Grandpa's great writer

Chapter 981
Seeing the bickering between Wu Ziyun and He Ruchu, Zhang Zhongyuan thought that the members of the art team would have some verbal confrontation after they arrived at the Academy of Chinese Painting.

But the reality was completely different from what he had imagined. After everyone arrived at the Academy of Chinese Painting, they drank tea for a while and ate some dessert.

It has to be said that the tea from the Academy of Chinese Painting is much better than the one from the Academy of Oil Painting, and He Ruchu didn't hide his secrets. This time he entertained the students of the Academy of Oil Painting and directly took out his favorite tea.

Of course, the desserts are not always prepared by the Academy of Chinese Painting, but they are temporarily ordered from the Xueji Building outside.

Xuejilou is a restaurant not far from Central America, and this restaurant no longer sells food.

In the beginning, Xuejilou was a comprehensive restaurant, serving some Huaiyang cuisine, and taking the high-end route.

The dishes are not bad, but they are definitely not outstanding. In addition, the price of the dishes is too expensive, and the market is generally not cooked.

But the east side is not bright and the west side is bright. His food is not very popular, but the desserts are quite popular.

At the beginning, to eat dim sum at his house, you had to order the main meal first. Later, the boss saw that the business was unsustainable, so he took a step back and allowed customers to order desserts alone.

But he didn't expect his snacks to open up the market quickly.

Gradually, the center of gravity of the restaurant began to shift, focusing more on the dessert business.

In the end, it simply turned into a dessert shop.

Xuejilou has been open for some years, and all CAFA students here, whether they are graduates or not, fresh graduates or those who have graduated for a long time, have basically eaten Xuejilou's dim sum.

So for them, Xuejilou's desserts are not just simple desserts, but also entrust their emotions.

Almost every school has an existence like Xuejilou, some are high-grade hotels like Xuejilou, and some are unremarkable roadside pavements.

Listening to them chatting about the story of Xueji Tower, Zhang Zhong also thought of the food stall at the east gate of Jiangyang University.

To say that it is a stall is already a high-profile, but in fact, it is an old couple who built a canopy next to their bungalow and set up two or three tables.

Of course, you can’t eat big fish and meat in such a shed, it’s just some small farm stir-fry, the taste is not very good, but it is better than it is real and homely.

The most important thing is that it is cheap. When Zhang Zhong was in school, if he happened to be attending a class near the east gate, he would go there with his classmates to order a dish after school.

Order a piece of eggplant with minced meat or shredded pork with pickled vegetables, and everyone joins together, sweating profusely.

No matter what the dish is, it only costs six yuan here.

Rice can be eaten freely, and free soup can also be served freely.

This restaurant has no signboard, but everyone still gave it a name, because it is convenient to make appointments.

You can't say, "Let's go to the restaurant opened by the old couple near the east gate for lunch at noon."

Because the owner is a fat old man, everyone named this restaurant "Fat Uncle Restaurant".

Later, the name Fat Uncle Restaurant was opened, so that some students who went to eat later thought that the boss's nickname was Fat Uncle, so they called it out directly, which made the boss look confused at the time.

However, the boss later accepted the title willingly.

Zhang Zhong also went to see it when he came back later, but that area had already been demolished, and the Fat Uncle Restaurant didn't know where it went.

The members of the art team did not expect to be treated like this when they came to the Academy of Chinese Painting. Eating snacks from Xuejilou and drinking high-quality tea, chatting with each other like this is of course much more comfortable than staying in the cafeteria .

After resting for nearly two hours, after eating snacks and drinking tea, He Ruchu led the students and teachers of the Academy of Chinese Painting and invited people from the Academy of Oil Painting to visit.

It is also harmonious when visiting.

"This is the work "Mountains" by Teacher Liang Hai." He Ruchu introduced.

"Good painting, the mountains seem to be the same, but different brushwork and ink techniques are used. It seems that there are only seven mountains on the surface, but it makes people feel that there are thousands of mountains behind these seven mountains."

"Although it is a picture of mountains, the looming water surface is also refreshing. Mountains and rivers, mountains and rivers, mountains are inseparable from water, and water is inseparable from mountains. Without the beauty of water, it is difficult to show magnificence."

"This painting is my humble work "Upstream of Stones Among Pine Trees"." He Ruchu introduced again.

"Wonderful, the bright moon shines among the pines, and the clear spring rocks flow upwards. The tenacity of the stones and the softness of the water are all in the painting..."

It may be that people are soft-spoken. Every time He Ruchu introduces a piece of work from their Chinese Painting Academy, the people from the Oil Painting Academy must appreciate it and give their best words of praise.

Of course, for those who are also engaged in art, even flattering is better than ordinary people.And the works themselves are worthy of praise, so they are all at their fingertips.

Zhang Chong often came to the Academy of Chinese Painting as a guest, so he was no stranger to these paintings in their academy, but today he was not only here to look at the paintings, but also to see the performance of the Academy of Oil Painting.

In fact, Zhang Zhong has been paying attention to Hu Hai and Pan Jianfeng. He really wants to see how these two distinctive people feel about traditional Chinese painting.

Hu Hai has not spoken, and his expression is nothing special, nothing can be seen.

Pan Jianfeng, on the other hand, seemed hesitant to speak. He seemed to want to express some opinions that were different from others, but he had some concerns.

Wu Ziyun said that Pan Jianfeng was getting older, and his style of acting and speaking had not changed. Zhang Zhong disagreed with this point.

Although Zhang Zhong had never met Pan Jianfeng before, he heard them mention it a few times, and he probably understood what Pan Jianfeng's style was like before.

At least now he is not as carefree as before, knowing how to look at others.

But Zhang Zhong really wanted to know what he wanted to say and how he viewed traditional Chinese painting.

It stands to reason that Pan Jianfeng should prefer the works of the Academy of Chinese Painting to Wu Ziyun's ultra-realistic works.

Although Chinese painting is not as exaggerated as expressionism, which emphasizes individual subjective emotions and self-feelings, and even leads to exaggerated, deformed and even grotesque treatments of objective forms.

But traditional Chinese painting also focuses on expression.

Traditional Chinese paintings are often not very similar, and this is the expression.

Although it is not appropriate to say this, Chinese painting does have this characteristic. Leaving aside the imagery painting of landscape painting, the portraits of many people in Chinese painting often appear exaggerated.

For example, the arms are very long, the fingers are curved, the face is curved, etc.

It is definitely impossible for a real person to look like this, otherwise biological scientists must have opinions.

Therefore, Zhang Zhong felt that Pan Jianfeng should have a certain sense of identity with traditional Chinese painting, at least more than other genres of painting.

It's just that looking at him like this, maybe Zhang Zhong's guess is completely wrong.

(End of this chapter)