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Chapter 333 Tang Painting, Half Print

"I said, what have you been up to lately!" At this moment, a clear and pleasant voice suddenly came from behind.

Yu Yao turned his head and saw that Shen Ge's pink face was flushed in the cold winter morning mist.

"Why are you here so early in the morning?"

"I miss you asking me to dinner!"

"Then let's go! I didn't eat it either. There is a good old sheep soup restaurant on the west side of the street. It is very enjoyable to serve with beef pancakes."

"Food!" Shen Ge rolled his eyes at him, "Are you tired of eating these in the morning?"

Yu Yao was waiting for an interface, but when he looked up, he saw Shen Zhongyuan also walking over.

"So you are with Mr. Shen!" Yu Yao took two steps forward, "Mr. Shen, good morning!"

"When I got up in the morning, Chen Ge accompanied me out to exercise, and when I was done, I came here by car. She said that she hadn't seen you for a while, and I said it was so early in the morning, how could the shop open? The result..." Zhong Yuan laughed Laughing, "It's still young people who have a tacit understanding!"

Shen Ge frowned at the sound, then lowered his head and kicked a small stone.

Yu Yao said with a smile, "I just renovated this place, and I won't be staying here in the future. I got up early today and came here for a stroll."

"Yeah!" Shen Zhong looked over, "That's right, I feel that the atmosphere of this store has changed! Also, you should say something about the joy of your housewarming!"

"I'm alone, and I finished it very quickly, and I don't have the nerve to disturb your old man."

"You, the advantage is independence, and the disadvantage is also independence." Zhong Yuan smiled slightly, "Since it's such a coincidence, why don't we have breakfast together?"

"I said just now that I would drink mutton soup and eat beef patties. Shen Ge wasn't very interested."

"It's a bit greasy." Shen Zhongyuan raised his head and thought for a while, "Why don't you go to Fuxing Tea House to eat a soup bag and two chopsticks with dried shredded rice?"

"That's fine. Let me be the host."

Zhong Zhongyuan chuckled, "Let's go, the car is parked over there."

When getting into the car, Shen Ge got into the passenger seat first, and Yu Yao and Shen Chongyuan got into the back seat.

"Xiao Yu, it's just right. You said about cleaning Kesi. I recently inquired about a person, but he is in Zhejiang Province, so I haven't contacted him yet."

Yu Yao heard it, "Mr. Shen, are you talking about an old woman in Shaoshi?"

"So you found out yourself!" Shen Zhongyuan was taken aback, "That's right, Shaoshi is the hometown of textiles, and this old lady is proficient in washing and dyeing, and is a folk expert."

"Does she have her own business?"

"No, otherwise it would be known to many people. Her son is very rich, and the old couple has no worries about food and clothing. She is just the result of her early experience and interests. I heard that she has studied deeply in Kesi." Shen Zhong looked at it from a distance. Looking at Yu Yao, "It seems that you don't inquire carefully!"

"It's like this. Didn't I go to Yanjing? I met a friend there. He mentioned this person and cleaned the old Kesi. Two days ago, he also told me the location and contact information, but there was no one. Introduce this person in detail. As for me, I just finished my work, so I haven't contacted you yet." Yu Yao said in a general way.

"Since both sides are pointing to the same person, then there must be no problem. Then you can find time to contact." Shen Zhongyuan nodded.

When we arrived at Fuxing Tea House, after we finished our breakfast and wiped our mouths, Shen Zhongyuan said again, "Xiao Yu, there is one more thing, I wonder if it's convenient for you?"

"The old man is too polite, what's the inconvenience? At that time, you took me to the warehouse, it was not convenient for you!"

"Your words are heart-warming." Zhong Zhongyuan smiled, "There is a painting, and I want you to help me."

"Could it be that the old man is not sure? Then I may not be sure!" Yu Yao was quite modest.

Shen Ge took a sip of water and snorted softly, "I'm pretending again."

Shen Zhongyuan pretended not to hear, and continued, "This is not an ordinary painting. Although it is nameless and untitled, I feel that it is a Tang painting, with golden and green landscapes."

"Tang paintings? Golden and green landscapes?" Yu Yao was a little surprised, and swallowed the rest of the sentence: Jiangzhou actually discovered the golden and green landscapes of the Tang Dynasty?
As far as ancient paintings are concerned, among the currently recognized works handed down from generation to generation, the earliest is "You Chun Tu" by Zhan Ziqian of the Sui Dynasty.This painting was also taken out of the Qing palace by Puyi, and then it was exiled among the people.In the end, it was the famous Zhang Boju who sold the house and items to raise money to buy it, and finally donated it to the Palace Museum.

Although Tang paintings are not as rare as Sui paintings, handed down works are also rare.It can be said that if someone tells you that you have found a Tang painting on the market, it is basically no problem to suspect that it is a fake.

As for Jinbi Shanshui, people outside the circle may not hear much about it.Jinbi landscape can be classified into the category of green landscape.

Green and green landscapes are known more, and they were also very popular from the Sui and Tang Dynasties to the Northern Song Dynasty.The pigments used are mainly azurite and stone green, which are not easy to change color and fade, and with some embellishments, the picture effect is excellent.Zhan Ziqian's "Spring Outing" can be regarded as the pioneering work of green landscape.

As for Jinbi Shanshui, although it can be categorized as green landscape, azurite and stone green are also used, but it has a distinct and unique style, because gold and blue are added to make the color more intense, giving people a feeling of resplendent and resplendent.

The blue and green landscape gradually began to decline after the Song Dynasty, but the unique golden and green landscape has never faded, and even today, many painters still love it.In many high-grade halls, paintings of golden and green landscapes can also be seen.

Green and green landscapes can be traced back to the Sui Dynasty, but gold and green landscapes began in the Tang Dynasty.

The golden and green landscapes of the Tang Dynasty, let alone famous artists, even if the works of ordinary painters have been handed down to this day, they are very likely to be fired at sky-high prices.

"This is just my feeling." Shen Zhongyuan said, "I couldn't believe it for a moment, but my heart was itchy."

"No name, no money? And no collection seal?" Yu Yao asked again.

In fact, it is normal for Tang paintings to be nameless and inscribed. There was no tradition of signing at that time, and many works did not bear inscriptions.However, a Tang painting has been handed down to the present. During the process, the seals of collectors left by the past dynasties are also an important basis for identification.Especially the seals used in the collections of the court and the emperor.

"There is one and only one place, a seam, a half-print in Zhu Wen with a wide border, and the word 'Si Yin'." Shen Zhong said, "I don't think this seal looks fake."

The word "Siyin" is indeed half, and the complete seal should be "Jichasiyin".

Disciplinary Inspection Department, full name Ceremony Disciplinary Inspection Department, was one of the various departments of the inner government in the early Ming Dynasty, and one of its functions was to be in charge of books, calligraphy and painting.Such half-prints have also appeared on some famous paintings handed down from generation to generation, such as Dong Yuan's "Xiaoxiang Picture", Dai Song's "Bullfighting Picture", and so on.

The reason why it is half-printed is because half of it is covered on the calligraphy and painting, and the other half is covered on the calligraphy and painting book for archiving.

There is a half-print of the Jichasi, which shows that it was once collected by the Ming Dynasty.

Only the half seal of Jichasi, if it is genuine, it means that after the painting was released from Ming Neifu, it was basically silent among the people.

This is also a very strange thing, the paintings that can be collected by Ming Neifu must not be bad, but no masters in later generations can recognize them?None stamped collection seal!

"The owner of this painting?" Yu Yao continued to ask.

(End of this chapter)