The 3048 volumes of the pre-Qin bamboo slips were taken to the Forbidden City of Yanjing, the National Palace Museum of Taiwan and the North, and the first-level museums of the National Museum of China. They are all treasures of the town hall and top-level Chinese cultural treasures.

The fourth exhibition hall, Chinese porcelain culture.

From the earliest primitive porcelain to real porcelain in the Eastern Han Dynasty, Southern Qingbeibai, Tang Sancai in the Tang Dynasty, five famous kiln blues and white porcelains in the Song Dynasty, Jianyao and black porcelain in Jizhou kiln.

The red glaze in the Yuan Dynasty, the famous Yuan, blue and white flowers, the Dou Cai in the Ming Dynasty, blue and white, underglaze, overglaze, and the most famous Qing Dynasty in the Qing Dynasty, pastel porcelain, enamel porcelain, all the way to the Republic of China porcelain, Wool porcelain in modern times, and the famous export porcelain in the history of Chinese porcelain.

In the fourth exhibition hall, the exhibition hall with the theme of Chinese porcelain culture is everything. The collection is very comprehensive, the quantity is very large, the category is very complete, and the quality is very large.

It can be said that the history of the formation and development of Chinese porcelain is concentrated in the fourth exhibition hall.

Visitors can appreciate each piece of porcelain in the fourth exhibition hall and the text descriptions under the porcelain, and the explanations given by the museum explainers can clearly understand the Chinese porcelain culture and the formation period of Chinese porcelain, the development of porcelain in various periods Happening.

In the fourth hall, there are the most crowded people. The most intensive places are the halls where 14 pieces of the Five Famous Song kiln and the Yuan and Blue and White porcelains, the Qing dynasty official kiln porcelain, and a set of modern Mao porcelain tea set are displayed.

These porcelains are so famous.

The five famous kiln of the Song Dynasty, Yuan, Blue and White, and the official kiln porcelain of the third generation of Qing Dynasty will not be mentioned. In the auction house, the international art exchange market has hit 10 million, even hundreds of millions of RMB.

Even if '7051' Mao Porcelain has the special meaning of 'Chairman's Porcelain', it uses its 'Mao Porcelain's Four Musts' as white as jade. Ming is like a mirror, thin as paper, sound like Xin, and its deep connotation, it has become the most famous porcelain in the field of Chinese porcelain collection. A 7501 porcelain tone is 100,000 yuan. A small porcelain bowl of 1.7 million yuan, a pot of ten cups of a set of 2 million yuan!

This is the transaction price 10 years ago.

The '7501' Mao porcelain tea set in the fourth exhibition hall includes a waist drum teapot, four waist drum cups / dishes, four tea pots, two victory cups, and four horseshoe tea cups. Ten million US dollars, equivalent to nearly 26 million yuan purchased from a collector in New York.

After visiting the fourth exhibition hall. Zhu Guoqiang and Tang Lei entered the fifth hall with the flow of people.

The fifth exhibition hall focuses on what Chinese culture is.

Many people guessed it.

That's Chinese calligraphy, calligraphy and painting culture.

The origin of Chinese characters is very early, and the writing of characters has been incorporated into the creator's ideas, thinking, and spirits, and it can stimulate the aesthetic emotions of aesthetic objects and develop into an aesthetic stage. This is the art of calligraphy.

Our Chinese ancestors gradually improved the writing of Chinese characters into an art. This has to be said, it is a miracle in the history of the development of various characters in the world.

Similarly, to develop the description of pictures to an aesthetic stage, this is the art of calligraphy and painting.

Calligraphy, calligraphy and painting culture accounted for a large proportion in the composition of Chinese culture.

Like porcelain culture, it is a brilliant double wall of Chinese culture.

Now that the fourth exhibition hall is Chinese porcelain culture, the fifth exhibition hall is very easy to guess, it must be Chinese calligraphy, calligraphy and painting culture.

Entered the fifth exhibition hall.

The fifth hall is a gallery. Calligraphy, calligraphy and paintings hung on the walls of the promenade.

The number is very large.

The hundreds of meters of promenade are lined with calligraphy and painting on both sides.

Famous school and painter with extensive influence in Chinese history, such as the Zhe School and Wu Men School in the Ming Dynasty. Song, Jiang, Wulin, Jiaxing, Qingteng Baiyang, Southern Chenbei Cui, Jinling School of Qing Dynasty, Xin'an School of Painting, Four King Wusong, Four Monks, Yangzhou Eight Monsters, Shanghai School, and Qing Dynasty Palace Works by local and local painters can be found on the walls on both sides of the promenade.

Some tourists roughly counted it, and the number reached a staggering 2,700.

Among them are the Ming and Qing Dynasties Zheng Ming, Tang Yin. Shen Zhou, Zheng Banqiao. Wu Changshuo, and modern Qi Baishi. Fine paintings by Zhang Daqian and other famous painters and masters.

These paintings were obtained partly through purchases and auctions, and partly through exchange of cultural relics with the Louvre, the British Royal Family, and the Victoria and Albert Museum.

Some disappoint tourists.

You cannot admire these cultural treasures of Chinese civilization. To prevent some visitors from touching them with your hands or deliberately destroying these calligraphy treasures, the museum uses a thin piece of tempered glass to separate visitors from calligraphy and painting.

Some calligraphy, calligraphy and calligraphy are replicas.

Although ordinary tourists may not see it, among these tourists, there are some painters, calligraphy and painting appraisal experts who can see it at a glance.

These reproductions are valuable calligraphy and painting.

You should know that the paper will be very damaged in the environment exposed to air, light and noise for a long time.

Therefore, some extremely valuable calligraphy and calligraphy paintings are kept in the basement with constant temperature, constant humidity, fire prevention and anti-theft, and are automatically controlled by modern technology.

Zhu Guoqiang and Tang Lei left the fifth hall along the corridor along with the flow of people.

The meaning is still endless.

After walking the 600-meter-long promenade, he felt as if he had received a baptism of the mind of Chinese classical culture, and felt that his entire human spirit had been sublimated.

Makes people happy.

No wonder the ancients always talk about spiritual food.

Incorporating ancient calligraphers, a painter's ideas, thoughts, and spirit are a piece of calligraphy, or a calligraphy painting is the spiritual food.

Eating makes the spirit happy.

The sixth exhibition hall.

Exhibition of Chinese Ancient Books and Texts.

The Town Hall Museum here is full of 1200 volumes of Dunhuang picture books and scriptures, and 4 copies of the "Jingle Classics" copy of Jiajing.

In addition to Dunhuang scrolls and scriptures and Jiajing's copy of "Yongle Dadian" ~ www.readwn.com ~, there are also a large number of ancient books.

Most are books, manuscripts, engraved copies, printed copies, and inscriptions from Ming and Qing dynasties to the Republic of China.

There are also some ancient books originally written in the Song and Yuan dynasties. For example, there are only 9 engraved editions of "Historical Records" in the world. There are 3 in China.

There are also Chinese rare and rare books, which can only be seen here.

There are more than 14,000 volumes of ancient books hidden in the sixth exhibition hall.

Most of these books were bought by a Chinese heritage buyer from a fallen aristocrat in Britain.

The deceased nobleman of Britain is said to be a British official.

In the 19th century, in Tian and Jin, China, he purchased more than 10,000 volumes of the Xiang family from one Tian and Jin Chinese.

In the end, most of these books were bought by Chen Rui for 12.4 million pounds. They were collected in the sixth exhibition hall, the Chinese ancient books and text exhibition hall. (To be continued)

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