God-level Golden Hand

Chapter 271

Xu Jingxing and Cheng Lin flirted with each other all day long, but they didn't delay their work, even though it was private work.

The so-called private work refers to the four bricks and inkstones that have already been owned. Except for An Xin's piece that has been completed before, Ding Shuhuai's "Thousand Miles Journey" and Cheng Lin's have been completed.

Ding Shuhuai's "Journey of a Thousand Miles" is the simplest. The whole brick has hardly been polished, and it still retains the appearance of the city brick when it was unearthed. Ping, engraved on the top of the four inscribed seal characters of "A Thousand Miles of Journey", the font is ancient and powerful, calm and powerful.

Moreover, when carving, the traces of chisel carvings were kept as much as possible. At first glance, it is a bit bumpy, but when you taste it carefully, there is a kind of down-to-earth energy, like footprints branded on the ground. "A journey of a thousand miles begins with a single step" coincides with the theme.

Not only that, these four characters can be used as seals when they are stained with ink. Although the ornamental value is strong, this kind of brick inkstone with both seal and inkstone has won the appreciation of Ding Shuhuai. After getting the finished product, he likes it. It's like becoming a father, and even praised Xu Jingxing for his good idea.

It's just that the inkstone falls into the hands of Ding Shuhuai, so it can be used as an ornamental object, because Ding Shuhuai can neither draw nor write calligraphy. In terms of calligraphy and painting, except for his eyesight, his hands-on ability is almost zero.

On the contrary, it was Cheng Lin who was free and Xiaolu showed her hand, and her beautiful lower case characters were quite amazing.

Seeing Cheng Lin's good handwriting, Xu Jingxing paid more attention to carving the inkstone. He drew nearly ten sketches, and asked Cheng Lin's opinion before starting to do it.

In order to show off his skills in front of his girlfriend, he really used all his skills, and tried his best to be as gentle and careful as possible, as if he was not carving bricks, but putting makeup on the female fairy.

After two whole days, the brick and inkstone finally took shape. When he handed the inkstone to the female fairy, the female fairy's eyes turned red, and she gave him a hot kiss in front of An Xin.

In exchange for such a passionate kiss, he felt that all these efforts were not in vain.

Of course, the inkstone that can be exchanged for a passionate kiss from the banshee is definitely not ordinary. Not to mention the banshee was moved, even he himself was a little reluctant to give it away, because it was too exquisite.

The overall shape of this inkstone is slightly different from that of the other two. The overall shape is oval, and the left side is high and the right is low. At first glance, it looks more like a brick carving ornament than an inkstone.

The pattern of the inkstone is generally carved around or on one side of the inkstone pool, because the inkstone is a practical tool, no matter what pattern the inkstone is carved into, it must be a flat pool, so there is relatively less space for carving. Especially the size of the brick inkstone is so big.

It is self-evident that it is difficult to carve out a large part of the space for the inkstone pool when the size is already fixed, but Xu Jingxing insisted on relying on his exquisite conception and understanding of space. Clever use squeezed out a part of the space.

The so-called ingenious use is actually not very unique. It is nothing more than expanding the plane space into the three-dimensional space. There are several ten square centimeters on the plane of ten square centimeters that can be used, just like the storage cabinets erected in mid-air in the room. Similarly, it is not a profound truth to put the cabinet in mid-air, which is not only beautiful and practical, but also frees up space on the ground.

However, it is estimated that he is the only one who applies the concept of changing a plane into a three-dimensional inkstone.

It’s complicated to say, but it’s actually very simple to do, that is, the part where the inkstone is located is ground to half the thickness of the brick. In this way, the space that can be used for carving immediately changes from a limited plane to half the thickness of the brick. three-dimensional space.

On the three-dimensional space that is one-half the thickness of the brick, he carved a large clump of rose flowers and a rose fairy in green gauze. The rose fairy is different from the common image of flying fairies. The figure sitting and reclining on a rockery is taking a nap among the flowers.

And large clumps of rose flowers are scattered around the rose flower fairy, like stars arching the moon to protect the flower fairy in the nap, and beside the flower fairy is a delicate bamboo flower basket. There are a few rose flowers that seem to be still stained with dew.

This image of the flower fairy is different from the conventional image, which makes this inkstone look particularly lifelike. At the same time, the lazy and casual posture of the flower fairy also makes the inkstone look more friendly. The bamboo basket next to the flower fairy is also related to the legend of the rose fairy. match.

What's more, the appearance of this rose fairy is somewhat similar to that of the female fairy Cheng Lin, especially the charming demeanor, which is almost the same as that carved out of a mold.

The lazy and moving rose fairy and the layered but dense rose flowers occupy a space that is one-quarter long and one-half thick of a city brick, but it doesn't look crowded at all, but it looks very freehand , although the rose fairy who is the protagonist is half sitting and half lying down, her long legs are stretched out, and the long legs covered by light gauze stretch directly into the inkstone pond under the crowd of rose flowers.

Of course, the practicability of the inkstone pool must not be destroyed, so the closer to the inkstone pool, whether it is a rose flower or a rose fairy, the more freehand the carving technique used, the sole of the foot at the end is simply outlined with a single Yin line, which looks faintly visible, both The aesthetic feeling also ensures the practicability of the inkstone. At the same time, the inkstone is integrated with the carvings, so that you can have me in you and you in me.

Although Cheng Lin is not an expert, but influenced by her grandfather, she still has the basic ability of art appreciation. She may not be able to identify how practical an inkstone is, but she can identify how high the artistic content of an inkstone is.

Seeing this square inkstone, she knew that Xu Jingxing really put his heart into carving, from conception and design to carving, every detail was almost perfect.

Yes, this is just an inkstone, and it was ground with ugly city bricks, but to Cheng Lin, this is more precious than those expensive famous inkstones.Coupled with the fact that he witnessed Xu Jingxing's efforts in carving this inkstone before, he couldn't help but kiss him in public.

When giving a gift, it is easier to move people with heart than money.

But An Xin on the side couldn't understand, "Master, is this a rose? Did the Rose Fairy say that? Doesn't this seem inappropriate?"

Xu Jingxing coughed, let go of Cheng Lin, and scolded solemnly: "Fortunately, there are no outsiders here. If other people hear your question, they will have to laugh their heads off."

(End of this chapter)