The peak acting skills of the actor

Chapter 446 Showdown

Seeing so many people watching from the sidelines, Cheng Feng's face was painted with handsome makeup. At this moment, Cheng Feng was wearing a wishful crown, wearing a yellow cape, and dressed in a Beijing opera Yu concubine appearance. He was strictly following the instructor's requirements Listen to Yu Ji's aria.

At this meeting, Cheng Feng has a natural charm of Peking Opera, and the film consultant Wang Peiyu secretly sighs in his heart, Cheng Feng's talent in Peking Opera.

In private, people in the industry have mentioned to her more than once that Cheng Feng's Concubine Yu will become a stunning image of Concubine Yu in people's hearts in the entire Beijing Liyuan tour once she makes her debut.

"If it was put into the heyday of Peking Opera, Cheng Feng would not talk about acting in movies, even if he entered Liyuanxing, he would become a top Huadan star!"

This was Wang Peiyu's evaluation of Cheng Feng from the bottom of his heart. Although Cheng Feng was seriously receiving training in Farewell My Concubine opera performance, he also knew why so many people came to watch.

Cheng Feng murmured to himself: "I wanted to get along with you as ordinary people, but what I got in exchange was alienation!
Stop pretending, I'm a genius, I'm on a showdown! "

Of course, Cheng Feng's words are a self-deprecating joke. The implication is that Cheng Feng is self-deprecating. He originally wanted to use his own ability to learn Peking Opera, but he really complied with that sentence. year work!

He still chose the assistance provided by the system. Only in this way can he learn the grooves and grooves of Huadan's performance in a short time.

There are too many standards for Peking Opera Huadan performance alone, and each standard has strict standards.

Every frown and smile has a very deep background. Take the basic skills of water sleeves used in Huadan's performance, Cheng Feng was stunned when he first came into contact with them.

At the beginning, the instructor meticulously demonstrated one by one, first flicking the sleeves, stretching the sleeves in front of the thighs, and then shaking them to the side, either left or right, expressing the meaning of dusting off the whole clothes. Similar to the singer in the concert shouting: "The show begins!"

There is also throwing sleeves, also known as throwing sleeves. Both sleeves are thrown to the side. It can be used either left or right or single. It can only be used when the characters in the plot are angry. Ah, it's so annoying! I can't wait to slap you!"

The next step is to lift the sleeves. Turn your elbows back first, and then brush the sleeves out horizontally, keeping them lower than your chest.

When performing, it means that a person is going to leave. When the audience sees this gesture, they will know that this person is leaving the stage. You can’t use this gesture when you first come on stage, otherwise the audience may think that you are not going to perform.

Then swing the sleeves, and make the butterfly wings with both sleeves at the same time. First shake inward, then outward, several times indefinitely, which means that the character is anxious and flustered, just like an actor in a film and television drama scratching his hair in a hurry. Li murmured: "It's over! It's over! What to do! What to do!"

Immediately after is throwing the sleeve, first throwing the right sleeve, then throwing the left sleeve, grabbing the sleeve and then throwing it straight forward, which means that the person is in a state of helplessness, just like watching a national football game, the fans cover their faces: "I really beeped the dog!"

There are also cover sleeves, raise the sleeves to the face, bend the front hands inward, make the elbows round to cover the face, take a step back and lower the sleeves, look out and repeat three times, expressing that you want to see and are shy, a little smiling The meaning of shy answering is to express the state of a girl being teased.

It's like in an idol drama where the guy talks nasty love words, and the girl covers her face shyly and says, "It's disgusting, I'm ignoring you!"

Then there is the sleeve swing, the right hand pulls the tip of the left sleeve and swings it back and forth to the left and right, the number of times is indefinite, which means that my sister is happy and loves me!
Afterwards, the sleeves were raised, the sleeves were lifted up, the sleeves were flicked inward and placed on the wrists, and the eyes were looking into the distance.

It means that people in the play look from a distance or call gongs and drums, which is similar to reminding the DJ on the stage to sing and I'm going to dance!
And double raise the sleeves, move both hands, expressing that my sister is very happy!
The other is to hold the sleeves, turn the two sleeves inwards and fold them out of the arms, then put the hands in front of the mouth, and shake them three times, which means begging or as in the breakup scene in a film and television drama, a certain party tries to keep it and shouts: "Listen to my explanation!"

After this trip, Cheng Feng was a little dumbfounded. The application of these movements had to be coordinated with the plot, one by one. This was the basic skill of flicking sleeves. Coupled with other requirements, Cheng Feng knew why Peking Opera declined.

It’s really hard work, worked out little by little, and the requirements for actors’ performances are particularly high. Peking opera actors are different from other actors, and the threshold is extremely high. If anyone in the entertainment industry can try to be an actor, then Peking opera actors, you Don't even think about performing on stage if you haven't worked hard for more than ten years, even if you go up, you will show up directly, there is no room for negotiation.

The performance of Peking Opera requires the practitioners to study hard and practice hard. They must integrate these movements and expressions into their bones before they can perform instinctively on the stage as if they were commanded by their arms.

No wonder Cheng Feng watches opera actors. In normal life, you will notice that they have a common characteristic, that is, the spirit between the eyebrows, which is different from others.

Take Wang Peiyu as an example, Cheng Feng has also watched the variety shows she has appeared on, and he also laughs and plays like ordinary people, but there is a lot of energy in his body, his eyes and his eyes, and he can't explain it clearly. This is actually to some extent The above also explains the impact of learning opera performance on a person's overall image and temperament. This impact is from the inside out to the bone, and once it is formed, it cannot be thrown away when it grows old.

If this is a requirement for Peking Opera actors, after Cheng Feng really came into contact with opera, he discovered that there is another reason for the decline of the national quintessence of opera now, and that is that there is also a threshold for audiences, the threshold for watching operas!

To sum up, if you don't have any knowledge of opera appreciation, you don't know how good or bad the performance is after a scene, and you can't watch it.

After Cheng Feng got to know it, he understood that he wanted to pass a few months of study, so he wanted to enter the classroom, and he was a bit delusional.

For this reason, he can only give up his previous plan, switch to system assistance, and soak in the ocean of opera performances, hoping to have a very high degree of mastery in playing the role of Concubine Yu in a short time.

But when he did this, he immediately attracted the attention of people in the industry. The most shocked people were Wang Peiyu, the film and opera consultant, and the teacher who personally taught and demonstrated.

The two have witnessed that Cheng Feng was at a loss and clumsy at the beginning, and then within less than a week of training, he seemed to be enlightened, which was very different from the state he was in when he first came into contact with Peking Opera Huadan performances.

It seems that everyone who has been invading drama performances since childhood has a demeanor that ordinary people cannot match.

This is subversive. The so-called layman watches the excitement, and the insider watches the way. For Wang Peiyu and his instructor, learning and honing skills since childhood has been hard for many years. Practiced such a set of opera skills.

Like Cheng Feng, the glamorous Concubine Yu's appearance is like overnight, as if granted by a god, her posture is graceful, and she is full of guru-level romantics, so why can't they be shocked by these old fritters who have been in the Liyuan.

(End of this chapter)