God-level Golden Hand

Chapter 713
Xu Jingxing's explanation had an effect, Yin Xiaojing really didn't doubt anything, but asked a little bit worried: "Those people won't come to trouble us again, will they?"

"Don't worry, no one would dare to hurt you with me around," he replied proudly, patting his chest.

"Bragging," Yin Xiaojing rolled his eyes at him, "Then you are going to stay in Quancheng for a few more days?"

"Don't like it?"

"What do you think?" Yin Xiaojing asked with a charming smile, tilting her head and staring into his eyes.

"Is this a problem? Let's have a good discussion," he said with a chuckle, bent over to wrap the waist of Xiao Yaojing, picked it up, and went straight to the bedroom.

In Quancheng, the two of them were completely liberated, no matter whether it was day or night, they started messing around. After a series of fierce battles, they hugged each other and fell asleep without even bothering to eat dinner.

But Xu Jingxing didn't sleep for too long, only two or three hours. He woke up around eight o'clock. He opened his eyes and looked around for a while. Seeing that Yin Xiaojing was sleeping soundly, he quietly got up, washed up and put on clothes Putting on pajamas and coming to the study, I turned on the computer and searched for relevant information about Zhao Mengfu and "The Picture of Autumn Colors in Magpies and Flowers".

He has some information in his brain, but it is only some basic information, which is very brief. If he wants to study and understand this painting in depth, he still has to go online.Of course, relatively speaking, the information on the Internet is not rich, there are many repetitions and fragmentary information, but it is much more than the information in his brain, enough for him to have a good understanding of Zhao Mengfu and "The Autumn Colors of Que Hua". A more accurate and vivid understanding.

What satisfies him most is that there are too many comments and appreciations on the Internet for Zhao Mengfu and "The Autumn Colors of Que Hua", which are of great help to his understanding and understanding of this painting. Young people in their early teens, compared with some old people, there is still a gap in experience.

Sure enough, with the continuous flipping of the webpage, his cognition of Zhao Mengfu and "The Autumn Colors of Que Hua" became more and more specific, especially the image of Zhao Mengfu, the master of painting, became more and more full in his mind. He even had the confidence to draw a sketch portrait of Zhao Mengfu for the image of the old man in ancient costume that he "observed" at Jin Er's house.

Afraid that he would forget some details, he did it right away as he said, and spent half an hour drawing a very realistic sketch portrait of a character. It is more real than what he "observed".

Looking at this freshly released full-body sketch of Zhao Mengfu for a moment, he nodded in satisfaction, and nailed it to the wall directly opposite the desk with a thumbtack, then continued to study "The Autumn Colors of Magpies and Flowers", trying to find out what Jin Er said from the Internet. that feeling.

However, Jin Er himself was not clear about what he said, and the information on the Internet mountain was mostly piecemeal and correct, so the more he read, the more confused he became.

Could it be that I really have nothing to do with the high imitation version of "The Autumn Colors of Magpies and Blossoms"?
He thumped the wide and thick desk in distress, and slumped on the chair. When he looked up, he saw the sketch of Zhao Mengfu on the wall. At that moment, he had the feeling that the portrait had a spirit. As if coming over, he stared at him seriously.

Well, when he made this painting, he did make Zhao Mengfu a little more serious, which should be a psychological effect.

However, it also gave him inspiration. Although the feeling Jin Er said was vague, there are only so many feelings that can be contained in a painting. If Jin Er can feel it, he should be able to, it makes no sense. His awareness ability is not as strong as that of Jin Er, right?

If you think about it this way, it's much simpler. What abnormal characteristics are hidden in the high imitation version of "The Autumn Colors of Que Hua"?One: the artistic beauty brought by the superb painting skills; two: the lofty artistic conception that Zhao Mengfu endows the works; three: the relatively strong physical properties of the scroll; four: the aura contained in the scroll.

Among the four characteristics, the first two are purely technical, while the latter two involve metaphysics.

Ordinarily, the latter two requirements should be the most difficult to meet, because the latter two characteristics are beyond the cognition of ordinary people, and most painters have no way to start.

But for Xu Jingxing, it's just the opposite. His skills may still be lacking, but he has a consciousness beyond ordinary people, and he even has a magical wishful glove. He has even created works with strong natural characteristics—— The compass made for Taoist Xuanyang.

Thinking about it this way, it is more impossible to meet Jin Er's requirements, but the difficulty is still very high. Even if he has a successful experience, he needs to keep trying, and try again. After all, painting is not the same as making a compass. Similarly, the compass is inherently mysterious when holding things. It is relatively easy to inspire the physical properties of the compass, but the painting is different. There are so many famous paintings handed down from generation to generation, but few of them have physical properties.

Therefore, he wondered whether he should stay in Quancheng for a while, because he really didn't have the confidence to succeed once.

It's just like this, and I don't know how to talk to Jin Xiaoxiao. I originally agreed to go back in three or two days, but two days have passed. Judging by this posture, I have to stay here for at least a week, or even longer .But when he thought of the highly imitated "Autumn Colors of Magpie Flowers", he didn't care so much, and immediately gathered his mind to conceive a new painting.

In fact, the creative thinking of traditional Chinese painting is not the same as that of oil painting. Oil painting or Western art requires a lot of preparation before creation, such as layout, color matching, conception, drafting and other processes are indispensable, but many high-level Chinese paintings are the result of bursts of inspiration , You can start with a pen, a piece of paper, a bowl of water and a bowl of ink, especially freehand paintings, many of which are completed in one go and take a very short time.

But Xu Jingxing has no inspiration now, but he seems to be trying to find the feeling of bursting out of inspiration. Naturally, it is difficult, and what he wants to paint is a color painting, so there must be no shortage of necessary preparatory work, at least what may be used Are the dyes prepared?
There are only a few kinds of dyes commonly used in traditional Chinese painting, but they are only basic colors. Painters generally adjust them according to their own needs. Some painters even keep their own dye recipes secret, fearing that others will learn them.

What he bought was a whole set, and of course they were all finished products. A large box was filled with bits and pieces. The complexity seemed not much different from the dyes used in oil paintings, but to experts, it was actually nothing. It's rare, as long as you are not color blind, you will know what color and how to match it after playing for two more days.

It's just that he himself rarely draws color-setting paintings, and there are only one or two color-setting paintings that can be obtained up to now. He is really not very good at mixing dyes, so he is really a little confused for a while.

(End of this chapter)