Happy Tycoon

Liu Minghan, who has been carrying the camera for video recording, said, "This seems to be a piece of silk."

　　 Poor dignified boss of a large real estate development company, here today can only do the work of a cameraman.

　　 As soon as he said that he wanted to take the scroll, Mr. Liu asked his son to take out the camera. It is best to take full-time video for this kind of thing so that the files can be kept. In the unlikely event that some rare treasure is found in the scroll, the video data taken can also prove the source of this rare treasure.

　　Lao Liu turned his head and glared at his son, and said angrily: "You don't need to talk, just take a good video. If there is any lens missing, the family will take care of you!"

　　 Liu Minghan shrank his neck and didn't dare to say a word.

　　 At this time, no one cares about Liu Minghan's embarrassment for several old men. All their attention is on this scroll.

　　 is a word? Still painting?

　　 No one knows at this time.

　　 But what is certain is that Zhao Lingrong can make such low-level paintings without hesitation to hide this scroll, which is enough to prove that this scroll is definitely not an ordinary thing.

　　 "I opened it?" Even Old Guo's voice was a little nervous.

　　 Several old men nodded, and then Old Guo cautiously began to open the scroll.

　　 As a result, just as a small part of the scroll was exposed, the old men took a breath and turned into sculptures. Even Guo Lao couldn't help standing up straight, staring blankly at the exposed small part motionless.

　　 As for Liu Minghan, who has been taking pictures on the side, he also seemed silly.

　　 No wonder these old men behaved like this, it was because the five words on the small piece of silk that had just been exposed were too horrible.

　　 "Shanghe on the Qingming Festival", five thin gold inscriptions, there is a double dragon seal under the inscription...

　　 After a long time, Xiao Laocai rushed up like crazy. If Yang Jing hadn't caught the old man with quick eyes, maybe the old man would have to knock his head on the table.

　　 Several other old men also started to go crazy, one by one, shaking their heads or rubbing their eyes, Huang Lao wandered around the house like a headless fly...

　　 The person in the house is Yang Jing calm, after all, he already knew what this silk was.

Yang Jing held Xiao Lao, who was still somewhat mad, and patted the big brother Liu Minghan with the other. After waking up the big brother from a daze, he said loudly: "Four masters, can we calm down a little bit? Not sure if it is true!"

　　 Yang Jing said this in a loud voice, and the whole hall was buzzing.

The old men slowly calmed down, with embarrassed expressions on their faces. Only Mr. Xiao turned his head and stared at Yang Jing and said, "You kid, don't you hurry up and let me go? How do you calm Lao Tzu?"

　　 Well, this old man looks really anxious. It's no wonder that a master who has been immersed in calligraphy and painting for a lifetime now suddenly sees the thin gold "Ching Ming Shanghe Tu" postscript and the Ssangyong Xiaoyin below. Of course he can't calm down.

　　Lao Liu and Cai Yi walked over, and they hugged Mr. Xiao, which made Mr. Xiao gradually calm down.

After the emotions of the old men calmed down, Mr. Guo licked his lips and asked, "Old folks, are you saying that this epilogue and this Ssangyong Xiaoyin are true? Oh my god, if it's true. , We can all be known for a thousand years!"

Xiao Lao pulled Guo Lao Pa aside in an annoyed manner, put on white gloves and reading glasses, picked up the magnifying glass, and said, "If the name Chui Qianshi isn't you, it's Xiao Jing, okay? No matter where it comes from. In other words, this painting was bought by Xiao Jing."

As he said, Xiao Lao held up the magnifying glass and all the other old men surrounded him. Liu Minghan had to remind him: "Uncles, please leave me a gap. I have to take a picture. what."

The old men ignored Liu Minghan’s words at all, but Yang Jing reluctantly pulled a chair from the side and took the camera in Liu Minghan’s hand. He took the camera and stood on the chair, taking a condescending shot of Xiao Lao’s appraisal. The five-character inscription and the process of Shuanglong Xiaoyin.

　　 The room was quiet, and no one dared to disturb Old Xiao aloud at this time.

　　 After all, there is a scroll of paintings that are most likely to be authentic. At this time, even big names like Mr. Liu and others are like a child nervously waiting for results.

Although I haven’t seen the full picture of this painting yet, this painting is after all taken out of the scrolls drawn by Zhao Lingrong, and when Mr. Guo was taking the scrolls, he had already said with certainty that since After mounting, it has never been mounted twice or three times, and it is completely original. In other words, this time alone is enough to prove that this scroll was hidden in the scroll during the Northern Song Dynasty.

　　 Coupled with the five-character postscript of the thin gold "Shanghe on the Qingming Festival" and the seal of the Ssangyong Xiaoyin below, this is enough to prove that the silk scroll that has just been discovered is more than 90% authentic.

　　 Although the torn scroll in the Palace Museum is now recognized as the authentic work of Zhang Zeduan, in fact, every one of these old experts understands that even if it is the incomplete scroll, no one can 100% prove that it is the authentic work of Zhang Zeduan.

　　 After all, in the nine hundred years of history from the Northern Song Dynasty to modern times, there are as many as thirty or forty different versions. Although some versions have been confirmed by who imitated, more versions have not yet been determined by who imitated. If this is the case, who can be 100% sure that the dilapidated volume in the Palace Museum is the authentic work of Zhang Zeduan?

The fragment of the volume collected in the Palace Museum is also incomplete. According to many historical books, it is inferred that there should be a section depicting the landscape of the remote suburbs in front of the original, and it has the signature of Song Huizong's thin gold lettering and the mark of the double dragon for his collection. , And these are missing from the fragments of the volume in the Palace Museum's collection.

　　 And many experts infer from various historical books and materials that there should be a part behind the original, because the painting should not stop abruptly as soon as it enters the city of Kaifeng, but should end at Jinming Lake. Many experts believe that since this painting is named, its meaning is to go to the riverside on Ching Ming Festival, and the fragments in the collection of the Palace Museum, beside the willow tree at the end of the picture, are the masters and servants traveling together. It can be regarded as a reverie. The protagonist, then the meaning of the name can be fully interpreted.

But in any case, the dilapidated volume in the Palace Museum is very incomplete, and there is also a saying in historical materials that "five feet after the loss", and the most important five-character inscriptions of Zhao Ji and Shuanglong Xiaoyin of Song Huizong are missing, which is even more so. It is impossible to prove that the remnant of the volume is the authentic work of Zhang Zeduan.

　　 It’s just that although many people know it well, no one dares to raise it...

Suddenly there appeared such a silk copy of the eye circle, and it was taken from the scroll of the painting by the famous painter Zhao Lingrong in the Northern Song Dynasty. Although it was only opened for a small part, the five-character inscription at the beginning and the small seal of Shuanglong were nothing at all. It is no longer proving the true identity of this scroll.

　　 "Dangdangdang..." Suddenly the grandfather clock rang in the silent hall, and the time had come to ten o'clock in the evening without knowing it.

　　 With these ten sudden bells, the atmosphere that was about to drip from the solemn atmosphere suddenly relaxes.

Elder Xiao raised his head, wiped the sweat from his forehead with his sleeve, and said with a wry smile: "Too nervous, I am afraid I have never been so nervous in my life. He brewed it, and when he grows old and grows old, he has a bit of claws. NS."

　　 The old men all laughed, and the tension in the room faded.

　　 Big Brother Liu Minghan asked: "Uncle Xiao, how did you appraise it? Are this epilogue and seal true?"

Mr. Xiao gave Liu Minghan angrily, and then said with a wry smile: "I'm not sure. Although I dare to say that this five-character inscription and the Ssangyong Xiaoyin are the authentic works of Song Huizong Zhao Ji, I can only say that I am 100% sure. It's not enough for one person, this is too much involved...Old Huang, why don't you come and have a look?"

　　 Huang Lao did not refuse, put on his gloves and reading glasses, took the magnifying glass in Xiao Lao's hand, and leaned forward.

　　 After a long period of time, Huang Lao also stood up with sweat and said: "My opinion is the same as Lao Xiao. This five-character inscription and the Ssangyong seal should be authentic."

After a pause, Huang Lao continued: "What Lao Xiao said just now is correct. If we change to another painting, it will be enough to have Lao Xiao's appraisal, but this painting, even if we two are stacked, we dare not make a decision. Ah! It's better to organize other colleagues in the yard to take a look. If you can invite Mr. Mu to come and hold your hands, it will be more secure."

　　 Huang Lao said that Mr. Mu is an older generation master who specializes in ancient calligraphy and painting in the Palace Museum. Although she is a woman, UU看书www. uukanshu.com, however, is the top master in ancient calligraphy and painting.

　　 At the apprenticeship ceremony this morning, Mr. Mu also came, but her old man went back without even attending the luncheon.

　　 Hearing Huang Lao say this, several old men nodded. In the face of such a major event, it is very necessary to organize a considerable number of experts to appraise. What this involves after all is that it cannot be overstated.

　　 Yang Jing said: "Four masters, Huang Lao, shall we not talk about the appraisal first? Let's take a look at the whole picture of this painting."

　　 Yang Jing's words were immediately agreed by everyone, and Guo Lao continued to carefully open the silk.

　　Not to mention, maybe because this silk has been hidden in the scroll, it is very well preserved. Except that the color of the silk has faded due to time, the painting is very good in other aspects.

　　 The beginning of this painting is indeed a scene of a remote suburban landscape, which is similar to what many experts have inferred. After opening it down, it is the content of the picture that everyone is familiar with. However, at the end of the scroll, there is about 1.5 meters more length. The picture above is the scene of that line of traveling masters and servants finally coming to the river.

　　 After all the scrolls were opened, the length of the scroll reached seven and a half meters, which is more than two meters longer than the dilapidated volume in the Palace Museum. It also proved the saying of "five feet after the lost" in historical materials. The most important thing is that the scroll in front of you is extremely complete, and the overall style layout and painting techniques are obviously better than the scrap in the Palace Museum.

　　 In fact, at this time, the five elders present had already determined in their hearts that this scroll was authentic...