Exploiting Hollywood 1980

  Chapter 926 Melanie Griffey's thoughts are out of place

"Be careful, don't damage the director's painting. Use the special tape made by the director's company, the kind pasted on the wallpaper, so that when you dismantle and restore it, the four paintings and the wallpaper will not be damaged. If you damage the painting , I can’t afford to deduct all your wages.”

  The filming returned to the two-story mansion, and the set crew was carefully putting the paintings of Andy Warhol bought by Ronald on the walls. The leader of the scenery team knew that Ronald spent a lot of money to buy it, and began to scold those stevedores who didn't know what to do.

"I said, this is not a painting, it's a print. Don't bully us. I don't know. I used to work in a printing factory. How much does this thing cost? I think it's up to fifty dollars a piece, and it's not painted by a painter. "An Italian set worker didn't believe it, and touched it with his hand.

   "Don't move, you dirty hands, your price is multiplied by a thousand times. You can't afford to deduct all your salary."

"Fifty thousand dollars? Has the director been scammed? I can print dozens of copies of this thing in one afternoon." The set worker flicked his hand away, "These rich people are so stupid, they were tricked into buying this kind of **** as treasures .”

  …

   "Action!"

After Ronald's yelling began, Harrison Ford picked up Ronald's private collection of top cigars, took a puff, puffed out expensive smoke, pointed to the green screen of the computer on the left and said, "Vols Fortress' operating yield should be 8%, not 6%"

He is sitting on a modern-designed desk. The desk lamp has been improved by a lighting engineer and turned into a light source. There is a misty effect in the smoke, making the opposite Melanie Griffey look at him in a white vest. Si's eyes became more blurred.

   "FCC, Metro Radio's Memphis Communication Approval Suspension...Your information is outdated, FCC approved this new application last Friday, Metro Radio's valuation increased by 30%"

Ronald stares at the performance of the two actors from behind the camera, Harrison Ford plays himself as always, with a deep and masculine voice that is mesmerizing, and Melanie Griffiths looks at each other with an expression on her face. See that the heart is rippling.

Harrison Ford also saw the strangeness of each other. A man and a woman were working overtime, and they looked at each other occasionally, and they understood each other's intentions. Feeling, but extremely sweet.

   Such a scene is deliberately set up, mainly to arouse the adult audience's yearning for beautiful love, and pave the way for the subsequent **** scenes.

   "Let's get back to work." Harrison Ford took the initiative to stand up and pour water. If this continues, Jack and Tess will not be able to bear the fire.

  Melanie Griffiths touched her lips with her tongue after the other party got up. This small gesture fits the heart of a secretary who wants to change herself. If she hadn't been pretending to be a manager, it would have been impossible for her to work with someone of Jack Trainor's level, no matter how good her idea was.

   "Cut!" Ronald was very satisfied with Melanie Griffith's small movements that fit the identity of the character, "When you shoot close-ups next, you have to do this movement again."

   "Giggle, okay." Melanie Griffiths has recovered from the previous filming accident very well, and now her performances every day have returned to the level before the accident.

   "Action!"

   Soon, the camera changed to a close-up shot, aimed at the two actors, and shot their scene twice again.

  The assistant hands another cigar of similar length for Harrison Ford to smoke again. Then there's Melanie Griffiths, licking her lips for the camera, lifting her chin slightly, and monologues to the camera, "I think we're ready."

   This sentence is not only a comment on the work, but also a pun on the relationship between the two men and women.

   "Cut!"

   "Ronald, your cigar is really good. I rarely smoke a good one on set, and the props don't prepare good cigars or cigarettes." Harrison Ford was full of praise for Ronald's cigars.

"Take it if you like it. Fox CEO Goldberg gave it to me." Ronald used real and expensive brands for the cigarettes, cigars, and red wine and champagne in the film for the accuracy of details. People on Wall Street can't fault it.

   "Ahem, stop smoking here, the director's famous painting will be smoked." Melanie Griffiths slapped Harrison Ford's arm affectionately, preparing for the next **** scene.

   "Famous paintings?" Harrison Ford looked at the four paintings on the side of the stairs. His expression was very strange, as if he was asking why Ronald bought this kind of print.

"Bought this at a charity auction, it's just right for the set..." Ronald didn't want to look at the painting that made him bleed and bought it from David Geffen, so he quickly changed his words, "Get ready, wait a minute Let's go to the bedroom and do a **** scene."

   "Do you want us to have a glass of champagne?" Harrison Ford looked at Melanie and asked.

"I don't need that," Melanie Griffiths smiled provocatively, as if to say, I can make a **** scene with America's biggest male star without brewing emotions, and then asked: " Do you want it?"

   "Oh, then I don't have to."

  In the next room, the director of photography had asked the lighting team to set up the light in advance. After a while, the two actors in pajamas entered the bedroom.

  In addition to lighting, recording, and Ronald, as well as the director of photography Ballhouse who personally took the shot, and the managers of the two actors, the scene was still cleaned up.

   Seeing that there were no extra people at the scene, Ronald raised his hand and said to the two actors: "Please..."

  Harrison Ford took off his pajamas first. Wearing only a pair of underwear, he took protective measures and surrounded his lower body with a blanket.

  Melanie Griffiths was even more uninhibited. She took off her pajamas and went to the big bed in the open space. She lifted the quilt without hesitation, then got in, and then half-draped the quilt on her body.

   "You're in great shape today," Melanie's manager, Phyllis Carlyle, gave her both thumbs up.

  "Miss Griffiths", Harrison Ford's manager, chosen by his wife herself, came over and beckoned Melanie to pull up the quilt a little.

   Melanie Griffiths' well-designed trick was seen through, and she looked at Ronald behind the camera. This is an R-rated movie. If there is a much-talked-about performance in the **** scene with Harrison Ford, then he will become a long-term topic. Phyllis Carlyle has already calculated with her.

"Please..." Ronald also made a gesture of pulling upwards, then shook his finger at Phyllis Carlisle, "No tricks...", and finally waved her to come over, whispering a few words in her ear sentence.

   "No, no, I promise there won't be any tricks... She didn't pay attention just now," Phyllis immediately agreed, and went up to help Melanie tuck the quilt herself, to the extent that she could only show her fragrant shoulders and upper back.

   "Harrison's wife specifically explained..." Phyllis Carlyle explained to her client Melanie. Harrison Ford's wife was watching closely, and it wasn't just a matter of jealousy, it also involved a big star like Harrison Ford, who couldn't do any indecent scenes.

If there is a dew point scene, even if it is the opposite actress Melanie Griffith Dew, it will be hyped by the media, so he will never allow it to appear, and such a scene will not even be released. square inspection.

   "Action!"

The door was opened, and Harrison Ford walked in with a blanket wrapped around his waist and a takeaway in his hand. He put the takeaway away, and then kissed Melanie affectionately on the bed .

  Two hands propped up on both sides of Melanie's head in a very gentlemanly manner, like a standard push-up position. The kiss between the two was also very restrained, just a taste of it. But both eyes are full of emotion at the same time, and the control of professional actors can be reassuring.

  The two kissed for several seconds before parting, with Melanie Griffiths placing a finger on Harrison Ford's chin.

   "How did you get a scar here?" Melanie Griffiths improvised.

   Ronald clearly saw a surprised expression flash in Harrison Ford's eyes.

   "In Detroit, a guy took out a knife and gave me a bit..." The scar was not made by a makeup artist, but Harrison Ford himself, on his chin. Presumably, in real life, many women have asked him this way.

   "Really?" Melanie Griffith played this kind of gullible woman without much social experience, which is really very realistic. The surprised expression on her face was obviously a natural reaction after hearing Harrison Ford's nonsense.

  Ronald hurriedly gestured to tell the on-site staff not to stop. This kind of real performance is a rare opportunity.

   "Ha, it's not..." Harrison Ford's expression suddenly changed. Women like to listen to all kinds of stories. It seems that Melanie under this tough character doesn't believe it, so change to a rebellious one.

  “I used to have a girlfriend who wanted to pierce my ears and eyes, but it hurt so much that I passed out and fell on the bathtub and broke my jaw.”

   "Well, haha..." The character of Tess just doesn't have the chance to get along with rich and socially statusd men, so she is a bit naive, but she is not stupid, and immediately realizes that this is another story.

  The two laughed for a while, and Melanie Griffiths licked her lips again and cleared her throat, "Well... I have something to tell you."

Facing the camera, Melanie Griffiths swallowed her saliva, coupled with her nervous licking of her lips, and portrayed a very nervous woman who wanted to tell her lover the secret that she was a secretary. lifelike.

   "Beep beep..." At this moment, the phone next to him rang.

  The two looked at each other, Jack saw that Tess didn't speak immediately, so he got up to get the phone.

   "Hello...hi...I know...can't wait, I'll pick you up when you come back..."

It was a woman's voice on the phone. Melanie Griffiths raised her chin at the camera. According to the plot, Tess recognized that it was a woman calling, and her bitter emotions climbed up. Tess' face.

   "I'll take a look too, bye..." Harrison Ford put down the phone, looked at Melanie Griffith's disappointed face, and wanted to kiss again.

  Melanie Griffiths raised her head, and before she could kiss him on the floor, she got emotional again, turned around and buried her head in the pillow.

   "Cut!"

   "Oh, Shxt!" Ronald cursed secretly, and he didn't know whether Melanie Griffiths did it on purpose, or Harrison Ford's push-ups were very strenuous and messed up the bed. In the end, when Melan Griffiths turned over, she showed her side briefly.

   "Oh, I'm sorry, I didn't get it right..." Melanie Griffiths immediately apologized to the director and Harrison Ford, and the tension was heard in her tone. Originally, her improvisation brought out Harrison Ford's excellent rivalry, but the last one turned around intentionally or unintentionally.

  Harrison Ford curled his lips. He actually wanted to keep this. This is a rare episode of his acting skills in this movie. This plot is very similar to his own character, a handsome guy with a good relationship with women, a cowboy character, and a bragging love, just like Han Solo in Star Wars.

"Harrelson, this was an honest mistake... Melanie and your chemistry, it's going to blow your mind off screen. I'm keeping this one, if you don't mind, I'm keeping that long shot, it's hard Yes, the scene favored by the movie **** may only appear once or twice in a movie."

"Well, actually, I don't mind that much. I also think the acting is good. If you want, I will agree to keep it." Harrison Ford doesn't mind this kind of scene that is less than half a second, as long as the plot is reasonable, no Deliberately showing off, such a lens will not meet the R rating, and besides, it is not self-exposed.

"let's continue…"

   Ronald waved for the two to continue posing.

"Well, there was a woman, and I actually broke up with her. Well, I haven't technically broken up. I was going to break up with her, but when she went skiing, she broke her leg. I think In this case, you can’t add insult to injury.”

  Melanie Griffiths half-raised her head. The more she listened, the more she heard it wrong. Why is this plot so familiar?

   "Actually, she and you work in the same company, in the same department. When we first talked on the phone, you mentioned her name."

   "Oh, Catherine..."

   "Yeah, Parker"

  Tess, played by Melanie Griffiths, turned her head and buried her head in the pillow. She didn't expect that her partner was actually the ex-boyfriend of her boss, Catherine. Well, technically speaking, she wasn't an ex-boyfriend.

   "What did you want to say just now?" Jack played by Harrison Ford remembered what Tess had to say before answering the phone.

   "Hey..." Tess buried her head in the pillow and sighed, "Oh...it's nothing, it's not important."

   "Cut!"

   Ronald gave the two actors a thumbs up. The two got up and put on their pajamas, also smiling happily.

  Actors actually didn’t have a very accurate feeling about whether their filming was good or not. Ronald’s reaction like this undoubtedly told them that their acting was very good.

   This bed scene is a classic, "I have a secret to tell you, but forget it" plot, which paves the way for Catherine to come back and reveal the secret of Tess's identity.

  But this kind of old-fashioned plot, the actors can act naturally, and the audience doesn't really care much. It doesn't matter if the plot is old, the key is that the performance must be new.

  …

  At noon, I ate a well-known Greek restaurant with them, and went back to that room to shoot in the afternoon.

  After the bed scene was filmed, Harrison Ford left first. Next is Tess alone. She also heard that Catherine was coming back.

   In a hurry, she took Catherine's custom-made dress that she "borrowed" to dry cleaning.

   "A total of 120 dollars," a Chinese extras, playing the proprietress of the dry cleaner, said to Tess.

   "Here", before questioning the expensive price, Tess opened her wallet, counted a few banknotes and handed them over, then hurried away with the clothes packed in plastic bags.

   Then replenish the food in the refrigerator that I ate, and restore the contents of the large refrigerator as much as possible.

  The last thing is to do sanitation, vacuuming up the dust in the room.

  Wearing a white shirt, a black short skirt, and a little messy hair, Melanie Griffiths turned on the vacuum cleaner imported from Japan and cleaned the room wearing slippers.

   "Cut!"

  Ronald thinks this kind of messy beauty is also very sexy. When he got a suitable shot, he stopped and ended today's shooting.

   "Director, I don't think this scene is very real..."

  Melanie Griffiths came over, folded her hands nervously, swallowed her saliva, and came over to share her ideas with Ronald.

   "How to say?" Ronald raised his eyebrows, he was also a little confused, whether the woman's **** scene just now was really unintentional, or was it staged, trying to get out of it.

   "I don't know what you think, but when a single woman vacuums at home, she doesn't dress neatly like a maid. Usually, I vacuum at home with my underwear on."

  Melanie Griffith gestured and expressed her thoughts.

   "Really?" Ronald rubbed his chin. The reason was indeed plausible. He asked a few young women in the film crew to ask, and it turned out that when they were at home, they were not in the same state of mind as someone was at home. When you're single, you don't care about being seen at home. Wearing work clothes to wash the dust is really meaningless.

   "Okay, take one according to your idea." Ronald was persuaded by Melanie, and took another shot of cleaning the dust.

After a while, Melanie Griffiths came out wearing a pair of high-V underwear and a pair of white high heels. She had already prepared for it. Just now, the **** scene did not allow herself to show her sexiness. The scene of vacuuming is also reasonable. The reason is always okay.

   "Hmm..." Ronald also swallowed, this outfit is really...too coquettish, and the key is the pair of high heels, which is much sexier than nothing.

   "It seems that she has been prepared for a long time, but this scene can't be too many, otherwise it will be tacky." Ronald rubbed his chin and thought, R-rated movies can give some reasonable desserts, but they can't make people look obscene.

   "I have an idea. Our camera is placed outside the door, so as not to invade Tess's psychological space, so we can watch some scenes of Tess vacuuming outside."

Ronald quickly thought of a countermeasure. If this kind of housework in underwear is as common as Melanie Griffiths said, it must be private, and only when a single woman is at home alone. will do.

  So the camera should not invade the psychological space of the single Tess, so that the audience will not feel violated. Otherwise, female audiences will definitely feel uncomfortable.

   "Cut!"

   Outside the door, took a few shots. Melanie Griffiths had no choice but to desperately make several **** poses with the vacuum cleaner, but depending on the situation, the final clip would not last longer than a second.

   "The director is too crafty... just don't give me screen time." Melanie Griffiths complained to her manager, Phyllis Carlyle.

   "On this point, I actually agree with Director Ronald's idea. He knows very well what the audience wants to see. Compared with taking a long shot of your **** scene, such a glimpse will make male audiences love you more."

   Phyllis Carlyle is well-informed, and she really attracted male audiences to the cinema, and then spread it as a topic for a long time. It is officially this kind of short shot, which will be missed if you don’t remind me to watch it.

   "I hope you are right, Phyllis. I hope the scene at the end of the third act will make me more touching."

  (end of this chapter)