Dynasty and the culture before the Tang Dynasty, so the value of these inscriptions is not much worse than that of the calligraphy and painting of the same period.

　　 In addition to these master inscriptions, there are other inscriptions from the Wei, Jin, Sui and Tang dynasties. For example, the famous calligrapher Xue Daoheng of the Sui Dynasty and the inscription of Wang Kuang of the Eastern Jin Dynasty. It is worth mentioning that this Wang Kuang is Wang Xizhi's own father.

In addition, there are the inscriptions of Wang Xizhi’s fifth son, Wang Huizhi, the inscriptions of Xie An, a famous scholar in the Eastern Jin Dynasty, the inscriptions of Huan Wen, an official in the Eastern Jin Dynasty, and the inscriptions of Li Yangbing, a famous seal writer in the period of Emperor Xuanzong in the Tang Dynasty. The remnant monument is a reprint of the Song Dynasty.

　　 There are more than 20 inscriptions, large and small, although they are absolutely national treasures, but after continuously appreciating so many inscriptions, even if these inscriptions are precious, Yang Jing has become a little insensitive.

　　 In the middle of these inscriptions, which is the last inscription that Yang Jing admired, unexpectedly once again gave Yang Jing, who was somewhat numb, a big surprise.

"Xi Zhidun is in the utter chaos, first the tomb and then leave the poison, chasing the cruel, the admiration is destroyed, the heartache is painful, the pain is what you can do! Although it is repaired, it has not been run, the mourning is deepened, how can it be! Feeling choked, I don't know what to say! Xi Zhidun first paused."

　　 This very beautiful and cursive inscription turned out to be Wang Xizhi's!

　　 And the answer given by the holy ring also confirmed Yang Jing's guess.

　　 "Inscription on the stele, Wang Xizhi, Hu Meng, 356 years."

　　 Naturally, there is no need to say more about the inscription. The author is Wang Xizhi, not to mention it. As for Hu Meng, it is estimated that he is a stone engraver. In 356 AD, it happened to be the 12th year of Yonghe in the Eastern Jin Dynasty.

　　 When Wang Xizhi wrote, it was because Wang Xizhi’s ancestral tomb was destroyed and destroyed, but he could not go to repair the ancestral tomb, so he wrote a letter to express his helplessness and grief. Not only in the Han Dynasty, but even in the Eastern Jin Dynasty where the ‘Ritual and Profound Double Cultivation’ was so painful and intolerable.

　　According to this situation, historians judge that Wang Xizhi's creation should be in August of the 12th year of Yonghe in the Eastern Jin Dynasty, which is 356 AD.

　　 The earliest surviving age in the world is a copy from the Tang Dynasty, but it is kept in the hands of Xiao Japan. It should have been brought back to Japan from the Tang Dynasty when the Tang Dynasty dispatched Tang's envoys.

　　 Even if it is a copy of the Tang Dynasty, it is now a rare treasure.

　　 And the inscription that I have discovered now is obviously a hundred times higher than Tang Fuben. As long as this inscription is available, Huaxia will no longer have to worry about the copy of Tang.

　　 What's so great about your little Japanese books? What you have in your collection is only Tang copy~www.readwn.com~Look at what we are here? This is the authentic inscription of Wang Xizhi's handwritten script!

　　 These inscriptions, especially the last one, are really a surprise.

　　 Yang Jing estimated that these inscriptions were given to Yuechengzi by Li Congke, or some of them were collected by Yuechengzi. After all, judging from the two stone tablets before, this Yuechengzi still liked the inscriptions very much, and he even confessed his funeral affairs through the inscriptions.

　　 The Taoist who likes inscriptions so much, with the trust of Li Congke, the late emperor of the late Tang Dynasty, will inevitably collect some inscriptions on a large scale.

　　 There are almost no inscriptions from the Wei, Jin, Sui and Tang dynasties in history that can be preserved intact, and even tombstones are extremely rare. But because Yuechengzi left these precious inscriptions in this mausoleum, they have been preserved intact for more than a thousand years!

　　 is the so-called "There is providence in the dark", "Every grass and tree has its own day, and one drink and one peck at the front of freedom." If Yue Chengzi likes inscriptions so much, or if he keeps all these collected inscriptions around for funerals, it is estimated that these inscriptions have already disappeared in the long river of history, and the inheritance of the Chinese ancestors will be missing a very exciting part.

Suddenly, Yang Jing felt that this Yuechengzi was really the nobleman he had hit. Not only did he get the legendary jade seal of the country, he also gained so many precious inscriptions. Could it be that when Yuechengzi was alive, he owed him a lot of his previous life? money? So after a thousand years, did you use this method to repay yourself?

　　 Can't tolerate Yang Jing not to think so. It is really too much to gain this evening, so big that Yang Jing himself is a little suspicious.

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