God-level Golden Hand

Chapter 759 Five Meters Long Giant Mac
Qianlong's artistic accomplishment has always been outstanding among many feudal rulers, not to mention the poems left behind. Although the level is not the top, the number alone is enough to make most poets feel ashamed.

Putting poetry aside, the level of calligraphy and painting has always been talked about by people, especially the level of calligraphy, even if judged by the current eyes, it is also a first-class level. If he does not become the emperor, he may become a legend. Calligrapher and poet.

Take the four big characters of "Quehua Autumn" inscribed by Qianlong as an example, they are very outstanding. Not only the font is dignified and the brushwork is chic, but even the ink color has been adjusted. It is not pure black, but with a little bit of blue. The grim tone of the picture is very consistent, and this alone is enough to prove that Qianlong's achievements in the field of art did not come out of thin air.

In addition to the color tone, the size of the font and the overall layout are also perfectly matched with the main picture. Those who don’t know will definitely regard these four characters as Zhao Mengfu’s own handwriting, because the effect is so good, and the coldness in the painting The misty and rainy atmosphere is reflected in the turning point of the strokes.

To put it more bluntly, these four words are not just four words, but more like a painting.

You must know that the ancients generally did not name their own paintings when they painted. They are usually named by descendants or others, and they should not be named randomly. If they are not well named, they will make people confused. role.

The four characters "Magpie Blossoms and Autumn Colors" are exactly the name Qianlong gave to Zhao Mengfu's painting. These four seemingly simple characters describe the theme and highlights of the painting perfectly, making people see these four characters. You can think of what kind of painting it is with just a few big characters, and you can even appreciate the charm of the painting from the simple four characters.

This is the effect of a good postscript.

Of course, this is the result of appreciating it with the eyes of ordinary people. If someone has the eye of truth like Xu Jingxing, they will find that the physical strength of these four characters is almost stronger than that of Zhenghua.

What is the physical property of words?Words of course.

However, the physical properties of the four characters "Magpie Blossoms and Autumn Colors" seem to be made of gold, deeply inlaid on the light yellow rice paper, extremely powerful, and almost become the most eye-catching existence in the whole picture scroll. To use a vivid metaphor, these four characters are like the name of the city engraved in the center of the gate of the ancient city tower, because pedestrians who come and go want to understand a city, they must first start with the name of the city on the gate of the tower.

Of course, Qianlong left too many traces on this picture scroll, nine inscriptions and postscripts, 26 seals, each trace is so eye-catching, after all, among so many collectors, Qianlong's status is the most respected.

Apart from Qianlong, of course it was Dong Qichang's turn, and Dong Qichang continued the five inscriptions, which shows his love and appreciation for this painting. It is said that Dong Qichang recommended this painting to Qianlong.

In addition to Dong Qichang and Qianlong, the two inscription madmen and seal madmen, there are also seals and inscriptions from other collectors in the scroll, which are also very exciting.

To put it a bit pretentious, in Xu Jingxing's eyes, the artistic content of the inscriptions and seals on this picture scroll almost surpassed the picture scroll itself, especially those seals, which are really wonderful. It's a masterpiece, it's really intoxicating.

In his opinion, the reason why this painting has such a great reputation is that apart from Zhao Mengfu's really good painting, these seals and inscriptions are also the key points. It is said that there are some people who specially edited the inscriptions and seals I have done research, but so far I haven't figured out the origin of all the seals. After all, the content of some seals is very abstract, and they are not even words at all, but seals similar to monograms, so there is no way to study them at all.

Therefore, strictly speaking, this painting was actually drawn jointly by Zhao Mengfu and later generations of collectors. Every word and every seal in the scroll is indispensable, and one missing is like one missing. The person who pointed the finger is the same.

But now, the entire five-meter-long authentic "Picture of Quehua Autumn Colors" is placed in front of him. As long as he hands over the scroll in his hand, he can become the new owner of this national treasure-level landscape painting.

Thinking of this, his heart beat faster and faster, and he even felt like he was in a dream.

Think about it too, when did he have the qualifications to own a national treasure of this level?Not to mention owning it, I didn’t even have the qualification to touch it before, because most of the national treasure-level cultural relics are forbidden to touch or even take pictures.As for the national treasure "The Autumn Colors of Quehua" which is collected in the hometown of Tai, I don't even have the qualifications to visit it, because this kind of national treasure is not open to people every day, but only on a regular basis. "Autumn Colors of Quehua" is In this way, it is rare to see it in normal times. Although it has been transported abroad for exhibitions, it has only been a few times over the years, and it is really not easy to see it once.

On the contrary, there are more national treasures open to the public at the Capital Old House. After all, the Capital Old House has a larger scale, a stronger ability to receive tourists, stronger maintenance capabilities, and more orderly management.

If "The Autumn Colors of Quehuahua" is still in the old courtyard of the capital, there is an opportunity for more ordinary people to see what this painting looks like with their own eyes. At least let most people know that this painting is not just 90.2×28.4 The size is not the same size, but a giant with a total length of nearly five meters.

Of course, this doesn't mean that he intends to donate the painting. Even if he wants to donate it, he must absorb the spiritual energy inside.

But the premise is that he can get the painting in his hands and get rid of the troubles that follow. He doesn't think that such a priceless national treasure cultural relic will be in his hands without any trouble, maybe Taiwan's cause and even Baodao are frantically looking for this painting. After all, such a national treasure has disappeared for no reason, and anyone who changes it will go crazy.

Even if Taigu didn't discover the loss of this painting for the time being, it will be discovered sooner or later, and it will be traced sooner or later. Even if it is replaced by a high-quality imitation with a high degree of imitation, it will be discovered one day.

And he can only pray that these troubles come a little later, at least let him suck up the aura in the painting.

Now, what he has to do is to carefully put away the painting, and immediately go to the place where he lives to absorb the aura, and try to avoid side effects as much as possible. After all, there is an idiom called "long nights and many dreams".

Thinking of this, he handed the painting he drew to Jin Zhigang, carefully rolled up the "Autumn Colors of Magpies and Blossoms" that had been divided into three parts, turned around and left, still sitting on Lin Xiaoya's Da Lao, but when Da Lao quickly returned to him When I was staying at the place where I was staying, I was stopped on the road by three roaring police cars.

(End of this chapter)