The peak acting skills of the actor

Chapter 88 Singing
The filming of a scene is finally over, and the cleaning staff is hurrying to work. After all, this place will be a tourist spot in the future. After the filming of the filming, it is their duty to clean up the objects left over from filming. .

Two actors, a fight scene, a mess, the cleaning staff and the director of the theater were busy busy.

Cheng Feng rubbed his shoulders. Just now, when he was playing a movie, although he was wearing wire and protective clothing, he was only a flesh and blood body after all, especially when he fell from the roof, it still made the two filming people fall hard enough. .

In this scene, the crew took the film very seriously. Many action scenes were performed by the actors themselves. Earlier, Cheng Feng was filming a fight with the wolf guards. He jumped from the window on the second floor with a rope in his hand. Like a swing, with the inertia of falling from the second floor, it directly hit the wall of the first floor.

At that time, Cheng Feng let go and fell to the ground. He closed his eyes as hard as he fell to the ground, gasping for breath with his body on his back. His whole body had an expression of pain.

At that moment, Cheng Feng felt that he was about to fall apart. Fortunately, he was not injured, but his legs, feet and arms were inevitably broken.

Many action scenes of the Chang'an crew are dangerous to a certain extent. Except for some difficult actions that require substitutes, the rest are actors fighting hand-to-hand.

Cheng Feng will remove the makeup in the dressing room, and the costume will inevitably be torn, but the director intends to continue to use it, so that the state of the costume in the play will appear real.

After all, the story itself happened in one day in Chang'an. Zhang Xiaojing experienced many dangers during the investigation process. Don't fight for a whole day at that time. When the audience is watching the drama, the protagonist's costume is still intact. as ever.

If this is the case, perhaps some careless viewers will not care much, but those who are careful and critical will come out to complain.

Just as Cheng Feng took off his costume and handed it to the makeup staff to put it away, a staff member in charge of checking Cheng Feng's props suddenly said, "Huh? This knife doesn't seem to work anymore?"

Cheng Feng heard that he took a wooden knife from him. This knife looked like a horizontal knife, but it was shorter than other knives.

At this time, the knife cannot be drawn out, because the knife and the scabbard are made as a whole, carved out of a whole piece of wood, and it looks like a knife, but it is actually a wooden stick.

Zhang Xiaojing's plot status is different now. He is in the process of investigating the case, so he only hurts people and does not kill people, because once he kills the target he is chasing, the clue will be broken.

This is why Zhang Xiaojing, who is called the Five Yamas in the play, resisted the urge to draw his sword several times, and chose to confront the murderer head-on.

This knife has been broken, with obvious cracks, apparently broken by falling from the roof during filming just now.

The filming will continue tomorrow. The knife is an important prop for Zhang Xiaojing in the play, and he cannot live without it.

But now the staff of the props are busy coordinating with the cleaning, drama cleaning and recovery of the filming site, obviously they can't get away.

Cheng Feng thought of this and said: "It's okay, I know where this knife is kept, and I will go to the warehouse to get one later, so as not to delay everyone's work when the filming starts tomorrow."

The make-up staff on the side heard the words, nodded, and didn't say much.

After taking off his make-up, Cheng Feng wore a casual outfit and went to the warehouse where the props are stored alone. As the props of the protagonist Zhang Xiaojing, there are many identical backups, in order to prevent similar situations from happening.

Cheng Feng will go over now, and bring a handful, so as not to deliberately find someone to come over to fetch it when he is busy tomorrow.

Tomorrow, when the filming starts, you can just bring it directly to the scene, and you don’t need to waste everyone’s time.

At the same time, Yang Qianxi was planning to find Cheng Feng. Ever since Cheng Feng told him his experience in the form of scenario simulation, his performance seemed to be enlightened, and it became more and more natural.

For this reason, Yang Qianxi is very grateful to Cheng Feng for taking care of him, after all, it is giving up Chun Dian to help him.

It was also because of this that Yang Qianxi wanted to formally thank Cheng Feng in person, and after much deliberation, he planned to treat Cheng Feng to a good meal, and still held a gift in his hand, planning to give it to him.

Originally, I went to look for him this evening, but I didn't expect Cheng Feng to start filming again. The wait lasted for several hours, and now it's more than nine o'clock in the evening.

Seeing Cheng Feng enter the dressing room, he didn't bother, but after waiting for a long time, he didn't see Cheng Feng himself.

Impatient Yang Qianxi ran to the dressing room, found the makeup artist in charge of Cheng Feng and asked, "Hi, teacher! I'm looking for Brother Cheng Feng, where is Brother Cheng Feng now?"

The make-up artist was arranging the items and costumes of the actors. Hearing this, he looked around and shook his head, "He was still here just now, why did this person disappear after a while?"

At this moment, a make-up worker reminded: "Just now I found out that Cheng Feng's knife is broken, I think I went to get it from the warehouse where the props are kept."

Yang Qianxi thanked her and left in a hurry.

Cheng Feng came to the warehouse where the props were stored, and searched for them by himself.

The entire warehouse has a variety of props, including the costumes of princes and ministers, armor and weapons of soldiers, some calligraphy and paintings, furniture...

It takes some effort to find Zhang Xiaojing's unique props in the play, unless they are pipe props, most people really need to spend some time searching.

Cheng Feng was no exception. He was alone on the classified shelves, searching one by one.

Finally, Cheng Feng saw a note stuck on a shelf, and a name was marked on the note: Zhang Xiaojing.

I finally found my own props along this shelf, and found that there were all the things Zhang Xiaojing used in the play.

There are many knives alone, some are real ones, some are made of wood and can be pulled out, and some cannot be pulled out.

Cheng Feng picked out the knife he used today, and was about to leave.

At this moment, a voice suddenly came from the prop room. Cheng Feng listened carefully, no matter how it sounded, it sounded like a child singing.

Listening carefully, a milky voice kept coming.

"Happy birthday to you! Happy birthday to you! Happy birthday to you..."

The child kept repeating this sentence and humming, Cheng Feng walked over curiously.

Walking along the sound, a young figure came into view, only saw a little boy sitting on an upside-down wooden barrel at this time.

This wooden bucket is specially made by the crew to imitate antiques. The child's young body sits on the inverted bucket base.

Opposite the child, there was the same upside-down bucket, and on that bucket, there was something that Cheng Feng could recognize at a glance.

Cheng Feng murmured in his heart: "Isn't there a box lunch that the crew usually eats on the bucket? Why is this kid singing birthday songs to such a box lunch?"

Seeing this, Cheng Feng was curious and couldn't help walking to the child's side.

(End of this chapter)