Chapter 167
Of course, this is also beneficial, that is, his foundation is quite solid, and he only specializes in black and white ink painting in painting, so his attainments in this area should not be underestimated.Although the level may not be as high as that of calligraphy, it is not too far behind.

Moreover, although black and white ink painting is the most primitive and traditional technique, it is also one of the most difficult painting techniques, because there are only black and white two colors, which requires the creator to have richer imagination and more skilled skills when painting. The control of color and space must also reach a very high level, and at the same time, the brushwork must not be bad. If these factors are slightly worse, the resulting painting will not be readable.

Especially for freehand works, the style seems random and abstract, but in fact the requirements for brushwork are very high. When creating, the brush must not be messy at all, and must be completed in one go. If the basic skills are not enough, the drawn freehand paintings will be difficult Became children's graffiti.

This freehand painting is somewhat similar to cursive script. It seems very casual, but it requires very high basic skills.If the basic skills are good, the cursive script written will look good, but if the basic skills are not good but you have to write cursive script by force, then what you write will be snakes hanging on the treetops instead of cursive script.

Old man Cheng is also an expert. Hearing what Xu Jingxing said, he naturally understood the truth. Because of this, he was even more curious, because there are not many young people who only study freehand ink painting now, and it can even be said to be very rare, because now When most young people learn to paint, they usually start with sketches, and then switch to fine brushwork or oil painting. Many young art students don't even know how to paint with brushes, let alone do freehand ink paintings.

So I immediately took a painting plate with great interest, "Come here, let me open my eyes. I am ashamed to say that although I can draw a few strokes, I can only draw a few meticulous brushstrokes like cats and tigers. I can't even touch the freehand ink painting." I’ve touched it before, but I can only watch other people’s paintings, and I don’t know where to start with the brush.”

Xu Jingxing was in a bit of a dilemma, because the freehand brushwork was more about artistic conception, and the atmosphere had to be well established when painting. In this haste, he really didn't know what to draw. If the artistic conception was insufficient, then the freehand brushwork would not have any necessary to exist.

Turning her head to look at Cheng Lin, she saw that the female fairy was raising her fist to encourage him, her big charming eyes were full of anticipation.

Well, go all out, and make a fool of yourself.

Thinking about it this way, I grind the ink, adjust the ink, and the backing paper by myself, and I am busy with a lot of work and I am ready.

Freehand painting is only black and white, but the colors also need to be divided into shades and shades. Black can be divided into several levels.When grinding the ink, add less water, and the ink color will be black and bright. If you add more water, it will show a smudge effect. The lightest black can even show a silky smoke effect when it falls on the rice paper, which is very magic.

How to adjust what kind of ink color, this is all skillful, without two or three years of professional research, ordinary people really can't adjust ink color as they like.Light-adjusting ink requires technical content in this way, and it is naturally more difficult to paint with various ink colors.

Jumping the ink, holding the brush and facing the smooth raw rice paper, still brewing feelings.

Raw Xuan is untreated rice paper. This kind of rice paper is most suitable for ink painting, because it has very good water absorption and wetness, and it is easy to produce a smudge effect, and the ink rhyme is very strong.Of course, because the blurring effect of water and ink is an uncertain factor, it is very difficult to paint with raw Xuan. In order to avoid this uncertain factor, some painters will use cooked Xuan or half-cooked Xuan, which is better to control the ink color. trends and changes.

Moreover, with the development of modern science and technology, there is a special glue for ink painting in the world. Mixing this glue with ink and painting on raw rice paper can achieve the effect of cooked or semi-cooked rice paper, but this method has some disadvantages. It is suspected of cheating, so real painters rarely use it, even if they use it secretly, they will say it is useless in publicity, anyway, ordinary people can't tell whether it is used or not.

Of course Xu Jingxing disdained to use that kind of cheating method. If he wanted to reduce the difficulty, he could just use Shuxuan directly. How embarrassing it would be to be exposed.

But some people just like to do this. Xu Jingxing once visited the ink wash exhibition of a certain member of the National Art Association in the Municipal Art Museum. That was a famous painter with the title of "Master of Ink Wash", but he was such a master ink wash painter. , I secretly used glue when painting.

When he discovered this, he let go of the depression in his heart, and was not in the mood to use the brush for several days.

At that time, he was just in high school, so he didn't understand this situation very much, and felt that these masters were too shameless.Now, it can be said that he has matured, or that he has become more sophisticated. Anyway, when he sees this situation again, he has no special reaction. He can only guarantee that he will not cheat. As for others, he is too lazy to care. Woolen cloth.

In this world, it is not easy to manage yourself well, where is the energy to care about the right and wrong of others.

Of course, this was just a fleeting thought in his mind. He was still staring at the soft-colored and smooth rice paper in thought, before writing for a while.

His painting style is the same as that of his sculpture and brush writing, and his speed is very fast. Once he starts to write, he doesn't hesitate any longer, and pursues a smooth and smooth process in one go.But he is not blindly seeking quickness. His movements can be said to be standard in speed and detail. It is obvious that he swipes a pen and taps a few points in a row, but when it lands on the paper, each point is a stroke. The pen is delicate and delicate.

This can be regarded as his unique skill. He couldn't do it before, but since he got the Ruyi Gloves, his control over his hands has reached an unimaginable level.

In this way, under the watchful eyes of old man Cheng, Cheng Lin and Cheng Lin's little cousin, he moved the brush like flying, and the brush moved back and forth on the clean rice paper and the ink tray. In less than 10 minutes, his brush was still wet The generous freehand ink painting of pine forests was presented to everyone.

This pine forest is about [-] centimeters long and [-] centimeters wide. The content is very simple, that is, one old and one young are drinking tea and watching pine trees in a small pavilion on the top of the mountain.

The images of the small pavilion and the characters are very simple. Outside the pavilion are a few jagged rocks, and beside the rocks stands a tall and powerful pine tree, with thick and powerful branches and lush green pine needles. Although the image is also simple, the pine needles and branches The stems are all chapped brushes with a halo effect, but the proud and upright momentum is stronger than that of real pine trees. From the front, you can even feel the kind of "hold on to the green hills and not relax, and the roots are originally in the broken rocks." "The powerful aura.

(End of this chapter)

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