Best Movie Star

It was dark in the studio, and only a Mercedes-Benz off-road vehicle was illuminated by the bright lights. Two cameras shot from different angles, aiming at the lowered window. The car was motionless, and Alexandra- Daddario still pretended to be driving, turning back and shouting from time to time.

"hold onto!"

She called out to Matthew, who was lying on the back seat of the car.

Matthew looked a little miserable. The face captured by the camera close-up was full of scars, and there was blood on his forehead and brow bone.

The Mercedes-Benz off-road vehicle suddenly swayed, and Alexandra Daddario turned back and drove intently. The camera shot aimed at her instantly turned into a close-up, encircling her entire upper body into the shot.

Clearly, the crew knew exactly where Alexandra Daddario's biggest selling point was for the film.

The car shook violently, and Alexandra Daddario also shook with it, and the chest under the white tight T-shirt shook even more exaggeratedly.

Alexandra Daddario then turned back and shouted, "Where do you live!"

"Uh..." Matthew swayed, dazed.

"Where do you live?" Alexandra Daddario called again.

Matthew said dazedly, "Washington Square, Eleven Washington Square." He seemed to faint at any moment, and finally reminded, "They don't know where I live, don't let them follow us, uh... wait until Back at dawn..."

Alexandra Daddario only felt that her chest was shaking and she was about to fall into the seat, she stopped talking, and concentrated on posing in the driving position, looking forward to the completion of this scene.

Finally, director Guillermo del Toro's voice rang out, "Stop! This one is over!"

The Mercedes-Benz off-road vehicle stopped shaking immediately, and Alexandra Daddario breathed a sigh of relief and subconsciously touched her chest to see if it had shaken off.

Matthew got up from the back seat, got out of the car, walked over to the driver's seat, and helped Alexandra Daddario open the door, just in time to hear Alexandra Daddario mutter," If it goes on like this, it will soon sag.”

She glanced at Matthew, jumped out of the car, and said generously, "Am I wrong?"

"That's right." Matthew said casually, "It's common sense to have **** easily sag."

Director Guillermo del Toro's voice sounded again, "Shooting filming, horse repairing makeup, and restarting filming in forty minutes."

Matthew walked towards the resting place first, and Alexandra Daddario followed.

There was no need to go back to the dressing room. A follow-up makeup artist and her assistant quickly came over and prepared to "treat" Matthew's wound. Matthew sat in the chair and let the makeup artist busy.

Alexandra Daddario followed and sat next to him.

"I heard that the crew is going to win the Oscars?" she asked.

Matthew took advantage of the time when the makeup artist wiped off the blood on his head and went to get the medical tape, and said, "Warner Bros. has indeed made preparations for this, and it is not certain that they will be invited by the Oscar Organizing Committee."

There is still some time before the 79th Academy Awards ceremony. Except for Ellen DeGeneres, the host of this year's Academy Awards, the Organizing Committee has not yet confirmed the rest of the presenters.

The production investment of "I Am Legend" is as high as 150 million US dollars. Warner Bros.'s announcement of the film must meet the needs of first-line super productions. Although Matthew is not interested in the Oscars, he will not deny the promotion of the Oscars. promotion.

Warner Bros. has been planning since before the new year to make him, the absolute male lead, an Oscar presenter, and it is not an ordinary award. It wants to plan the presenter of the most important awards.

More than a year ago, Matthew's own weight was slightly insufficient, but now it is different. Regardless of age, his status and reputation in the circle is enough even as the best film award guest.

Of course, being too young is always a disadvantage for male stars in front of Oscar.

Alexandra Daddario asked again in a low voice, "When will we have the exact news?"

After the makeup artist put medical tape on his forehead, Matthew shook his head and said, "I don't know very well, but it won't be more than half a month before the Oscars at the latest."

"Matthew, please don't move." The makeup artist wanted to reapply her makeup and reminded, "Don't talk for the time being."

"I see." Matthew turned to Alexandra Daddario and said before the makeup artist applied, "Generally, anyone invited by the Oscar organizing committee can bring a male or female partner. Anna, if this happens, can you be my girlfriend then?"

"Really?" Alexandra Daddario touched her chest, her icy blue eyes full of surprise, "Matthew, can I?"

Matthew nodded and said, "Of course, but I can't guarantee that Oscar will invite me 100%."

Alexandra Daddario understood, saying, "I know! I know!"

The makeup artist came over at this time, and Matthew said to Alexandra Daddario, "Ana, we'll talk later."

"Well." Alexandra Daddario nodded and stopped talking.

It took nearly 20 minutes for the makeup artist to fix the wounds on Matthew's face and legs. Matthew stood up and moved his hands and feet. Sitting for a long time was not a good feeling.

At this time, a neutral woman came over with a little girl of eleven or twelve years old.

"Hello, Matthew." The middle-aged woman is an agent of the Angel Agency.

Matthew knew her, had seen her more than once, nodded and said, "Hello, Maggie."

A middle-aged woman named Maggie pushed the little girl in front of her and introduced herself, "This is the little actor signed by the company, Saoirse Ronan. Saoirse, this is Matthew."

Matthew stretched out his hand and shook the little girl, "Hello, Miss Ronan."

The little girl was very polite and shook his hand, "Hello, Matthew."

She seemed to be introverted, and after saying this, she returned to the manager.

Maggie said again at this time, "Saoirse wants to play with you in a while, I'll bring her over to meet you in advance."

She then introduced Saoirse Ronan to Alexandra Daddario, who greeted the little girl casually.

Saoirse Rona is obviously introverted, completely different from the Chloe Moretz that Matthew met some time ago.

Guillermo del Toro's deputy came over at this time to inform the crew that the transition had been completed, and several actors were brought in to prepare for filming.

Matthew and Alexandra Daddario went to the set first, and when Saoirse Ronan arrived, the three practiced their positions under the command and explanation of Guillermo del Toro. Filming began immediately.

In a trance, Matthew woke up lying on the sofa, subconsciously touched his forehead, the wound on it had been treated, and then felt a little cold in his legs, he touched it down, and found that his trouser legs had been cut, and the previous wound had been stitched up. together.

Then, he looked further away, the watch and flashlight were on the coffee table, and the TV was playing "Batman: War Hour".

Matthew struggled to get up from the sofa. He seemed to hear a movement in the dining room. He tumbled to the front of the TV cabinet, opened a drawer, took out the pistol inside, and walked towards the dining room vigilantly.

He came to the front of the restaurant and was stunned for a moment, then saw the little girl who was eating and Alexandra Daddario who was busy standing in front of the gas stove.

At almost the same moment, Alexandra Daddario also found him, turned around, saw the pistol in his hand, and stared at him blankly, as if he didn't know what to do.

Matthew looked at the two women, one big and one small, and determined that they were harmless, walked to the shelf, and slowly put down the pistol.

"I'm... sorry..." Alexandra Daddario made a few unconscious gestures, pointing to the frying pan on the stove, "the eggs are all powdery. But... of course you I know."

Matthew breathed a sigh of relief and nodded slightly.

"This is for you." Alexandra Daddario showed him the pot. "I found bacon, the best thing in the world."

She came over with a frying pan, "I also found antibiotics in the bathroom~www.readwn.com~ and put them next to your plate, your feet are not yet healed, if you don't get treatment, the injury will get worse ."

Seeing her putting the dishes from the pot on the plate, Matthew asked, "Who are you?"

He didn't look back, but he determined that the focus of the camera behind him was definitely on Alexandra Daddario's extraordinary chest.

This is commercial film, and this is also the most typical shooting method of commercial film.

"I'm Anna." Alexandra Daddario gestured to the little girl with her eyes, "This is Rebecca."

Then, she asked Matthew, "Aren't you going to eat? It'll get cold..."

Presumably as a distraction, when Alexandra Daddario put the bacon in the china plate, the bacon fell on the oak dining table.

"Cut!" Director Guillermo del Toro's voice sounded immediately, "All departments go back to their positions and start shooting again in five minutes."

Alexandra Daddario put down the pan with an embarrassed smile, and Matthew shook her head slightly, indicating it was okay.

Everyone makes mistakes when shooting, from actors to directors to other behind-the-scenes jobs.

Matthew walked over and said, "Relax, Anna. Just like you usually make yourself breakfast, you'll find it easy when you're relaxed."

Alexandra Daddario nodded, "I will."

Maybe Matthew's words played a role. After filming resumed, Alexandra Daddario didn't make any more mistakes. Instead, something went wrong on the photographer's side. This long shot was shot four times, and director Gilmour- Del Toro just announced the passage.

With Alexandra Daddario joining the crew, the shooting really came to a close. After the scenes in the Los Angeles studio were completed, the crew moved to New York again to shoot the exterior scenes.