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When the two old friends met, they exchanged a few words before Hou Xiling pointed to Jiang Se:

"This one is Jiang Se, whom I told you before. The little girl is very smart and is going to film "The Great Events in Beiping" that I wrote. You are a senior, and the acting industry is my teacher. Please give me some advice. ."

He should have already told Chang Yuhu about this beforehand. After listening to him, Chang Yuhu's eyes fell on Jiang Se.

She has dyed her hair black and has a dignified temperament. Maybe she has been in the shadow for many years, and she has a graceful manner.

With Hou Xiling's introduction, she stretched out her hand and shook Jiang Se's hand, and asked curiously:

"I heard from Lao Hou that you are also a student of the No. 1 University. After graduating here, what's not going to happen in the future? Why do you suddenly want to enter this industry?"

Hou Xiling first greeted the two of them to enter the courtyard, Jiang Se thought for a while and replied:

"I think this line is interesting."

"Oh?" Chang Yuhu and Hou Xiling looked at each other, and then asked:

"What's the point?"

"If one says that one's life is a practice, then it is always very interesting to star in different movies and interpret different lives."

Her words made San Yuhu laugh, and he responded:

"I'm going back to the Imperial Theater in the afternoon to guide the rehearsal. The little girl can walk with me."

Upon hearing this, Hou Xiling asked:

""Returning on a Snowy Night"?"

San Yuhu nodded, "If the little girl is courageous, she can go on stage to practice, which is good for you."

After she said this, she turned to look at Jiang Se:

"The last performance of "Returning on a Snowy Night" at the Grand Theater was more than ten years ago. I guess you haven't seen it."

Jiang Se was just in her freshman year. When "Returning from a Wind and Snowy Night" was released, she was still young and not long after she was born.

Before rebirth, Jiang Se had never watched this drama, but she checked the deeds of San Yuhu on the Internet, so she knew that more than ten years ago, she played the leading role as the heroine Yu in "The Return of the Snowy Night". Spring caused a sensation at the time.

"This time the people in the theater deliberately put this "Return to Man on a Snowy Night" on the stage again. Dong Chaoping in the theater was worried about the poor performance of some drama actors, so he asked me to go back and give pointers. It was a coincidence that you too. Call."

Hou Xiling responded: "It is indeed a coincidence that when this work was staged that year, there were four consecutive performances. There were no empty seats in the Grand Theater, and newspapers and magazines reported."

Jiang Se listened quietly to the two of them. During the dinner, San Yuhu looked at her from time to time, and saw that she was not in a hurry to show the limelight, but deliberately expressed herself, and occasionally responded politely but not stiffly, but she was much closer to Jiang Se.

Although Hou Xiling had said the treat, when Jiang Se was about to pay the bill after dinner, he was told that Hou Xiling had already paid the money at the beginning of the order.

Hou Xiling was originally interested and wanted to go to the Grand Theatre to watch the rehearsal, but was summoned by a phone call.

Jiang Se followed Chang Yuhu all the way into the Grand Theater. She used to come here to listen to music concerts a lot, and she also watched dramas, but it was the first time she came in outside of the performance.

As soon as Sanyuhu came in, the staff had been waiting. As soon as she saw her lead someone over, the theater people first gave Jiang Se a curious look, and then introduced Sanyuhu about the troupe. Somewhat embarrassing:

"The time for the performance is approaching. This is the second time that this work has been put on the stage. With your pearls and jade in front, it will inevitably be compared with the predecessors who have seen it when they watch it again. So Dong Ge meant, please come back and give pointers. Juniors."

In the rehearsal hall, all the actors who appeared in "Returning from a Snowy Night" were already here. As soon as Sanyuhu came in, someone moved a chair and asked her to sit down under the stage. Jiang Se stood beside her. On the side, the people in the rehearsal hall clapped their palms and called the actors inside to perform first, so that San Yuhu could pick out the shortcomings.

"Return to Man on a Snowy Night" originally came out of Tang poetry, and was written by the famous dramatist Teacher Wu with the poetic mood.

When the music started, the people on the stage quickly found their place.

The actors on the stage performed hard, the offstage San Yuhu stared at the stage with a smile, and talked to Jiang Se with his head sideways:

"Actually, they found me to come back, just to find a Bodhisattva." She sighed, "Laohou asked me to teach you. Actually, I don't know what acting can teach you. It's not that I want to hide privately There are a thousand Hamlet in just one person."

She took a sip of tea prepared by someone in the theater:

"You are a clever boy. You should know that if you are as Lao Hou said, I will teach you every move and my speech and manners, and make you strictly abide by it. That is just me acting, and You are playing me, you can't make a big climate."

Jiang Se was thoughtful when he heard this.

"The acting master once said that actors should be artists, not artisans. The difference between the two lies in whether there is creativity. Artisans can only imitate and follow suit, without the ability to innovate. His character has no understanding of his own and cannot add his own things, so he can never go further."

The music on the stage is wonderful, and the Sanyu pot under the stage has two purposes:

"Actors create roles, but the roles restrict the actors. After the characters in the plot are developed, the actors can only be loyal to the characters' emotions and actions, and substitute themselves for them." She said that, and she looked at Jiang Se with great meaning. At a glance:

"It's just that many people tend to invest too deeply in their emotions, and they often find it difficult to adjust themselves, forming a ideological burden."

So this is also a contradiction. Good actors interpret many roles, but at the same time it is difficult to get out of the role~www.readwn.com~ The pressure will be formed for a long time, and the suffering is not enough to tell outsiders.

"If you want to enter this business, you must learn to adjust yourself. You watch them perform once, and later you will also play one of the roles. Let me see first, where you are the most inadequate, correct it and try a few more times. Withstand the pressure and you find the feeling, acting will not be difficult."

After she finished speaking, she beckoned the theater people to come over, and whispered a few words quietly. The theater staff nodded frequently, turned and left.

When he returned, he already had two scripts in his hand and handed them to San Yuhu.

San Yuhu motioned to Jiang Se to read the plot in the script first. He leaned on the chair and watched it intently without speaking.

The script is "Returning on a Snowy Night" which is being rehearsed on stage. It tells the story of Peking Opera male Dan Liansheng and the fourth aunt of court president Su Hongji, Tai Yuchun, who fell in love, but were eventually separated.

Because San Yuhu said that she would let her perform on stage later, she didn't specify which role Jiang Se should play. While Jiang Se felt a little pressure, she was a little eager to try it. While watching the performance of the people on stage and watching their movements distractedly, while forcing the content of the script in mind. (83 Chinese website)