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In the subsequent shooting, a large number of action scenes began to appear, and Matthew entered the part he was best at. Whether it was a gunfight scene or a hand-to-hand fight, he always seemed to be at ease. Compared to him, Charlize Theron encountered a lot of trouble, Even though she had a month of professional training before filming, she couldn't be as relaxed as Matthew.

However, similar to Matthew, Charlize Theron basically did not use stunt doubles. All the action scenes were played in person, and she had wide shoulders and long legs. Unlike those slender and slender actresses, the action scenes were also very good. persuasive.

After filming the opening scene in Colombia, the crew moved to another studio, which has been set up as a home plaza for the final battle scene in the script.

In this studio, the sound of gunshots rang out, and it became the norm.

Matthew is very suitable for this kind of shooting, not only with years of constant training, but also in the use of fighting and firearms, he has gradually approached the professional level, and the action design of the crew, there are too many Hong Kong-style gunfight action movies. .

For Hong Kong-style gunfighting action movies, Matthew, who has watched countless films such as "The True Color of Heroes" and "Blood Two Heroes", is all too familiar.

Although he once missed the glorious video hall era of Hong Kong films, the influence of many classic Hong Kong films on people who like movie entertainment in that land is unimaginable for people in North America.

This film imitates Hong Kong-style shootout action films in action design, which is also what Doug Liman said to Matthew himself.

In the early preparations, when the two exchanged characters and scripts, Doug Liman once said that the action scenes of Hong Kong-style shooting action movies are really elegant and romantic. In a deadly duel, between playing football, sleeping, or even eating, the winner has already been decided.

In order to give the Smiths a balance between marriage and identity, Doug Liman specially arranged for them a dance-like romantic fight, exuding a demagogic romantic atmosphere with traditional dance music, non-traditional fights It just reflects the antagonism between the two people. "

There is no doubt that the American-style gunfight action films are more realistic in style, and the Hong Kong-style gunfight action films are more romantic.

The typical example in this regard is undoubtedly John Ng. Not to mention the Hong Kong-style shootout action films he shot, even the shootout action films represented by "Changing Face" that came to Hollywood are all full of romanticism.

For example, Nicolas Cage in "Changing Faces", if you don't look at the face and just look at the character style, he looks like a little American pony.

Hong Kong-style action films have had a very deep influence on Hollywood action films. Matthew has been in Hollywood for a few years, and he can see that the simple, crude and clumsy traditional Hollywood action films have almost disappeared from mainstream commercial films.

More Hollywood action films, like Doug Liman and "Mrs. & Mrs. Smith", draw on the excellent factors of Hong Kong-style action films to serve their own films.

Frankly, these people or movies can only imitate fur, but that's enough for Hollywood movies.

Hollywood's mainstream commercial films are eclectic and are good at absorbing the strengths of films from other regions for their own use, but they never become films in those regions.

The most typical one that Matthew has seen in this regard is undoubtedly Quentin Tarantino's "Kill Bill". At first glance, this film seems to be imitating an old-fashioned Hong Kong-style martial arts film, but the A set, or typical Quentin Tarantino stuff.

"Mr. and Mrs. Smith" is no exception. The imitation of Hong Kong-style gunfight action films is of course also on the surface.

After all, Doug Liman is the director who made "The Bourne". How could he simply imitate it? The core of the film must be what he told Matthew before. This is a film about couples and families. play.

All the scenes shot in the furniture square scene reflect this, even if the male and female protagonists are arguing fiercely, in the action design, as long as one of them encounters danger, the other will definitely give his life to save.

bang-bang-bang-

In the studio, the gunshots continued to sound, and Charlize Theron fell to the ground clutching her arms. The gunfire did not stop, and it sounded more intensively. The pillows on the shelf above her head burst one after another, and white goose feathers flew in the air.

Charlize Theron stomped **** the ground with his long legs, raised his gun to return fire, and hid behind another shelf, looking quite embarrassed.

Suddenly, the roar of the engine sounded, and Matthew drove a quad bike out of the door behind Charlize Theron. He grasped the handlebars of the motorcycle with one hand and raised the MP5 with the other to shoot continuously. The enemies who attacked Charlize Theron were shot and fell to the ground.

"Get in the car!" he yelled at Charlize Theron.

Without the enemy's firepower suppression, Charlize Theron immediately got up from the ground, rushed to the back seat of the motorcycle, and took off Matthew's back -->>, the fastest update is the best Movie Star's latest chapter!

An automatic rifle that fires wildly at the newly entered enemy.

At the same time, the extras who played the armed killer on the opposite side also fired back, and Matthew used his body to cover the Charlize Theron behind.

The quad bike passed through the container room full of household items, and stopped in front of the main camera as planned.

"Stop!" Director Doug Liman shouted to stop shooting and said with great satisfaction, "OK! This action scene is over!"

Unlike other directors, Doug Liman did not hand over the action scenes to the action director, but shot these action scenes himself.

Similar to Matthew's good at action scenes, Doug Liman is also good at shooting action scenes.

Today's work is over. Matthew took off the slightly deformed brown sunglasses and handed them to the assistant next to him. He rolled up the sleeves of his white shirt and looked at it. In the last shooting, his arm touched a bedside table, but The problem is not that big.

This old soundstage at Warners Studios is full of furniture and household items.

Matthew is very clear that the reason why the final battle scene is designed in such a scene is also in line with the inner setting of the film by director Doug Liman and screenwriter Simon Kinberg.

Doug Liman believes that he and Charlize Theron's performances alone can't support the Smiths' dramatic character relationship, and things around them should also have some kind of cue, so outside of their home , Home Square is undoubtedly the best carrier of this husband and wife war.

After one day's shooting, Matthew got the latest shooting plan from Doug Liman, and flipped through it again. Then he was ready to call Charlize Theron and go to the dressing room to remove makeup. The two have an independent dressing room. Next to each other, we usually walk together after shooting.

But today, Charlize Theron left without saying hello. Matthew walked out of the studio and turned into the corridor where the dressing room was. He happened to see her and Stuart Townsend, and remembered that Stuart Townsend came to visit Charlize Theron's class in the afternoon. .

He looked at the background of the two of them, a few thoughts flashed in an instant, and he quickened his pace to catch up.

"Hi, Sally!" Matthew also called out.

Charlize Theron stopped immediately, turned his head to look here, and Stuart Townsend next to him also stopped and turned his head.

Matthew waved to the two of them, walked a few steps to them, and said to Stuart Townsend, "Hello, Townsend, long time no see."

With a polite smile on Stuart Townsend's cold face, he responded, "Hello."

Matthew didn't say hello to Charlize Theron, he was completely familiar and didn't need to say hello at all.

"Is something wrong?" Charlize Theron asked.

"This is the filming plan adjusted by the crew." Matthew knew that Charlize Theron had no lead, and handed over the one in his hand. "There are many adjustments made, you'd better take a closer look."

Charlize Theron took it, "Okay, I was going to take it off after I removed it." She smiled, "I'll remove it first."

Matthew nodded slightly, "Well, I'm going to remove my makeup too."

Charlize Theron greeted Stuart Townsend and walked to the dressing room together, and Matthew walked by and chatted with her about work, especially the echo and cooperation between the role performances.

The training in the early preparations, coupled with the recent filming, Matthew and Charlize Theron, like the reborn hero and heroine in the script, gradually formed some tacit understanding.

The dressing room of the two was next to each other, and they arrived soon. Matthew didn't talk nonsense, waved casually to Charlize Theron, then politely said goodbye to Stuart Townsend, and then entered his dressing room.

The makeup artist has been waiting here for a long time~www.readwn.com~ Since the base makeup was applied, he helped Matthew to remove the makeup in ten minutes.

Matthew sent the makeup artist away and was just about to go to the locker room to change clothes when he received a call from Helen Herman. Helen Herman informed him that Disney Pictures sent a letter to Angel Agency today asking Matthew to go Attend at least one of several teen awards ceremonies in late July and early August to coincide with Disney's pre-launch campaign for the "Pirates of the Caribbean" sequel.

Combined with the shooting plan of the "Mrs. and Mrs. Smith" crew and the invitation of a girl in Wells Gallery, Matthew and Helen Herman briefly discussed and asked her to notify Disney Pictures that his The schedule is suitable for attending the awards ceremony of the Young Hollywood Awards.

Just on the two days when the awards ceremony was held, the crew mainly shot Charlize Theron's scenes, and the actor's scenes were less.

Helen Herman will communicate with the crew about his schedule, and Matthew doesn't need to worry too much about it.

Hanging up the phone and going to the dressing room to change into his clothes, Matthew packed up, picked up his bag and prepared to leave the studio. Just as he walked to the door, there was a sudden quarrel in the dressing room of Charlize Theron next door. .