God-level Golden Hand

Chapter 247

The friend Xu Jingxing was looking for had a rather interesting ID called "Half-body off-screen Qianqiu Sui". This ID is quite poetic at first glance, but it is definitely not interesting.

However, you should know that these seven characters are the title and title of a poem written by Hui Hong, a famous poet monk in the Northern Song Dynasty. The description turned out to be a woman's boudoir thoughts.

Many poets and poets in ancient times had poems in this field. However, a poet monk who became a monk at the age of 14 also followed the trend and wrote boudoir grievances, so it seems a bit eye-popping. It was not light to be thundered.

However, what I have to admit is that this poem is quite good. The full text is written in this way. You can taste it and see what kind of style the boudoir grievance poem written by the dignified poet monk is.

"Thousands of Years Half-length off-screen"

half off screen.Sleep red lips fade.Spring thoughts are chaotic, and Fang's heart is broken.Spare hairpin jade, but no tassels.Try and ask, who should be right for today's show.Xiangpu once met.Lightly cover the cover with your hand.Doubt is a dream, it is still there today.It's very easy to end in spring, and it's hard to change a little love.There are many things, but with hatred, the sea of ​​clouds is far away.

Xu Jingxing was quite impressed with this poem. In fact, there is another reason, that is, the boudoir thought described in this poem is not the lovesickness of husband and wife, but the longing for the lover, and it is a one-night relationship. A young woman recalled the past of a tryst with someone on the shore of the Xiangshui River, especially Xia Que's "It's very easy to die, and a little love is hard to change", which vividly portrays the unforgettable heart of nostalgia.

Of course, Xu Jingxing found it even more interesting that the person using such an ID turned out to be an old man over seventy years old.

That's right, the "Qianqiu Sui" he asked for help was an old man over seventy years old. Although "Qian Qiu Sui" said it himself, according to his observations, this "Qian Qiu Sui" really didn't Lying, because age can be faked, but the wisdom and open-mindedness accumulated over the long years are not available to everyone, let alone imitated.

What's more, this "Qianqiu Sui" is also an old carpenter with extremely rich knowledge and experience, and even mastered some ancient building methods that he thought had been lost.

The construction process of the wooden arched bridge was so smooth, thanks to this "Qianqiu Sui". In the past two months, he has often asked this seventy-year-old man for help.

Of course, he was able to know this experienced seventy-year-old carpenter because of the development of the Internet. When he encountered a problem for the first time, he tried to ask on "Gujian.com". After answering that question, when he was about to be disappointed, this [-]-year-old carpenter with a rather interesting ID popped up and solved his doubts in a few words, which surprised him, so he tentatively added a friend.

Later, when I encountered a problem, I tried to ask it a few times, but I could get a satisfactory answer every time. After two months, I have become quite familiar with it.

So when he asked for help, he didn't have too much politeness, and said what he had.

Soon, Qian Qiusui wrote back, "What problem did you encounter this time?"

"It's such a big problem, it's really worrying me to death," he replied quickly, "It's like this, I need to build several wooden towers in this project, one of which is nine stories and 33 meters high according to the design, and the structure is similar to the Tianning Temple Lingxiao Pagoda is similar, but there was a conflict with an old man on the fundamental issue, and none of us could convince the other."

"Oh? What kind of foundation do you want to adopt?"

"I definitely want to use the Xumizuo style. This structure is simple, practical and quite reliable. This is how my drawings are designed, and this tower is built on a small island in the middle of the lake. The tower base with this structure is perfect. However, the partners insisted on digging deeper, saying that the Xumizuo is not very strong and there is a risk of collapse.”

Qianqiu Sui: "It's not easy, why don't you just let him see the Shengjin Pagoda? Don't say you don't know the Shengjin Pagoda."

"Don't tease me, how could I not know about the famous Shengjin Pagoda, I took out the Shengjin Pagoda on the spot, but people said that 'a single evidence cannot be regarded as a common sense', saying that a Shengjin Pagoda can't explain the problem, Where do you ask me to find so many Sumeru-style tower bases to give him evidence at this time? Isn't this embarrassing!"

"Then what's the use of you looking for me?"

"Hey, don't you think that you are a well-informed old man, and you can show me the way."

"I said you kid is getting more and more over the top. I used to help you explain difficult problems. It didn't take much effort, but searching for information is a labor-intensive job. You are ashamed to ask."

"Cough cough cough, of course I'm sorry, but there's no other way, otherwise, if you can help me solve this problem, I'll give you a brick inkstone carved by myself, let me tell you , although I am doing ancient architectural design now, my job is actually a sculptor. Hehe, my craftsmanship is quite good, and this brick is not an ordinary brick. I bought it at the foot of the ancient city wall in Kecheng , the texture is hard and delicate, and when it is ground into an inkstone, it is not much worse than the best of the four famous inkstones."

"Oh? You're still a sculptor? Come on, let me see your craftsmanship first. If you can pass the test, I will agree to this deal. If your craftsmanship is mediocre, don't blame my old man for not giving you face."

"Small meaning, wait for a moment," Xu Jingxing was not modest when it came to his old profession, he took out his mobile phone and passed the photos of his favorite works that he had saved, including small objects that were usually carved, and some for Jin Xiaoxiao. I made bracelets with bas-relief three-dimensional patterns, as well as furniture for Zhou Zhenshan and the others, and the seated statue of Lu Zu carved in Xiaoqingshan.

A few minutes later, "Qianqiu Sui" replied to the message and asked, "Are you from the capital?"

"No, I'm from Daocheng, I haven't been to the capital in my life," he said here, his heart suddenly jumped, because he remembered that Zhou Zhenshan said at the time that his mother seemed to be from the capital. Most likely visited the capital as a child.

Of course, he has no relevant impressions in his memory, so it is not a lie to say that he has not been to the capital.

Qianqiu Sui: "That's it, well, your kid's skills have passed the test. I didn't expect it to be quite interesting, especially the statue of Lu Zu, which is very tasteful. I have to go and see it in person when I have time. Give me a look." Address, and give me a mobile phone number, and I will send it to you when I find relevant examples."

"Hey, you old man is simply a living Bodhisattva who saves the suffering. Thank you for your hard work. By the way, do you have any requirements for bricks and inkstones? I can tailor them for you."

(End of this chapter)