Chapter 455
In the past few days, the production crew has been busy with re-shooting the earlier scenes of Cheng Dieyi's childhood stage, and Cheng Feng didn't go to the production crew, and accompanied Li Yuan to live back to the world of the two of them.

At the airport, Cheng Feng was fully armed, wearing a mask and sunglasses, bid farewell to Li Yuan, and told her to call him if there was anything at home.

After Liyuan wrote it down, the husband and wife parted reluctantly. On the way back, Cheng Feng sat in the rented commercial car, and the day before the filming started was just two days away.

He needs to sort out the setting of the protagonist Cheng Dieyi, get ready for him when the filming starts, and complete the erection of the character's psychological image.

Outside the car window was the fleeting street scene. Cheng Feng lowered his head and thought, recalling the Farewell My Concubine he had seen in his previous life, combined with his own experience now.

The story of Xiaodouzi can come to an end, and everything that needs to be explained has been explained.

Looking at the street scene outside the car window, Cheng Feng recalled all kinds of plots, and couldn't help but groan in distress.

"The sound of falling flowers in the capital makes the pear orchard fall apart.

Emei picks the phoenix crown, which is played in the play of floating life.

The singing never stops, who makes peace softly.

How can you not be crazy if you spend your life for the king. "

Xiaodouzi died, and died in the hands of the secular world. The first time Xiaodouzi was sent to Xifucheng troupe, she was dressed as a well-behaved little girl.

The wandering mother said: "It's not that I don't want to raise it, but it's really hard to support the boy when he grows up."

Many people think that because Xiaodouzi is a boy, he can't stay in a place of fireworks like a brothel for a long time.

In fact, it is not so, you can stay, but the worst is to become the so-called tortoise and pimp in people's mouth.

Her mother, Yanhong, understands that she is the last prostitute in the lower class, and the number one in the lower class is an actor. Even though she is still not in the lower class, she still wants to send him out. This shows that Yanhong's mother seems to be heartless, but in fact With a decisive attitude of great love.

Xiaodouzi was born and raised in a brothel since she was a child. It can be imagined that Xiaodouzi was dressed as a girl in her childhood and grew up with her mother with difficulty.

At this time, Xiaodouzi was in the Electra stage of Freud's theory of sexual psychology development.

There is no strong father image around him, so his only object of attachment is his mother, Yanhong. Under such a complicated environment, it has already set the tone for Xiaodouzi to become Cheng Dieyi in the future.

To put it simply, he has been dressing up as a girl since he was a child, and he has the attribute of easily losing his identity since he was a child. Although he knows that he is about to play Huadan as a female role, he instinctively sticks to his self-cognition as a man, because once He accepts different definitions of identity, and he is more likely to get lost than other Peking Opera dan roles.

The reason why the film repeatedly emphasizes that Xiaodouzi would rather be beaten than say that she is a female Jiao'e is to let the audience see the deep setting in it.

It stands to reason that female roles should be cast by women, but at the time the patriarchal role was so serious that it was obviously a female role, but it had to be played by a man, because women are not qualified to be on stage, only men are worthy of being on stage.

In the film, Dieyi is attached to his mother at first, and he always retains that maternal love that is extremely precious to him.

When the six extra fingers were about to be cut off, Xiaodouzi said timidly, "Mother, I'm cold, I'm freezing."

Even though it was the first time he realized the humbleness of his birth, he was extremely disgusted with his biological mother, Yanhong, who was a prostitute, and burned the quilt his mother gave him.

But when Xiaodouzi became Cheng Dieyi for the second time, he said weakly: "Mom, I'm cold!"

At that time, he was going through the quagmire of quitting smoking. For the weak Dieyi, this was undoubtedly a kind of ordeal, and his mother was still the last warmth in his heart.

So every year he would write a letter to his mother and send it to the same place.

Even though his mother doesn't give him much love, Dieyi understands this kind of powerlessness.

And burning the quilt has another meaning, that is, he lost the original family support.

Immediately afterwards, the elder brother Xiao Shitou gave his quilt to Xiaodouzi, indicating that after Xiaodouzi lost the support of his mother, the elder brother quietly became his new support.

At that time, the elder brother was his elder brother, which is why Cheng Feng thought that Xiaodouzi's relationship with the elder brother at this time was mostly a brotherhood between relatives.

Coming to the Xifucheng Opera Troupe, Shige is undoubtedly the new reliance of the fragile Xiaodouzi.

The senior brother was beaten by the master for Xiaodouzi, and helped Xiaodouzi escape from the ridicule of his troupe partners. At this time, the senior brother gradually replaced his mother and became the closest person in Xiaodouzi's heart.

And during this period, from the latent period to the mature period of personal psychological development, Xiaodouzi was very close to her senior brother and rarely had contact with the opposite sex. They slept in each other's arms on the big bunk. The warmth must be unforgettable in Xiaodouzi's life.

But that is more like the interdependence between relatives. At this time, Xiaodouzi is still Xiaodouzi, and he and Xiaoshitou are brothers and sisters who share weal and woe.

The first time senior brother lost his temper with Xiaodouzi was before Eunuch Zhang’s meeting. Senior brother poked Xiaodouzi’s mouth angrily with a cigarette stick. With blood in his mouth, Xiaodouzi sang Yingyan’s curling words: "I was originally a girl, not a man."

It was at this moment that the attribute of being buried in Xiaodouzi early and easily causing gender loss and sinking was triggered.

Now Xiaodouzi understands that only by letting go of his childish and strong gender identity, can this senior brother whom he relies on instead of his mother never leave him, and only then can he retain the warmth and care of his senior brother.

How could his fragile and lonely heart be without the company of his mother, and then let him have no senior brother to rely on. At this time, he was still young, and the self-identity hint of the female Jiao'e could make him like his master and be accompanied by his senior brother. It is also his first step into the sinking of identity and gender identity.

Finally, it was the first time that the senior brother and he were on the same stage. When Dieyi spoke, the audience applauded, young and handsome.

Xiaodouzi is already a teenager, but she is more considerate like a daughter. At this time, the brothers and sisters are inseparable.

Now it's over, gender loss, coupled with Oedipus complex, naturally transferred to his support in the theater troupe, he really fell in love with his senior brother.

Many queer people accidentally got offended with their same-sex partners because they lived in dormitories during adolescence, joined the army, and other reasons.

After experiencing Eunuch Zhang's unspoken rules, Xiaodouzi still had a trace of clear and clear male personality, which was completely cut off.

Xiaodouzi silently swallowed his grievances by himself, entered this door without looking back, what can he do as an actor, he is just an opera singer.

The world is difficult, and it is enough to have a senior brother. He has a feeling of being dependent on each other and relying on each other.

Now that he knows that his love for his senior brother is as light as weight in his heart, it is very appropriate to walk around on the high platform with his senior brother waving his sleeves and sing a long song for the rest of his life.

From then on, the original Xiaodouzi died and became Cheng Dieyi, and when the former Xiaodouzi was found again...

After sorting it out, Cheng Feng breathed a sigh of relief, and the psychological process of the characters has been erected.

Next, what he, Cheng Feng, has to do is to bring this eternally smiling and magnificent Zhenyu Concubine to the world in this plane.

In a word, he's about to start acting!

(End of this chapter)

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